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Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Understanding digital modes and practices of traditional rhetoric are essential in emphasizing information and interaction in human-to-human and human-computer contexts. These emerging technologies are essential in gauging information processes across global contexts. Digital Rhetoric and Global Literacies: Communication Modes and Digital Practices in the Networked World compiles relevant theoretical frameworks, current practical applications, and emerging practices of digital rhetoric. Highlighting the key principles and understandings of the underlying modes, practices, and literacies of communication, this book is a vital guide for professionals, scholars, researchers, and educators interested in finding clarity and enrichment in the diverse perspectives of digital rhetoric research.
The Linji lu (Record of Linji) has been an essential text of Chinese and Japanese Zen Buddhism for nearly a thousand years. A compilation of sermons, statements, and acts attributed to the great Chinese Zen master Linji Yixuan (d. 866), it serves as both an authoritative statement of Zen’s basic standpoint and a central source of material for Zen koan practice. Scholars study the text for its importance in understanding both Zen thought and East Asian Mahayana doctrine, while Zen practitioners cherish it for its unusual simplicity, directness, and ability to inspire. One of the earliest attempts to translate this important work into English was by Sasaki Shigetsu (1882–1945), a pioneer Zen master in the U.S. and the founder of the First Zen Institute of America. At the time of his death, he entrusted the project to his wife, Ruth Fuller Sasaki, who in 1949 moved to Japan and there founded a branch of the First Zen Institute at Daitoku-ji. Mrs. Sasaki, determined to produce a definitive translation, assembled a team of talented young scholars, both Japanese and Western, who in the following years retranslated the text in accordance with modern research on Tang-dynasty colloquial Chinese. As they worked on the translation, they compiled hundreds of detailed notes explaining every technical term, vernacular expression, and literary reference. One of the team, Yanagida Seizan (later Japan’s preeminent Zen historian), produced a lengthy introduction that outlined the emergence of Chinese Zen, presented a biography of Linji, and traced the textual development of the Linji lu. The sudden death of Mrs. Sasaki in 1967 brought the nearly completed project to a halt. An abbreviated version of the book was published in 1975, but neither this nor any other English translations that subsequently appeared contain the type of detailed historical, linguistic, and doctrinal annotation that was central to Mrs. Sasaki’s plan. The materials assembled by Mrs. Sasaki and her team are finally available in the present edition of the Record of Linji. Chinese readings have been changed to Pinyin and the translation itself has been revised in line with subsequent research by Iriya Yoshitaka and Yanagida Seizan, the scholars who advised Mrs. Sasaki. The notes, nearly six hundred in all, are almost entirely based on primary sources and thus retain their value despite the nearly forty years since their preparation. They provide a rich context for Linji’s teachings, supplying a wealth of information on Tang colloquial expressions, Buddhist thought, and Zen history, much of which is unavailable anywhere else in English. This revised edition of the Record of Linji is certain to be of great value to Buddhist scholars, Zen practitioners, and readers interested in Asian Buddhism.
Pt. 1: Hiawatha's Fasting / Henry Wadsworth Longfellow ; Celebrated Jumping Frog of Calaveras County / Samuel L. Clemens ; Frankie and Johnny / Anonymous ; Good man is hard to find / Flannery O'Connor ; Ice Palace / F. Scott Fitzgerald ; Spotted Horses / William Faulkner ; Oral Heritage of Written Narrative / Scholes & Kellogg ; Pt. 2: Legend of Sleepy Hollow / Washington Irving ; Hollow of the three hills / Nathaniel Hawthorne ; My Kinsman, Major Molineux / Nathaniel Hawthorne ; Real Thing / Henry James ; Secret Room / Alain Robbie-Grillet ; Fall of the house of Usher / Edgar Allan Poe ; Blackberry Winner / Robert Penn Warren ; Pictorialism in Henry James's Theory of the novel / Viola Hopkins Winner Pt. 3: To Build a Fire / Jack London ; Chrysanthemums / John Steinbeck ; Three day blow / Ernest Hemingway / Health Card / Frank Yerby ; Condor and the Guests / Evan S. Connell, Jr. ; Toward a Formalist Criticism of Fiction / William Handy Pt. 4: Silent Snow, Secret Snow / Conrad Aiken ; Araby / James Joyce ; Portrait in Georgia / Jean Toomer ; Blood-Burning Moon / Jean Toomer ; Happy Marriage / R.V. Cassill ; In the heart of the heart of the country / William H. Gass ; Nature and Forms of the lyrical novel/ Ralph Freedman Pt. 5 Adventure / Sherwood Anderson ; Night-sea Journey / John Barth ; Robert Kennedy saved from drowning / Donald Barthelme ; Bride comes to yellow sky / Stephen Crane ; Hint of an Explanation / Graham Greene ; Outcasts of Poker Flat / Bret Harte ; Haircut / Ring Lardner / Odour of Chrysanthemums / D.H. Lawrence ; Jockey / Carson McCullerrs ; Marriage a la Mode / Katherine Mansfield ; Molesters / Joyce Carol Oates ; Don't call me by my right name / James Purdy ; Gimpel the fool / Isaac Bashevis Singer ; Navy Black / John A. Williams ; Kew Gardens / Virginia Woolf.
Originally published in 1945, The Fourfold Vision makes a welcome return. Here is the full integration of science and issues of faith from the pen of a master. F. Sherwood Taylor has gained great respect for his work on The Alchemist and many other books where scientific investigation meets with matters of belief. He was the first editor of 'Ambix' magazine and was Director at the Museum of History of Science in Oxford. Join him here on a classic journey from the centre of Science and Philosophy to the heart of Art and Nature.