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A rollicking history of America's most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers. You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice’s Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms of criticism and storytelling and revolutionized journalism, spawning hundreds of copycats. With more than 200 interviews, including two-time Pulitzer Prize winner, Colson Whitehead, cultural critic Greg Tate, gossip columnist Michael Musto, and feminist writers Vivian Gornick and Susan Brownmiller, former Voice writer Tricia Romano pays homage to the paper that saved NYC landmarks from destruction and exposed corrupt landlords and judges. With interviews featuring post-punk band, Blondie, sportscaster Bob Costas, and drummer Max Weinberg, of Bruce Springsteen’s E Street Band, in this definitive oral history, Romano tells the story of journalism, New York City and American culture—and the most famous alt-weekly of all time.
Examines the intellectual contributions and lasting impact of pioneering rock critics
Peter Jennings was the sole anchor of ABC's World News Tonight from 1983 until his death from cancer in 2005. For many Americans, he was the voice and face that gave shape and meaning to every day's news. But who was Peter Jennings really? In this absorbing biography, readers will get to know Jennings through the memories of his friends, family, competitors, colleagues, and interview subjects. Their stories are full of surprises. Jennings, we learn, was a high school dropout who spent the rest of his life in pursuit of knowledge. He traveled the world in search of stories, a notebook perpetually thrust through his back belt loop. In his front pocket, he carried a miniature copy of the Constitution, a testament to his love for the United States; a Canadian by birth, Jennings acquired American citizenship in 2003. Peter Jennings was a celebrity, of course -- a dashingly handsome and elegant man, famous for his ability to charm women and world leaders alike -- but in these pages he is remembered as a loyal friend and a devoted family man, who loved nothing more than to canoe with his kids and listen to jazz with his friends in the Hamptons. Not that he was the relaxing sort. Jennings was a task-master, who ripped other reporters' pieces to shreds, forcing them to rewrite from the ground up. He was a perfectionist, too, who drove his fellow correspondents crazy with his ad-libbed questions on the air. It was all about standards. Throughout his life, Peter Jennings was driven by a passion to seek the truth and convey that truth accurately, simply, cleanly, and elegantly to his American audience. He was our voice.
The long-buried story of three extraordinary female journalists who permanently shattered the barriers to women covering war Kate Webb, an Australian iconoclast, Catherine Leroy, a French daredevil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate challenged the rules imposed on them by the military, ignored the belittlement of their male peers, and ultimately altered the craft of war reportage for generations. In You Don’t Belong Here, Elizabeth Becker uses these women’s work and lives to illuminate the Vietnam War from the 1965 American buildup, the expansion into Cambodia, and the American defeat and its aftermath. Arriving herself in the last years of the war, Becker writes as a historian and a witness of the times. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice. Deeply reported and filled with personal letters, interviews, and profound insight, You Don’t Belong Here fills a void in the history of women and of war. ‘A riveting read with much to say about the nature of war and the different ways men and women correspondents cover it. Frank, fast-paced, often enraging, You Don’t Belong Here speaks to the distance travelled and the journey still ahead.’ —Geraldine Brooks, Pulitzer Prize–winning author of March, former Wall Street Journal foreign correspondent ‘Riveting, powerful and transformative, Elizabeth Becker’s You Don’t Belong Here tells the stories of three astonishing women. This is a timely and brilliant work from one of our most extraordinary war correspondents.’ —Madeleine Thien, Booker Prize finalist and author of Do Not Say We Have Nothing
Roger Mudd joined CBS in 1961, and as the congressional correspondent, became a star covering the historic Senate debate over the 1964 Civil Right Act. Appearing at the steps of Congress every morning, noon, and night for the twelve weeks of filibuster, he established a reputation as a leading political reporter. Mudd was one of half a dozen major figures in the stable of CBS News broadcasters at a time when the network's standing as a provider of news was at its peak. In The Place to Be, Mudd tells of how the bureau worked: the rivalries, the egos, the pride, the competition, the ambitions, and the gathering frustrations of conveying the world to a national television audient in thirty minutes minus commercials. It is the story of a unique TV news bureau, unmatched in its quality, dedication, and professionalism. It shows what TV journalism was once like and what it's missing today.
The author recounts his experiences as a young reporter to "Stars and Stripes," the American forces' daily newspaper in Europe, including his personal account of the liberation and entry into Buchenwald.
She was a groomed for a gilded life in moneyed Houston, but Molly Ivins left the country club behind to become one of the most provocative, courageous, and influential journalists in American history. Presidents and senators called her for advice; her column ran in 400 newspapers; her books, starting with Molly Ivins Can't Say That, Can She?, were bestsellers. But despite her fame, few people really knew her: what her background was, who influenced her, how her political views developed, or how many painful struggles she fought. Molly Ivins is a comprehensive, definitive narrative biography, based on intimate knowledge of Molly, interviews with her family, friends, and colleagues, and access to a treasure trove of her personal papers. Written in a rollicking style, it is at once the saga of a powerful, pugnacious woman muscling her way to the top in a world dominated by men; a fascinating look behind the scenes of national media and politics; and a sobering account of the toll of addiction and cancer. Molly Ivins adds layers of depth and complexity to the story of an American legend - a woman who inspired people both to laughter and action. A revelatory biography of the irreverent political commentator and bestselling author whose public persona masked a complicated and compelling personal history.
For nearly fifty years, Vivian Gornick's essays, written with her characteristic clarity of perception and vibrant prose, have explored feminism and writing, literature and culture, politics and personal experience. Drawing writing from the course of her career, Taking a Long Look illuminates one of the driving themes behind Gornick's work: that the painful process of understanding one's self is what binds us to the larger world. In these essays, Gornick explores the lives and literature of Alfred Kazin, Mary McCarthy, Diana Trilling, Philip Roth, Joan Didion, and Herman Melville; the cultural impact of Silent Spring and Uncle Tom's Cabin; and the characters you might only find in a New York barber shop or midtown bus terminal. Even more, All That Is Given brings back into print her incendiary essays, first published in the Village Voice, championing the emergence of the women's liberation movement of the 1970s. Alternately crackling with urgency or lucid with insight, the essays in Taking a Long Look demonstrate one of America's most beloved critics at her best.
"Known not only for his brilliant novels but also for short stories chronicling the Jazz Age, such as 'Bernice bobs her hair' and 'The diamond as big as the Ritz, ' F. Scott Fitzgerald continued to write stories his entire life, some of which were never published--until now. Many of the stories in I'd die for you were submitted to major magazines and accepted for publication during Fitzgerald's lifetime but were never printed. A few were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald in the 1930s. They come from various sources, from library archive to private collections, including those of Fitzgerald's family"--Jacket flap.
A rollicking history of America's most iconic alternative weekly newspaper--which defined the politics and culture of the progressive left for a generation--told through the voices of some of its most iconic writers. You either were there or you wanted to be. The Freaks Came Out to Write is the definitive oral history of The Village Voice--a New York City institution. Roaming its cramped, chaotic halls were the people who had written the first stories about the Stonewall Riots and the gay rights movement; who had advocated for civil rights before it was mainstream. The Voice was the first to cover hip-hop, the avant-garde art scene, and the AIDS crisis with urgency and seriousness when other papers were dismissing it as "the gay disease." It invented new forms of criticism and storytelling, revolutionized journalism, and covered cultural and political moments, often long before big outlets like the New York Times did. The book features interviews with iconic voices from the paper's early years, such as Norman Mailer, who co-founded the paper in 1955, and Mary Perot Nichols, who battled weekly with the infamous Robert Moses, and whose writing in the Voice saved countless New York City landmarks from destruction. Wild tales are told by Robert Christgau, the self-appointed "Dean of American Rock Criticism," and Wayne Barrett, who in the 80's was the first reporter to uncover Donald Trump as a huckster and corrupt con artist. In The Freaks Come Out to Write, Tricia Romano, who worked at the Voice during the 90's and 2000's, pays homage to the Voice. She will tell the story of American journalism, American culture, and how the Internet (and Rupert Murdoch) killed the most famous alt-weekly of all time.