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"Frances Ellen Watkins Harper (1825-1911) was the most important and the most popular black feminist abolitionist writer and activist of the nineteenth century. A Brighter Day Coming, the most comprehensive collection of her works, includes all the poems from Harper's extant original volumes, plus many that have never been collected and one that was discovered in manuscript; speeches; and a selection of prose, including excerpts from the novel Iola Leroy and the serialized novel Fancy Etchings, and a generous group of letters ..."--Back cover.
Today, most remember “California Girl” Lillian Frances Smith (1871–1930) as Annie Oakley’s chief competitor in the small world of the Wild West shows’ female shooters. But the two women were quite different: Oakley’s conservative “prairie beauty” persona clashed with Smith’s tendency to wear flashy clothes and keep company with the cowboys and American Indians she performed with. This lively first biography chronicles the Wild West showbiz life that Smith led and explores the talents that made her a star. Drawing on family records, press accounts, interviews, and numerous other sources, historian Julia Bricklin peels away the myths that enshroud Smith’s fifty-year career. Known as “The California Huntress” before she was ten years old, Smith was a professional sharpshooter by the time she reached her teens, shooting targets from the back of a galloping horse in Buffalo Bill Cody’s Wild West. Not only did Cody offer $10,000 to anyone who could beat her, but he gave her top billing, setting the stage for her rivalry with Annie Oakley. Being the best female sharpshooter in the United States was not enough, however, to differentiate Lillian Smith from Oakley and a growing number of ladylike cowgirls. So Smith reinvented herself as “Princess Wenona,” a Sioux with a violent and romantic past. Performing with Cody and other showmen such as Pawnee Bill and the Miller brothers, Smith led a tumultuous private life, eventually taking up the shield of a forged Indian persona. The morals of the time encouraged public criticism of Smith’s lack of Victorian femininity, and the press’s tendency to play up her rivalry with Oakley eventually overshadowed Smith’s own legacy. In the end, as author Julia Bricklin shows, Smith cared more about living her life on her own terms than about her public image. Unlike her competitors who shot to make a living, Lillian Smith lived to shoot.
From the moment Hugh Dermott O'Connor""later to become Francis Joel Smith""was conceived, God's perfect plans for his life were already in motion. Born with Treacher Collins syndrome, a rare genetic disorder that affects the formation of the face during the first trimester of pregnancy, Infant Hugh's face was so severely deformed emergency surgery was performed moments after his birth just so he could breathe. Soon thereafter, he was deemed deaf and retarded. If Infant Hugh survived, it was believed he was destined to live out his life inside the walls of an institution. Yet his medical team fought valiantly to save this helpless infant's life. The LORD had other plans. Decades earlier, his God-fearing, God-loving adopted parents""Bob and Betty Smith""were divinely brought together and prepared and placed exactly where they needed to be in order to take this struggling, suffering child who battled for survival into their home, just as they already had with ten other challenged and rejected children they adopted before him. His foster mother, Mrs. Lillian Collins""a loving Christian woman""fought to sustain him and meet his immediate needs that included his first hearing aid and hefty doses of prayer. At two and a half years old, he was seamlessly integrated into the Smith household where daily scripture readings and prayer nourished him spiritually, and relentless ongoing tube feedings nourished him physically. Above all, Bob and Betty taught their children to love the LORD no matter what and to never give into their challenges. The LORD steadily provided for their needs, and through prayer and loving guidance, every challenge was met head-on. Today, Dr. Francis Joel Smith is a PhD medical researcher in craniofacial development and is a world-renowned speaker, musician, and advocate for those who suffer from craniofacial anomalies as he has. See our interview! Click Here!
**** New edition of the Greenwood Press original of 1979 (which is cited in BCL3), with a new introduction, chapter, and a supplementary bibliography. Annotation copyright by Book News, Inc., Portland, OR.
The Frances Smith was not only the first steamboat to be built in Owen Sound, but also the largest vessel on Georgian Bay at that time. By far the most luxurious vessel to sail the Upper Great Lakes from a Canadian port, she was known as a "palace steamer." In the mid-to-late-19th century, the Frances Smith set the standard for speed, spacious accommodation and quality service on Georgian Bay and Lake Superior. The story of the Frances Smith, full of adventure and courageous actions, and even including disreputable behaviour, is a genuine story of life on the Great Lakes in the latter part of the 1800s. Meticulously researched and documented by Scott L. Cameron, this book is an exploration of a special part of our past that will be of great interest to history buffs in general, and maritime historians in particular.
A definitive guide to race and gender from the pioneers of black women's studies.
Few films in the twenty-first century have represented coming-of-age with the beauty and brutality of Bande de Filles (or Girlhood). This book provides an in-depth examination of Céline Sciamma’s film, focusing on its portrayal of female adolescence in contemporary Paris. Motivated by the absence of black female characters in French cinema, Sciamma represents the lives of figures that have passed largely unnoticed on the big screen. While observing the girls’ tough circumstances, Sciamma’s film emphasises the joy and camaraderie found in female friendships. This book places Girlhood in its cinematic as well as its sociocultural context. Pop music, urban violence, and female friendships are all considered here in a book that draws out the complexity of Sciamma’s deceptively simple portrayal of coming-of-age. Thoughtful, concise, and deeply contemporary, this book is perfect for students, scholars, and general readers interested in youth cultures, European cinema, gender, and sexuality.
Love and Marriage in Early African America brings together a remarkable range of folk sayings, rhymes, songs, poems, letters, lectures, sermons, short stories, memoirs, and autobiographies. Spanning over 100 years, from the slave era to the New Negro Movement, this extraordinary collection contradicts or nuances established notions that slavery fractured families, devalued sexual morality, distorted gender roles, and set in motion forces that now produce dismal and dangerous domestic situations. A culmination of twenty years of diligent research by noted scholar Frances Smith Foster, this anthology features selections on love and courtship, marriage, marriage rituals, and family. A compelling introduction places the primary texts in their social and literary context. A bibliography offers suggestions for further reading. This volume includes materials by well known writers such as Frances E. W. Harper, Charles Chesnutt, and Alice Dunbar Nelson, but the majority of works are previously unknown or difficult-to-access materials. Many provide startling contrasts to representations in canonical literature. For example, “Patrick Brown’s First Love” is a radical alternative to Frederick Douglass’s “The Heroic Slave,” and Thomas Detter’s “The Octoroon” replaces the traditionally tragic mulatto trope with a female protagonist who shocks and awes. Love and Marriage in Early African America also changes our ideas about the relationship between religion and politics in early African America by featuring texts from the Afro-Protestant press; that is, the publishing organizations, writers, and reading groups under the direct auspices of, or publicly associated with, Afro-Protestant churches.
A breathtaking achievement, this Concise Companion is a suitable crown to the astonishing production in African American literature and criticism that has swept over American literary studies in the last two decades. It offers an enormous range of writers-from Sojourner Truth to Frederick Douglass, from Zora Neale Hurston to Ralph Ellison, and from Toni Morrison to August Wilson. It contains entries on major works (including synopses of novels), such as Harriet Jacobs's Incidents in the Life of a Slave Girl, Richard Wright's Native Son, and Lorraine Hansberry's A Raisin in the Sun. It also incorporates information on literary characters such as Bigger Thomas, Coffin Ed Johnson, Kunta Kinte, Sula Peace, as well as on character types such as Aunt Jemima, Brer Rabbit, John Henry, Stackolee, and the trickster. Icons of black culture are addressed, including vivid details about the lives of Muhammad Ali, John Coltrane, Marcus Garvey, Jackie Robinson, John Brown, and Harriet Tubman. Here, too, are general articles on poetry, fiction, and drama; on autobiography, slave narratives, Sunday School literature, and oratory; as well as on a wide spectrum of related topics. Compact yet thorough, this handy volume gathers works from a vast array of sources--from the black periodical press to women's clubs--making it one of the most substantial guides available on the growing, exciting world of African American literature.
"...substantial contribution to African-American Studies and women's studies." --Mississippi Quarterly "A bravura performance by an accomplished scholar... it strikes a perfect balance between insightful literary analysis and historical investigation." --Eighteenth-Century Studies "... an impressive study of a wide range of writers.... Foster's work is both scholarly and accessible. Her prose is economical and direct, making this book enjoyable as well as instructive." --Belles Lettres "... an impressively wide-ranging discussion of texts and contexts... " --Signs "Foster has written a fine book that provides the reader with a context for understanding the importance of the written word for women who chose to 'set the record straight'." --Journal of American History "... fascinating, meticulously researched... Likely to prove seminal in the field... highly recommended... " --Library Journal " Written by Herself comprises a volume of remarkable female characters whose desires for social change often made them catalysts for spiritual awakening in their own times." --MultiCultural Review "... an outstanding piece of scholarship... Foster's book offers deeply intelligent, provocative, totally accessible analysis of a tradition and of writers still not sufficiently read and taught." --American Literature "Well written and thoroughly researched. Highly recommended... " --Choice The first comprehensive cultural history of literature by African American women prior to the 20th century. From the oral histories of Alice, a slave born in 1686, to the literary tradition that included Jarena Lee and Octavia Victoria Rogers Albert, this literature was argument, designed to correct or to instruct an audience often ignorant about or even hostile to black women.