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Explore the elements and popular practice of using found objects in mixed media and textile art with Cas Holmes. When applied both for decoration and meaning, found objects can add texture and special accents to your art pieces. Let textile artist Cas Holmes, renowned for her use of "the found" and her many-layered, atmospheric pieces, show you a wealth of tips and ideas for this technique. Inside you'll discover: Where to search for found objects and how to recycle previously used materials. Techniques to conceive and build a piece around a found object. The range of found objects--from natural materials such as driftwood to manufactured pieces of machinery to even mundane objects like CD cases. How found objects can be used to create stunning pieces and lend deep meaning to a work. The Found Object in Textile Art showcases how to combine mixed-media and fiber-arts techniques to create art with personal, narrative qualities.
Harness the beauty of the natural world to create unique textile art pieces. Learn how to create beautiful textile art inspired by details in nature in this practical and inspirational guide. Acclaimed textile artist Marian Jazmik shows how to use unusual recycled and repurposed materials combined with traditional fabric and thread. Marian reveals the secrets of her lushly textured and sculptural embroidered pieces, from initial photograph to finished object. Exploring nature as a constant source of inspiration, she shows how to turn a chance spotting of lichen on a tree trunk or a scattering of autumn leaves into glorious textile or mixed-media art. Marian goes on to explore the myriad of techniques she uses in her work, including: How to begin with photography, homing in on details in nature. How to manipulate images to create microscopic and surprising detail. How to translate the images into 3-D work, using an eclectic mix of natural and man-made textiles, as well as unusual recycled materials otherwise be destined for landfill (packaging, plastics and household DIY products). Hand and machine embroidery. Dyeing, printing and painting. Using heat gun and soldering iron to create heavily textured surfaces. Packed with practical tips, inspiration and illustrated throughout with glorious examples of Marian’s work, this book will provide you with endless imaginative ideas for distilling the wonders of nature into your own textile art.
Textile artists have always used found objects, both for decoration and to imbue their work with meaning. Cas Holmes is renowned for her use of ‘the found’, and her many-layered, atmospheric pieces have been shown around the world. The practice differs from recycling in that the objects often remain ‘themselves’ when they are incorporated into the work, rather than being transformed into something else and their original appearance being obliterated. The work is often conceived and built around the found object. The definition ‘found object’ can include a wide range of objects, from natural materials such as driftwood and leaves to old bits of machinery and vintage fabrics. Mundane objects such as CD cases can be used to create stunning pieces of art, or more sentimental items such as old jewellery can lend deep meaning to a work. The book covers: •How to find objects: for example in the home, walking the streets, travel souvenirs •Types of found object: including natural objects, man-made items, printed ephemera •Using found objects: using little jewels to decorate work, making unusual frames, creating work within boxes •Creating surfaces with found objects: printing, layering, fusing, cutting and stitch This book contains a wealth of techniques and inspiration for incorporating found objects into your textile work.
Essays by John W. Smith, Mario Kramer and Matt Wrbican. Introduction by Thomas Sokolowski and Udo Kittelmann.
Transform your ideas on creative fabric embellishment for textile art that's full meaning and astounding texture, in this inspiring book by award-winning textile art tutor and artist Jan Dowson. Whether it's a landscape, a garden, an animal or a powerful memory of a place or object, Jan shows you how she develops them all into beautifully stitched representations that exude awe-inspiring detail, colour and expression. Discover Jan's unique sketchbook process, where she stores and collects natural items, and explores different patterns, textures, media and markings to cultivate her final design. See her simple yet effective methods for transforming her fabric for stitching, including dyeing, embellishing and stamping. Then, watch her transform an unassuming square of fabric into a contemporary piece of art brimming with colour, texture and extraordinary stitched markings - all made through the combination of traditional sewing techniques and other media. Following a fascinating, illustrated step-by step chapter on Jan's key techniques, join her as she takes you through the stages of three types of work for which she is most renowned - the stitched landscape, the memory cloth and the bird sculpture. Each project also includes a break down of the materials, tools and techniques used, so that can understand as well as see the development of her astounding, mixed-media creations. Throughout the book, a gallery of Jan's work complements her techniques and projects, showing how to truly push the limits on your stitcheries. These are stunning pieces that will open your eyes and turn your own creative concepts into original, personal work.
An essential book for any textile artist looking to expand their repertoire into two- and three-dimensional work. Leading textile artist, teacher and examiner Jean Draper takes you through the entire process from designing through construction to embellishment with mixed media. This beautiful and very practical book includes diagrams, detailed drawings and stitch information to guide the reader through the techniques, which include hand and machine embroidery. It covers: Design, including recording information for translation into stitch (with lots of drawing tips); Choice of Threads, including some unusual threads and customizing them; Constructing with Thread, everything from knotted forms, with decorative threads, grids and stacks, and coiled structures; Stitches in Thin Air, constructing with stitch alone using moulds and soluble fabric; Using Mixed Media in Stitched Structures, such as paper, sticks, wire and plastics; Adding Structure to an Existing Fabric; Three-Dimensional Fabric Structures. Working in two and three-dimensions is a growing genre of textile art and this incorporates a fresh approach and great design advice.
Discover the rich creative possibilities of fragmentation and repair in textile art. Fragmentation and repair are two of the biggest buzzwords in textile and mixed-media art. In this fascinating book, renowned artist Shelley Rhodes explores both concepts, with a wealth of fresh ideas and practical advice. Drawing on her own practice, Shelley explains how she reconstructs and reassembles cloth, paper and other materials to create new pieces, often incorporating found objects and items she has collected over the years to add depth and emotional resonance. From piercing and devoré to patching and darning, techniques include: Fragmentation of materials, text and image. Repair using darning and patching along with pins, tape, adhesive and plaster. The Japanese concepts of wabi-sabi (finding beauty in imperfection) and mottainai (using every last scrap). Using salvaged and recycled materials, and repurposing household items. Methods of distressing and manipulating surfaces including weathering, abrasion, burning, piercing, staining and burying. Collage, working in a series and collecting fragments. Beautifully illustrated with Shelley's own pieces alongside those of other leading artists, this fascinating book is the ideal companion for any textile artist wanting to bring notions of fragility, fragmentation and repair into their own work.
Discusses working collaboratively in textile art and offers advice on setting up collaborations, devising working methods, and staging the exhibitions.
Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
Essays and artists' projects explore the ubiquity of cloth in everyday life and the effect of globalization on art and labor; with more than 100 color images. The Object of Labor explores the personal, political, social, and economic meaning of work in the context of art and textile production. The ubiquity of cloth in everyday life, the historically resonant relationship of textile and cloth to labor, and the tumultuous drive of globalization make the issues raised by this pubication of special interest today. The seventeen essays cover topics ranging from art-making practices to labor history and the effects of globalization as seen through art and labor. The artists' projects—twelve striking and beautiful eight-page, full color spreads—conduct parallel investigations into art, cloth, and work.The contributors explore, from historical and personal perspectives, such subjects as the charged history of offshore garment workers; the different systems of production and consumption in factories, homes, studios, and exhibitions; the revelation of class, gender, and sexuality through cloth, costume, and textile images; textile production as commemorative acts in South Africa, the United States, and India; transnationalism, cultural hybridity, and race in the work of individual artists; lost histories of garment production and embroidery; the physical act of art-making as labor; and the value of handmade and "technologically improved" objects. Artist projects and portfolios Susie Brandt, Nick Cave, Park Chambers, Lisa Clark, Lia Cook, Ann Hamilton, Kimsooja, Barbara Layne and Sue Rowley, Lara Lepionka, Merrill Mason, Darrel Morris, Pepón Osorio, J. Morgan Puett and Iain Kerr, Karen Reimer, Yinka Shonibare, SubRosa, Christine Tarkowski, Anne Wilson