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The classic Harmony of the Gospels by J. W. McGarvey and Philip Y. Pendleton with interspersed comments. Attractively re-typeset, this enduring work is a valuable resource to modern Bible students. "In most commentaries a fifth or sixth of the space is taken up in drawing distinctions between the texts of the four Gospels, while in this work these distinctions are placed before the reader's eye, where he can see them for himself at a glance. Moreover, in other commentaries, which give the text, another sixth or seventh of the work is taken up in reprinting in the notes that portion of the text concerning which the commentator wishes to speak. Our interjected method avoids all this needless repetition, and makes it possible for us to present the comment with the least preliminary verbiage or introductory setting. Time is also saved because the reader does not have to look back and forth from the text at the top to the comment at the bottom of the page. Again, other commentaries lose a large amount of space by using the King James text. Those which preceded the revision waste space correcting the translation and modernizing its English: those published since the revision suffer a similar waste by drawing endless comparisons between the two texts. By choosing the American revision as the basis for our work, we have a text which needs but little explanation or apology, and we are thereby enabled to employ the reader's time and strength to his best advantage." --Excerpted from the Introduction
This groundbreaking approach to the study of the fourfold gospel offers a challenging alternative to prevailing assumptions about the creation of the gospels and their portraits of Jesus. How and why does it matter that we have these four gospels? Why were they placed alongside one another as four parallel yet diverse retellings of the same story? Francis Watson, widely regarded as one of the foremost New Testament scholars of our time, explains that the four gospels were chosen to give a portrait of Jesus. He explores the significance of the fourfold gospel's plural form for those who constructed it and for later Christian communities, showing that in its plurality it bears definitive witness to what God has done in Jesus Christ. Watson focuses on reading the gospels as a group rather than in isolation and explains that the fourfold gospel is greater than, and other than, the sum of its individual parts. Interweaving historical, exegetical, and theological perspectives, this book is accessibly written for students and pastors but is also of interest to professors and scholars.
As Hays demonstrates, the claim that the events of Jesus' life, death, and resurrection took place "according to the Scriptures" stands at the very heart of the New Testament's earliest message. All four canonical Gospels declare that the Torah and the Prophets and the Psalms mysteriously prefigure Jesus. The author of the Fourth Gospel puts the claim succinctly: "If you believed Moses, you would believe me, for he wrote about me" (John 5:46). Hays thus traces thereading strategies the Gospel writers employ to "read backwards" and to discover how the Old Testament figuratively discloses the astonishing paradoxical truth about Jesus' identity. Attention to Jewish and Old Testament roots of the Gospel narratives reveals that each of the four Evangelists, in their diverse portrayals, identify Jesus as the embodiment of the God of Israel. Hays also explores the hermeneutical challenges posed by attempting to follow the Evangelists as readers of Israel's Scripture --
That there are four canonical versions of the one gospel story is often seen as a problem for Christian faith: where gospels multiply, so too do apparent contradictions that may seem to undermine their truth claims. In Gospel Writing Francis Watson argues that differences and tensions between canonical gospels represent opportunities for theological reflection, not problems for apologetics. Watson presents the formation of the fourfold gospel as the defining moment in the reception of early gospel literature -- and also of Jesus himself as the subject matter of that literature. As the canonical division sets four gospel texts alongside one another, the canon also creates a new, complex, textual entity more than the sum of its parts. A canonical gospel can no longer be regarded as a definitive, self-sufficient account of its subject matter. It must play its part within an intricate fourfold polyphony, and its meaning and significance are thereby transformed. In elaborating these claims, Watson proposes nothing less than a new paradigm for gospel studies — one that engages fully with the available noncanonical material so as to illuminate the historical and theological significance of the canonical.
In this book, through a distinctive evangelical and critical approach, Michael Bird explores the historical development of the four canonical Gospels. He shows how the memories and faith of the earliest believers formed the Gospel accounts of Jesus that got written and, in turn, how these accounts further shaped the early church. Bird's study clarifies the often confusing debates over the origins of the canonical Gospels. Bird navigates recent concerns and research as he builds an informed case for how the early Christ followers wrote and spread the story of Jesus -- the story by which they believed they were called to live. The Gospel of the Lord is ideal for students or anyone who wants to know the story behind the four Gospels. Watch an interview with Michael Bird from our Eerdmans Author Interview Series:
In the spirit of Ludolph of Saxony (c. 1295-1378) and Ignatius of Loyola (1491-1556), The Fourfold Gospel invites the reader into the mystery of God's redemption in Jesus Christ. All the parallel passages in the Gospels are glossed together, along with the unique material, using a medieval interpretive approach called the Quadriga or the acronym PaRDeS in Hebrew. Meditating on the literal, canonical, moral, and theological senses of Scripture offers a scaffolding for the spiritual formation of the reader. This volume, in addition to a thorough introduction to the method and the Gospels, focuses on the beginning of the story--the birth, baptism, and temptations of Christ.
The Bible contains four Gospels which tell the story of Jesus of Nazareth. And yet, many more Gospels once existed. Who, then, determined which Gospels would, for the next two thousand years, serve as the main gateways to Jesus and his teaching? Recent books and films have traced the decision to a series of fourth-century councils and powerful bishops. After achieving victory over their rivals for the Christian name, these key players, we are now told, conspired to 'rewrite history' to make it look like their version of Christianity was the original one preached by Jesus and his apostles: the Gospels of Matthew, Mark, Luke, and John became the prime tools for their re-sculpting of the Christian story, leading to the destruction of previously treasured writings like the Gospels of Judas, Mary, and Thomas. Are the four canonical Gospels, then, in the Bible as the result of a great, ecclesiastical conspiracy? Or does this explanation itself represent another 'rewriting of history', this time by a group of modern academics? Who Chose the Gospels? takes us to the scholarship behind the headlines, examining the great (and ongoing) controversy about how to look at ancient books about Jesus. How the four Biblical Gospels emerged into prominence among their competitors is a crucial question for everyone interested in understanding the historical Jesus and the development of the Christian church.
A shrewd synthesizer, gifted popularizer, and inspiring founder of the Christian and Missionary Alliance movement, A.B. Simpson (1843-1919) was enmeshed in the most crucial threads of evangelical Christianity at the turn of the twentieth century. Daryn Henry presents Simpson's life and ministry as a vivid, fascinating, and paradigmatic study in evangelical religious culture, during a time when the conservative wing of the movement has often been overlooked. Simpson's ministry, Henry explains, fused the classic evangelical emphasis on revivalist conversion with the intensification of that sensibility in the quest for the deeper Christian life of holiness. Recovering the practice of divine healing, Simpson emphasized a dynamically empowered and supernaturally animated Christianity that would spill over into nascent Pentecostalism. His encouragement of cross-cultural missions was part of a trend that unleashed the dramatic rise of world Christianity across the Global South. All the while, his Biblical literalism, antagonism to modernist theology, campaigns against evolution, and views on premillennialism, Biblical prophecy, and the role of Israel in the end times made Simpson a precursor of the fundamentalist melees of subsequent decades. From his upbringing in rural Canada and confessional Scottish Presbyterianism, Simpson journeyed into the heart of American evangelicalism revolving around his base in New York City. Against most previous writing on Simpson, Henry's biography presents both continuities and discontinuities in the development of modern interdenominational evangelicalism out of the denominational evangelicalism of the nineteenth century.