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The Freak Observer is rich in family drama, theoretical physics, and an unusual, tough young woman—Loa Lindgren. For eight years, Loa Sollilja's world ran like one of those mechanical models of the solar system, with her baby sister, Asta, as the sun. Asta suffered from a genetic disorder that left her a permanent infant, and caring for her was Loa's life. Everything spun neatly and regularly as the whole family orbited around Asta. But now Asta's dead, and 16-year-old Loa's clockwork galaxy has collapsed. As Loa spins off on her own, her mind ambushes her with vivid nightmares and sadistic flashbacks―a textbook case of PTSD. But there are no textbook fixes for Loa's short-circuiting brain. She must find her own way to pry her world from the clutches of death. The Freak Observer is a startling debut about death, life, astrophysics, and finding beauty in chaos.
A teenage girl. A survivalist childhood. And now a bomb strapped to her chest. See the world through her eyes in this harrowing and deeply affecting literary thriller. I’m Valkyrie White. I’m fifteen. Your government killed my family. Ever since Mabby died while picking beans in their garden — with the pock-a-pock of a helicopter overhead — four-year-old Valley knows what her job is: hide in the underground den with her brother, Bo, while Da is working, because Those People will kill them like coyotes. But now, with Da unexpectedly gone and no home to return to, a teenage Valley (now Valkyrie) and her big brother must bring their message to the outside world — a not-so-smart place where little boys wear their names on their backpacks and young men don’t pat down strangers before offering a lift. Blythe Woolston infuses her white-knuckle narrative, set in a day-after-tomorrow Montana, with a dark, trenchant humor and a keen psychological eye. Alternating past-present vignettes in prose as tightly wound as the springs of a clock and as masterfully plotted as a game of chess, she ratchets up the pacing right to the final, explosive end.
I should have died quick. But I didn't. I'm a miracle of modern medicine, only the medicine doesn't get much credit, I notice. People say I'm lucky, or I'm blessed, and then they turn away. I'm not the only miracle. There's Odd too. Polly Furnas had The Plan for the future. Get married to Bridger Morgan, for one. College, career, babies. Etc. All the important choices were made. It was all happily-ever-after as a diamond-ring commercial. But The Plan did not include a lethal drug-resistant infection. It did not include “some more reconstruction and scar revision in the future." And it certainly did not include Odd Estes, a trip to Portland in an ancient Cadillac to "tear Bridger a new one," fly fishing, marshmallows, Crisco, or a loaded gun. But plans change. Stories get revised and new choices must be made. Polly and Odd have choices. Surviving or not. Catch or release.
In a near-future world of exurban decay studded with big box stores, daily routine revolves around shopping—for those who can. For Zoë, the mission is simpler: live. Last girl Zoë Zindleman, numerical ID 009-99-9999, is starting work at AllMART, where "your smile is the AllMART welcome mat.” Her living arrangements are equally bleak: she can wait for her home to be foreclosed and stripped of anything valuable now that AnnaMom has moved away, leaving Zoë behind, or move to the Warren, an abandoned strip-mall-turned-refuge for other left-behinds. With a handful of other disaffected, forgotten kids, Zoë must find her place in a world that has consumed itself beyond redemption. She may be a last girl, but her name means “life,” and Zoë isn’t ready to disappear into the AllMART abyss. Zoë wants to live.
The comedian host of Politically Incorrect draws on previously written material and the "New Rules" segments of his popular cable show, Real Time, to consider such topics as cell phones, fast food, and the agendas of conservative government figures. 250,000 first printing.
National Book Award Finalist • Here is the unforgettable story of the Binewskis, a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities—with the help of amphetamines, arsenic, and radioisotopes. One of The Atlantic’s Great American Novels of the Past 100 Years Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset. As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.
"I had no idea how to find my way around this medieval city. It was getting dark. I was tired. I didn’t speak Arabic. I was a little frightened. But hadn’t I battled scorpions in the wilds of Costa Rica and prevailed? Hadn’t I survived fainting in a San José brothel? Hadn’t I once arrived in Ireland with only $10 in my pocket and made it last two weeks? Surely I could handle a walk through an unfamiliar town. So I took a breath, tightened the black scarf around my hair, and headed out to take my first solitary steps through Sana’a."—from The Woman Who Fell From The Sky In a world fraught with suspicion between the Middle East and the West, it's hard to believe that one of the most influential newspapers in Yemen—the desperately poor, ancestral homeland of Osama bin Laden, which has made has made international headlines for being a terrorist breeding ground—would be handed over to an agnostic, Campari-drinking, single woman from Manhattan who had never set foot in the Middle East. Yet this is exactly what happened to journalist, Jennifer Steil. Restless in her career and her life, Jennifer, a gregarious, liberal New Yorker, initially accepts a short-term opportunity in 2006 to teach a journalism class to the staff of The Yemen Observer in Sana'a, the beautiful, ancient, and very conservative capital of Yemen. Seduced by the eager reporters and the challenging prospect of teaching a free speech model of journalism there, she extends her stay to a year as the paper's editor-in-chief. But she is quickly confronted with the realities of Yemen—and their surprising advantages. In teaching the basics of fair and balanced journalism to a staff that included plagiarists and polemicists, she falls in love with her career again. In confronting the blatant mistreatment and strict governance of women by their male counterparts, she learns to appreciate the strength of Arab women in the workplace. And in forging surprisingly deep friendships with women and men whose traditions and beliefs are in total opposition to her own, she learns a cultural appreciation she never could have predicted. What’s more, she just so happens to meet the love of her life. With exuberance and bravery, The Woman Who Fell from the Sky offers a rare, intimate, and often surprising look at the role of the media in Muslim culture and a fascinating cultural tour of Yemen, one of the most enigmatic countries in the world.
Fiction. Like an expanded Dictionary of Received Ideas, THE BOOK OF FREAKS takes its subject matter from everyday life. Both hilarious and poker-faced in equal measures, this faux encyclopedia categorizes mundanities and renders them starkly unexpected. From circus freaks, to nationalities, to you and everyone you've ever met, THE BOOK OF FREAKS points out what we already knew, but never acknowledged: every one of us, in our own little ways, is a weirdo. THE BOOK OF FREAKS is bewildering in a good way—a bluntly informational yet oddly poetic tour de force. "Jamie Iredell can spin around with a disc in his hand and then throw that disc incredible distances. He can also do freakish things with words."—Michael Kimball
Anthropic Bias explores how to reason when you suspect that your evidence is biased by "observation selection effects"--that is, evidence that has been filtered by the precondition that there be some suitably positioned observer to "have" the evidence. This conundrum--sometimes alluded to as "the anthropic principle," "self-locating belief," or "indexical information"--turns out to be a surprisingly perplexing and intellectually stimulating challenge, one abounding with important implications for many areas in science and philosophy. There are the philosophical thought experiments and paradoxes: the Doomsday Argument; Sleeping Beauty; the Presumptuous Philosopher; Adam & Eve; the Absent-Minded Driver; the Shooting Room. And there are the applications in contemporary science: cosmology ("How many universes are there?", "Why does the universe appear fine-tuned for life?"); evolutionary theory ("How improbable was the evolution of intelligent life on our planet?"); the problem of time's arrow ("Can it be given a thermodynamic explanation?"); quantum physics ("How can the many-worlds theory be tested?"); game-theory problems with imperfect recall ("How to model them?"); even traffic analysis ("Why is the 'next lane' faster?"). Anthropic Bias argues that the same principles are at work across all these domains. And it offers a synthesis: a mathematically explicit theory of observation selection effects that attempts to meet scientific needs while steering clear of philosophical paradox.
"You're Ellie Spencer." I opened my mouth, just as he added, "And your eyes are opening." Seventeen-year-old Ellie Spencer is just like any other teenager at her boarding school. She hangs out with her best friend Kevin, she obsesses over Mark, a cute and mysterious bad boy, and her biggest worry is her paper deadline. But then everything changes. The news headlines are all abuzz about a local string of serial killings that all share the same morbid trademark: the victims were discovered with their eyes missing. Then a beautiful yet eerie woman enters Ellie's circle of friends and develops an unhealthy fascination with Kevin, and a crazed old man grabs Ellie in a public square and shoves a tattered Bible into her hands, exclaiming, "You need it. It will save your soul." Soon, Ellie finds herself plunged into a haunting world of vengeful fairies, Maori mythology, romance, betrayal, and an epic battle for immortality.