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Long considered a highly distinctive English writer, Thomas Fuller (1608-1661) has not been treated as the significant historian he was. Fuller's The Church-History of Britain (1655) was the first comprehensive history of Christianity from antiquity to the upheavals of the Protestant and Catholic Reformations and the tumultuous events of the English civil wars. His numerous publications outside the genre of history--sermons, meditations, pamphlets on current thought and events--reflected and helped to shape public opinion during the revolutionary era in which he lived. Thomas Fuller: Discovering England's Religious Past highlights the fact that Fuller was a major contributor to the flowering of historical writing in early modern England. W. B. Patterson provides both a biography of Thomas Fuller's life and career in the midst of the most wrenching changes his country had ever experienced and a critical account of the origins, growth, and achievements of a new kind of history in England, a process to which he made a significant and original contribution. The volume begins with a substantial introduction dealing with memory, uses of the past, and the new history of England in the late sixteenth and early seventeenth centuries. Fuller was moved by the changes in Church and state that came during the civil wars that led to the trial and execution of King Charles I and to the Interregnum that followed. He sought to revive the memory of the English past, recalling the successes and failures of both distant and recent events. The book illuminates Fuller's focus on history as a means of understanding the present as well as the past, and on religion and its important place in English culture and society.
The Revolution of the Saints is a study, both historical and sociological, of the radical political response of the Puritans to disorder. It interprets and analyzes Calvinism as the first modern expression of an unremitting determination to transform on the basis of an ideology the existing political and moral order. Michael Walzer examines in detail the circumstances and ideological options of the Puritan intelligentsia and gentry. He sees Puritanism, in sharp contrast to some generally accepted views, as the political theory of intellectuals and gentlemen attempting to create a new government and society.
In this book, Gail Orgelfinger examines the ways in which English historians and illustrators depicted Joan of Arc over a period of four hundred years, from her capture in 1429 to the early nineteenth century. The variety of epithets attached to Joan of Arc—from “witch” and “Medean virago” to “missioned Maid” and “shepherd’s child”—attests to England’s complicated relationship with the saint. While portrayals of Joan in English popular culture evolved over the centuries, they do not follow a straightforward trajectory from vituperation to adulation. Focusing primarily on descriptions of Joan’s captivity, trial, and execution, this study shows how the exigencies of politics and the demands of genre shaped English retellings of her military successes, gender transgressions, and execution at the hands of her English enemies. Orgelfinger’s research illuminates how and why English writers and artists used the memory of Joan of Arc to grapple with issues such as England’s relationship with France, emerging protofeminism in the early modern era, and the sense of national guilt over her execution. A systematic analysis of Joan’s English historiography in its political and social contexts, this volume sheds light on four centuries of English thought on Joan of Arc. It will be welcomed by specialist and general readers alike, especially those interested in women’s studies.