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A nine-year-old girl leads a march of children from Massachusetts to Washington, in protest against the President's new missile which is capable of destroying the earth.
Generations of scholars have debated why the Union collapsed and descended into civil war in the spring of 1861. Turning this question on its head, Brian C. Neumann’s Bloody Flag of Anarchy asks how the fragile Union held together for so long. This fascinating study grapples with this dilemma by reexamining the nullification crisis, one of the greatest political debates of the antebellum era, when the country came perilously close to armed conflict in the winter of 1832–33 after South Carolina declared two tariffs null and void. Enraged by rising taxes and the specter of emancipation, 25,000 South Carolinians volunteered to defend the state against the perceived tyranny of the federal government. Although these radical Nullifiers claimed to speak for all Carolinians, the impasse left the Palmetto State bitterly divided. Forty percent of the state’s voters opposed nullification, and roughly 9,000 men volunteered to fight against their fellow South Carolinians to hold the Union together. Bloody Flag of Anarchy examines the hopes, fears, and ideals of these Union men, who viewed the nation as the last hope of liberty in a world dominated by despotism—a bold yet fragile testament to humanity’s capacity for self-government. They believed that the Union should preserve both liberty and slavery, ensuring peace, property, and prosperity for all white men. Nullification, they feared, would provoke social and political chaos, shattering the Union, destroying the social order, and inciting an apocalyptic racial war. By reframing the nullification crisis, Neumann provides fresh insight into the internal divisions within South Carolina, illuminating a facet of the conflict that has long gone underappreciated. He reveals what the Union meant to Americans in the Jacksonian era and explores the ways both factions deployed conceptions of manhood to mobilize supporters. Nullifiers attacked their opponents as timid “submission men” too cowardly to defend their freedom. Many Unionists pushed back by insisting that “true men” respected the law and shielded their families from the horrors of disunion. Viewing the nullification crisis against the backdrop of global events, they feared that America might fail when the world, witnessing turmoil across Europe and the Caribbean, needed its example the most. By closely examining how the nation avoided a ruinous civil war in the early 1830s, Bloody Flag of Anarchy sheds new light on why America failed three decades later to avoid a similar fate.
NPR Books We Love 2021 | Publishers Weekly Best Books of 2021 | Booklist Best of 2021 | Booklist Editors' Choice: Adult Titles | NYT Best Science Fiction and Fantasy Books of 2021 | Washington Independent Review of Books 51 Favorite Books of 2021 “On Fragile Waves is a tremendous and almost unbearable work of witness. It is devastating and perfect.” — New York Times Book Review The haunting story of a family of dreamers and tale-tellers looking for home in an unwelcoming world. This exquisite and unusual magic realist debut, told in intensely lyrical prose by an award winning author, traces one girl’s migration from war to peace, loss to loss, home to home. Firuzeh and her brother Nour are children of fire, born in an Afghanistan fractured by war. When their parents, their Atay and Abay, decide to leave, they spin fairy tales of their destination, the mythical land and opportunities of Australia. As the family journeys from Pakistan to Indonesia to Nauru, heading toward a hope of home, they must rely on fragile and temporary shelters, strangers both mercenary and kind, and friends who vanish as quickly as they’re found. When they arrive in Australia, what seemed like a stable shore gives way to treacherous currents. Neighbors, classmates, and the government seek their own ends, indifferent to the family’s fate. For Firuzeh, her fantasy worlds provide some relief, but as her family and home splinter, she must surface from these imaginings and find a new way.
LONGLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION NON-FICTION CROWN A SUNDAY TIMES BOOK OF THE YEAR 'A sweeping, absorbing history, deeply researched, of that extraordinary and enduring phenomenon: the library' Richard Ovenden, author of Burning the Books: A History of Knowledge under Attack Famed across the known world, jealously guarded by private collectors, built up over centuries, destroyed in a single day, ornamented with gold leaf and frescoes or filled with bean bags and children's drawings - the history of the library is rich, varied and stuffed full of incident. In this, the first major history of its kind, Andrew Pettegree and Arthur der Weduwen explore the contested and dramatic history of the library, from the famous collections of the ancient world to the embattled public resources we cherish today. Along the way, they introduce us to the antiquarians and philanthropists who shaped the world's great collections, trace the rise and fall of fashions and tastes, and reveal the high crimes and misdemeanours committed in pursuit of rare and valuable manuscripts.
Mary Pickersgill and the Star-Spangled Banner tells the story of how a young widow in the summer of 1813 made two large flags for Fort McHenry in Baltimore. The young United States was at war with Great Britain, and Fort McHenry prepared for an attack from the British. All was ready at the fort except for a proper set of flags. George Armistead, commander at Fort McHenry, needed the hand sewn flags in a hurry giving Mary Pickersgill just six weeks to produce them. This book will explain how Mary Pickersgill learned to make flags, where she obtained the four hundred yards of fabric, woven only in England, to make the flag, how she organized a small work force of young women, including a free African-American indentured servant, to sew the flags and where she found a workplace to make such large flags. Surprisingly, Mary Pickersgill did not consider sewing the Star-Spangled Banner the greatest accomplishment of her life. Under her leadership, a Baltimore charitable organization helped poor widows find work to support their families. The organization raised the funds to build the Home for Aged Widows that opened with great publicity and fanfare six years before Mary Pickersgill died. The Pickersgill Retirement Home in Towson has its roots in Mary Pickersgills crowning achievement of her lifetime. The stirring history of Mary Pickersgills family is included in the book and helps explain Mary Pickersgills drive and determination to produce the flags for Fort McHenry when the city of Baltimore was under imminent attack. The book also describes how the Star-Spangled Banner became the most important object in the Smithsonians vast collection. In addition, the book recounts the history of the Star-Spangled Banner Flag House Association that preserved the little house on the corner of Pratt and Albemarle Streets as a museum to honor Mary Pickersgills legacy.
Literature Suppressed on Religious Grounds, Revised Edition profiles the censorship of many such essential works of literature. The entries new to this edition include extensive coverage of the Harry Potter series, which has been frequently banned in the United States on the grounds that it promotes witchcraft, as well as entries on two popular textbook series, The Witches by Roald Dahl, Women Without Men: A Novel of Modern Iran, and more. Also included are updates to such entries as The Satanic Verses by Salman Rushdie and On the Origin of Species by Charles Darwin.
In the midst of a new Cold War, a deranged populist steals nuclear warheads from some of the UN Security Council members in order to form his own sovereign micronation. This pushes tensions to breaking point. Irish G2 station chief Connor O'Hara must lead a group of operatives to find the stolen warheads before this second Cold War turns into a hot shooting war... one with three nuclear armed sides.
Our Flag Was Still There details the improbable two-hundred-year journey of the original Star-Spangled Banner—from Fort McHenry in 1814, when Francis Scott Key first saw it, to the Smithsonian in 2023—and the enduring family who defended, kept, hid, and ultimately donated the most famous flag in American history. Francis Scott Key saw the original Star-Spangled Banner flying over Baltimore’s Fort McHenry on September 14, 1814, following a twenty-five-hour bombardment by the British Navy, inspiring him to write the words to our national anthem. Torn and tattered over the years, reduced in size to appease souvenir-hunters, stuffed away in a New York City vault for the last two decades of the nineteenth century, the flag’s mere existence after two hundred years is an improbable story of dedication, perseverance, patriotism, angst, inner-family squabbles, and, yes, more than a little luck. For this unlikely feat, we have the Armistead family to thank—led by Lieutenant Colonel George Armistead, commander of Fort McHenry, who took it home after the battle in clear defiance of U.S. Army regulations. It is only because of that quiet indiscretion that the flag survives to this day. Armistead’s descendants kept and protected their family heirloom for ninety years. The flag’s first photo was not taken until 1873, almost sixty years after Key saw it waving, and most Americans did not even know of its existence until Armistead’s grandson loaned it to the Smithsonian in 1907. Tom McMillan tells a story as no one has before. Digging deep into the archives of Fort McHenry and the Smithsonian, accessing never-before-published letters and documents, and presenting rare photos from the private collections of Armistead descendants and other sources, McMillan follows the flag on an often-perilous journey through three centuries. Our Flag Was Still There provides new insight into an intriguing period of U.S. history, offering a “story behind the story” account of one of the country’s most treasured relics.