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Who was Acorn Whistler, and why did he have to die? A deeply researched analysis of a bloody eighteenth-century conflict and its tangled aftermath, The Four Deaths of Acorn Whistler unearths competing accounts of the events surrounding the death of this Creek Indian. Told from the perspectives of a colonial governor, a Creek Nation military leader, local Native Americans, and British colonists, each story speaks to issues that transcend the condemned man’s fate: the collision of European and Native American cultures, the struggle of Indians to preserve traditional ways of life, and tensions within the British Empire as the American Revolution approached. At the hand of his own nephew, Acorn Whistler was executed in the summer of 1752 for the crime of murdering five Cherokee men. War had just broken out between the Creeks and the Cherokees to the north. To the east, colonists in South Carolina and Georgia watched the growing conflict with alarm, while British imperial officials kept an eye on both the Indians’ war and the volatile politics of the colonists themselves. They all interpreted the single calamitous event of Acorn Whistler’s death through their own uncertainty about the future. Joshua Piker uses their diverging accounts to uncover the larger truth of an early America rife with violence and insecurity but also transformative possibility.
In Brothers of Coweta Bryan C. Rindfleisch explores how family and clan served as the structural foundation of the Muscogee (Creek) Indian world through the lens of two brothers, who emerged from the historical shadows to shape the forces of empire, colonialism, and revolution that transformed the American South during the eighteenth century. Although much of the historical record left by European settlers was fairly robust, it included little about Indigenous people and even less about their kinship, clan, and familial dynamics. However, European authorities, imperial agents, merchants, and a host of other individuals left a surprising paper trail when it came to two brothers, Sempoyaffee and Escotchaby, of Coweta, located in what is now central Georgia. Though fleeting, their appearances in the archival record offer a glimpse of their extensive kinship connections and the ways in which family and clan propelled them into their influential roles negotiating with Europeans. As the brothers navigated the politics of empire, they pursued distinct family agendas that at times clashed with the interests of Europeans and other Muscogee leaders. Despite their limitations, Rindfleisch argues that these archives reveal how specific Indigenous families negotiated and even subverted empire-building and colonialism in early America. Through careful examination, he demonstrates how historians of early and Native America can move past the limitations of the archives to rearticulate the familial and clan dynamics of the Muscogee world.
In The Lives in Objects, Jessica Yirush Stern presents a thoroughly researched and engaging study of the deerskin trade in the colonial Southeast, equally attentive to British American and Southeastern Indian cultures of production, distribution, and consumption. Stern upends the long-standing assertion that Native Americans were solely gift givers and the British were modern commercial capitalists. This traditional interpretation casts Native Americans as victims drawn into and made dependent on a transatlantic marketplace. Stern complicates that picture by showing how both the Southeastern Indian and British American actors mixed gift giving and commodity exchange in the deerskin trade, such that Southeastern Indians retained much greater agency as producers and consumers than the standard narrative allows. By tracking the debates about Indian trade regulation, Stern also reveals that the British were often not willing to embrace modern free market values. While she sheds new light on broader issues in native and colonial history, Stern also demonstrates that concepts of labor, commerce, and material culture were inextricably intertwined to present a fresh perspective on trade in the colonial Southeast.
The essential handbook for doing historical research in the twenty-first century The Princeton Guide to Historical Research provides students, scholars, and professionals with the skills they need to practice the historian's craft in the digital age, while never losing sight of the fundamental values and techniques that have defined historical scholarship for centuries. Zachary Schrag begins by explaining how to ask good questions and then guides readers step-by-step through all phases of historical research, from narrowing a topic and locating sources to taking notes, crafting a narrative, and connecting one's work to existing scholarship. He shows how researchers extract knowledge from the widest range of sources, such as government documents, newspapers, unpublished manuscripts, images, interviews, and datasets. He demonstrates how to use archives and libraries, read sources critically, present claims supported by evidence, tell compelling stories, and much more. Featuring a wealth of examples that illustrate the methods used by seasoned experts, The Princeton Guide to Historical Research reveals that, however varied the subject matter and sources, historians share basic tools in the quest to understand people and the choices they made. Offers practical step-by-step guidance on how to do historical research, taking readers from initial questions to final publication Connects new digital technologies to the traditional skills of the historian Draws on hundreds of examples from a broad range of historical topics and approaches Shares tips for researchers at every skill level
Although the Creeks constitute a sovereign nation today, the concept of the nation meant little to their ancestors in the Native South. Rather, as Steven Peach contends in Rivers of Power, the Creeks of present-day Georgia and Alabama conceptualized rivers as the basis of power, leadership, and governance in early America. An original work of Indigenous ethnohistory, Peach’s book explores the implications of this river-oriented approach to power, in which rivers were a metaphor for the subregional provinces that defined the political textures of Creek country. The provinces nurtured leaders who worked to mitigate dangers across the Native South, including intertribal war, trade dependence, settler intrusion, and land erosion. Rivers of Power describes a system in which these headmen forged remarkably malleable coalitions within and across provinces to safeguard Creek country from harm—but were in turn directed, approved, and contested by local townspeople and kin groups. Taking a unique bottom-up approach to the study of Native Americans, Peach reveals how local actors guided and thwarted Indigenous headmen far more frequently and creatively than has been assumed. He also shows that although the Creeks traced descent through the maternal line, some became more comfortable with bilateral kinship, giving weight to both the paternal and maternal lineages. Fathers and sons thus played greater roles in Creek governance than Indigenous scholarship has acknowledged. Weaving a new narrative of the Creeks and outlining the contours of their riverine mode of governance, this work unpacks the fraught dimensions of political power in the Native South—and, indeed, Native North America—in the eighteenth and early nineteenth centuries. By privileging Indigenous thought and intertribal history, it also advances the larger project of Native American history.
In 1754 South Carolina governor James Glen observed that the Tennessee River “has its rise in the Cherokee Nation and runs a great way through it.” While noting the “prodigious” extent of the corridor connecting the Tennessee, Ohio, and Wabash River valleys—and the Cherokees’ “undoubted” ownership of this watershed—Glen and other European observers were much less clear about the ambitions and claims of European empires and other Indigenous polities regarding the North American interior. In Cherokee Power, Kristofer Ray brings long-overdue clarity to this question by highlighting the role of the Overhill Cherokees in shaping imperial and Indigenous geopolitics in seventeenth- and eighteenth-century America. As Great Britain and France eyed the Illinois country and the Tennessee, Ohio, and Wabash River valleys for their respective empires, the Overhill Cherokees were coalescing and maintaining a conspicuous presence throughout the territory. Contrary to the traditional narrative of westward expansion, the Europeans were not the drivers behind the ensuing contest over the Tennessee corridor. The Overhills traded, negotiated, and fought with other Indigenous peoples along this corridor, in the process setting parameters for European expansion. Through the eighteenth century, the British and French struggled to overcome a dissonance between their visions of empire and the reality of Overhill mobility and sovereignty—a struggle that came to play a crucial role in the Anglo-American revolutionary debate that dominated the 1760s and 1770s. By emphasizing Indigenous agency in this rapidly changing world, Cherokee Power challenges long-standing ideas about the power and reach of European empires in eighteenth-century North America.
The adoption of firearms by American Indians between the seventeenth and nineteenth centuries marked a turning point in the history of North America’s indigenous peoples—a cultural earthquake so profound, says David Silverman, that its impact has yet to be adequately measured. Thundersticks reframes our understanding of Indians’ historical relationship with guns, arguing against the notion that they prized these weapons more for the pyrotechnic terror guns inspired than for their efficiency as tools of war. Native peoples fully recognized the potential of firearms to assist them in their struggles against colonial forces, and mostly against one another. The smoothbore, flintlock musket was Indians’ stock firearm, and its destructive potential transformed their lives. For the deer hunters east of the Mississippi, the gun evolved into an essential hunting tool. Most importantly, well-armed tribes were able to capture and enslave their neighbors, plunder wealth, and conquer territory. Arms races erupted across North America, intensifying intertribal rivalries and solidifying the importance of firearms in Indian politics and culture. Though American tribes grew dependent on guns manufactured in Europe and the United States, their dependence never prevented them from rising up against Euro-American power. The Seminoles, Blackfeet, Lakotas, and others remained formidably armed right up to the time of their subjugation. Far from being a Trojan horse for colonialism, firearms empowered American Indians to pursue their interests and defend their political and economic autonomy over two centuries.
At the same time, by comparing the Okfuskees' experiences to those of their contemporaries in colonial British America, the book provides a nuanced discussion of the ways in which Native and Euro-American histories intersected with, and diverged from, each other."
Representations of Indian economic life have played an integral role in discourses about poverty, social policy, and cultural difference but have received surprisingly little attention. Daniel Usner dismantles ideological characterizations of Indian livelihood to reveal the intricacy of economic adaptations in American Indian history. Officials, reformers, anthropologists, and artists produced images that exacerbated Indians’ economic uncertainty and vulnerability. From Jeffersonian agrarianism to Jazz Age primitivism, European American ideologies not only obscured Indian struggles for survival but also operated as obstacles to their success. Diversification and itinerancy became economic strategies for many Indians, but were generally maligned in the early United States. Indians repeatedly found themselves working in spaces that reinforced misrepresentation and exploitation. Taking advantage of narrow economic opportunities often meant risking cultural integrity and personal dignity: while sales of baskets made by Louisiana Indian women contributed to their identity and community, it encouraged white perceptions of passivity and dependence. When non-Indian consumption of Indian culture emerged in the early twentieth century, even this friendlier market posed challenges to Indian labor and enterprise. The consequences of this dilemma persist today. Usner reveals that Indian engagement with commerce has consistently defied the narrow choices that observers insisted upon seeing.
Images That Move is concerned with how images take place in wider worlds: how they move around, via processes of transmission and uptake, but, equally importantly, how they move their audiences affectively. Images play a significant part in projects of "poetic world-making" and political transformation. They participate in the production of commensuration or of incommensurability, enact moments of prophecy or exposure, and attract or repel spectators' attention. Images move, then, but not just as they wish, and any examination of images in motion must also recognise the blockages and breakdowns that prevent their movement as well as the enframings or "stickinesses" that trap them in particular places, prevent them from reaching others, or hedge their arrival in specific ways. The contributors explore topics ranging from high art to mass media, religious iconography to pornography, and popular photography to political cartoons in a range of contexts and media including photography in early twentieth century China, art and literature in contemporary South Africa, upscale real estate development in India, occult media images and the aesthetic of appearance in urban Indonesia, and film censorship in Nigeria. All of these instances of the visual continuum require different ways of highlighting and addressing the problematics of images in motion. Images That Move traces some of the tangled paths of images' travels and returns, unfolding their effects and aftereffects and scanning the diverse and variable publics-fixed or ephemeral, situated or dispersed-that these moving images call into being. Contributors: Ernst van Alphen, Christiane Brosius, Steven C. Caton, Finbarr Barry Flood, Brian Larkin, Oliver Moore, Rosalind C. Morris, Christopher Pinney, Patricia Spyer, Mary Margaret Steedly.