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Most people will frown on a relationship between Dutch Owen and Marla Marie. Unless they were there from the beginning...Dutch stole Marla Marie Smith when she was ten years old. She wouldn't say kidnapped because she willingly left town with him. She'd even swear on her mother's life that she gave him no choice but to keep her.Thrust into a new lifestyle with Rachel and Skull, Marla fails to adapt to her new family, longing to go back home. Always on the outside, never belonging, she connects and relies on Dutch in a way that escapes her. With him, they have no secrets. She grows up trusting that he'll never leave her.Some will say he forced Marla Marie to love him. Maybe he had.But he needs her as much as she needs him.Riding for WAKOM Motorcycle Club, the open road is his home as he rides between the three chapters. The fallback of wearing the patch brings added risks to his life. But the biggest danger to his freedom comes in the form of a young girl. While he protects Marla Marie throughout the years from the world, his MC family, and himself, an unbreakable bond grows between them.Until he finds himself in a situation where he must set her free and chance destroying them both.-This is a saga romance novel that'll take you through growing pains, stubborn rebellion, crippling heartache, and uninhibited passion.
Dr. Race Conner is a well-respected psychologist in Astoria, Oregon, who has put his wild days behind him. Dedicated to leaving the limitations of the clinic to open his own private practice, he's willing to take on cases that will propel him forward in his career. Abiding a strict code of ethics, Race guides others to a healthier, happier life.Until he meets Katie.As her psychologist, there are lines he can't cross. He crosses them all.At twelve years old, Katie Meihoff has lived through the death of a parent, emotional abuse, and neglect. The only constant presence in her life is Dr. Conner. Through adolescent adoration, teenage curiosity, and adult fantasies, she becomes more and more dependent on the man who promises never to leave her.A passionate, captivating saga of exploration, forbidden love, and healing as Race and Katie fight for the love they both desperately need.
No good deed goes unpunished.Armed and ready to roll at a moment's notice, Curley thrives as Vice President of Tarkio Motorcycle Club. The routine and responsibilities of his position within Tarkio keep him from focusing on his past. And like clockwork, every few months, all hell breaks loose when his biggest mistake storms into his life, reminding him that he has an old lady.In a world filled with crime and hidden truths, he's a breath away from losing the one person he loves more than his freedom.Born under a bad moon, Abandoned is her middle name.From the time she could talk, Faye Walker called every Tarkio member UNCLE. They were her family after her mom ran away and handed her to Uncle Walker-until he goes to prison. Then, Great-Grandma June raised her- but died before Faye was ready to be on her own.Throughout the years, Curley remains the only constant in her life. Her favorite UNCLE. She loves him with a desperation that paralyzes her.At seventeen years old, one brave, immature decision changed her life.Curley made her a promise.She's going to make sure he keeps it.
For centuries, London theatre has celebrated a rich and influential history, and in 1976, the first volume of J. P. Wearing’s reference series provided scholars and other researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The London Stage 1900-1909 A Calendar of Productions, Performers, and Personnel, Second Edition provides a chronological calendar of London shows from January 1900 through December 1909. The volume chronicles more than 3,000 productions at 35 selected, major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and references to reviews. A comment section includes other interesting information, such as a plot description, the first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Candida, His House in Order, The Only Way, The Playboy of the Western World, Raffles (The Amateur Cracksman), and The Scarlet Pimpernel, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original, well-received calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are indexed fully by title, genre, and theatre. A general index also includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, ticket prices, or other relevant subjects. An authoritative reference providing essential details, this work will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Identical twin sisters move to St. John's, Oregon, buy Vavoom's Bar, and purposely put themselves into the path of Notus Motorcycle Club. Burdened by a deep, dark secret, Clara has to be careful because one wrong step, one wrong word, could land her and Gracie in prison. Her need to stay close to the motorcycle club members backfire when Wayne Shaw throws her heart into a tailspin. There is more to the possessive biker than she originally thought. Cornered and out of options, she can only go forward and hope Wayne protects her. Wayne Shaw splits his time between working at Port Loaders, searching for missing persons in partnership with the local police department, and keeping Notus Motorcycle Club together in hopes a brother will come home. Skilled at finding clues normal people miss, he has no trouble telling the new owners of Vavoom's apart. He only wants Clara. When a little girl goes missing, followed by a teenager disappearing, Wayne's need to keep Clara safe while searching for a serial killer gets tested...until he's no longer sure who is the hunted and who is the hunter.
Love Walk is ... the unlikely story of what happens when a Flower Child marries a Marine! In Book One, Love Song of a Flower Child, Mary chronicles her journey as a rebel from New York to Berkeley and then to Big Sur, California in a desperate search to find purpose and meaning. She has a dramatic encounter with God that forever changes the trajectory of her life and the lives of her children.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
JOIN AWARD-WINNING PODCASTER ZIBBY OWENS OF MOMS DON’T HAVE TIME TO READ BOOKS ON A JOURNEY FILLED WITH FOOD, EXERCISE, SEX, BOOKS, AND MORE. It’s impossible to ignore how life has changed since COVID-19 spread across the world. People from all over quarantined and did their best to keep on going during the pandemic. Zibby Owens, host of the award-winning podcast MomsDon’t Have Time to Read Books and a mother of four herself, wanted to do something to help people carry on and to give them something to focus on other than the horrors of their news feeds. So she launched an online magazine called We Found Time. Authors who had been on her podcast wrote original, brilliant essays for busy readers. Zibby organized these profound pieces into themes inspired by five things moms don’t have time to do: eat, read, work out, breathe, and have sex. Now compiled as an anthology named Moms Don’t Have Time To, these beautiful, original essays by dozens of bestselling and acclaimed authors speak to the ever-increasing demands on our time, especially during the quarantine, in a unique, literary way. Actress Evangeline Lilly writes about the importance and impact of film. Bestselling author Rene Denfeld focuses on her relationship with food after growing up homeless. Screenwriter and author Lea Carpenter and Suzanne Falter, author, speaker, and podcast host, focus on loss. New York Times bestselling authors Chris Bohjalian and Gretchen Rubin write about the importance of reading. Others write about working out, love and sex, eating and cooking, and more. Join Zibby on her journey through the winding road of quarantine and perhaps you, too, will find time.