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An edition of selected letters by (and in some cases to) Sir J. G. Frazer (1854-1941), the eminent anthropologist and historian of religion, and author of The Golden Bough. It offers an invaluable insight into British intellectual life at the turn of the century, and also illuminates the composition, and reception, of The Golden Bough itself.
This multidisciplinary volume examines the ongoing effects of James G. Frazer’s The Golden Bough in modern Humanities and its wide-ranging influence across studies of ancient religions, literature, historiography, and reception studies. The book begins by exploring the life and times of Frazer himself and the writing of The Golden Bough in its cultural milieu. It then goes on to cover a wide range of topics, including: ancient Near Eastern religion and culture; Minoan religion and in particular the origins of notions of Minoan matriarchy; Frazer’s influence on the study of Graeco-Roman religion and magic; Frazer’s influence on modern Pagan religions; and the effects of Frazer’s works in modern culture and scholarship generally. Chapters examine how modern academia and beyond continues to be influenced by the otherwise discredited theories in The Golden Bough, ideas such as Sacred Marriage and the incessant Fertility of Everything. The book demonstrates how scholarship within the Humanities as well as practitioners of alternative religions and the common public remain under the thrall of Frazer over one hundred years since the publication of the abridged edition of The Golden Bough, and what we must do to shake off that influence. A Century of James Frazer’s The Golden Bough is of interest to scholars and students from a wide range of disciplines, including Ancient History, History of Religion, Comparative Religion, Classical Studies, Archaeology, Historiography, Anthropology, Folklore, and Reception Studies.
Sir James G. Frazer's The Golden Bough, first published in 1890, was the first work in English to understand the religion of classical antiquity in the context of primitive religion. Its dramatic impact on the history of ideas lasted well into the twentieth century, in its association of religious myths with the more primitive forms of ritual and magic generated by the 'savage mind', identified as a common misunderstanding of the scientific laws governing the natural world. This highly acclaimed biography is a comprehensive study of Frazer's life, the influences on his work, and its wide-ranging implications for modern anthropology, classics, cultural history and folklore.
At the heart of this collection of correspondences are the letters of the poet H.D. (1886-1961) to her companion, the novelist Bryher, during the time she underwent psychoanalysis by Sigmund Freud. Friedman (English and women's studies, U. of Wisconsin at Madison) presents the letters as giving an alternative view of Freud's therapeutic style, as well as offering portraits both of late 19th century Vienna and of the literary circle H.D. was part of, which included Havelock Ellis, Kenneth MacPherson, and Ezra Pound. Annotation copyrighted by Book News, Inc., Portland, OR
Before Sir Arthur Evans, the principal object of Greek prehistoric archaeology was the reconstruction of history in relation to myth. European travellers to Greece viewed its picturesque ruins as the gateway to mythical times, while Heinrich Schliemann, at the end of the nineteenth century, allegedly uncovered at Troy and Mycenae the legendary cities of the Homeric epics. It was Evans who, in his controversial excavations at Knossos, steered Aegean archaeology away from Homer towards the broader Mediterranean world. Yet in so doing he is thought to have done his own inventing, recreating the Cretan Labyrinth via the Bronze Age myth of the Minotaur. Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history. She argues that Evans was an excellent archaeologist, one who used scientific observation and classification. Evans's combination of anthropology, comparative religion and analysis of cultic artefacts enabled him to develop a bold new method which Sir James Frazer called 'mental anthropology'. It was this approach that led him to propose remarkable ideas about Minoan religion, theories that are now being vindicated as startling new evidence comes to light. Examining the frescoes from Akrotiri, on Santorini, that are gradually being restored, the author suggests that Evans's hypothesis of one unified goddess of nature is the best explanation of what they signify. Evans was in 1901 ahead of his time in viewing comparable Minoan scenes as a blend of ritual action and mythic imagination. Nanno Marinatos is a leading authority on Minoan religion. In this latest book she combines history, archaeology and myth to bold and original effect, offering a wholly new appraisal of Evans and the significance of his work. Sir Arthur Evans and Minoan Crete will be essential reading for all students of Minoan civilization, as well as an irresistible companion for travellers to Crete.
The 20th-century anatomists Grafton Elliot Smith, Frederic Wood Jones and Arthur Keith travelled the globe collecting, cataloguing and constructing morphologies of the biological world with the aim of weaving these into a new vision of bio-ecology that links humans to their deep past as well as their evolutionary niche. They dissected human bodies and scrutinised the living, explaining for the first time the intricacies of human biology. They placed the body in its environment and gave it a history, thus creating an ecological synthesis in striking contrast to the model of humanity that they inherited as students. Their version of human development and history profoundly influenced public opinion as they wrote prolifically for the press; they published bestsellers on human origins and evolution; they spoke eloquently at public meetings and on the radio. They wanted their anatomical insight to shape public policy. And by changing popular views of race and environment, they moulded attitudes as to what it meant to be human in a post-Darwinian world—thus providing a potent critique of racism.