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It was long felt that an English edition on the architecture of Akrotiri, dealing not only with the building technology, but also with issues of typology, form, and function, would be welcomed. The present book is, thus, an attempt to provide the reader with an overall picture of the architecture of Akrotiri, including an outline of its town plan, a description of the individual houses, and a discussion of its relationship with Crete and its neighbors in the Eastern Mediterranean. The book is based on the author's personal observations and experience obtained over a fifteen year period (1977-1992) of work at the site as the architect of the Akrotiri excavation. This book is confined to the last phase of habitation and the uniquely preserved houses that are seen today.
Neopalatial Crete - the 'Golden Age' of the Minoan Civilization - possessed palaces, exquisite artefacts, and iconography with pre-eminent females. While lacking in fortifications, ritual symbolism cloaked the island, an elaborate bureaucracy logged transactions, and massive storage areas enabled the redistribution of goods. We cannot read the Linear A script, but the libation formulae suggest an island-wide koine. Within this cultural identity, there is considerable variation in how the Minoan elites organized themselves and others on an intra-site and regional basis. This book explores and celebrates this rich, diverse and dynamic culture through analyses of important sites, as well as Minoan administration, writing, economy and ritual. Key themes include the role of Knossos in wider Minoan culture and politics, the variable modes of centralization and power relations detectable across the island, and the role of ritual and cult in defining and articulating elite control.
This book is the tenth volume in the series of excavation reports about the harbor town of Pseira, which is located on the island of the same name, just off the northeast coast of Crete. The book focuses on the excavation and interpretation of the architecture and material culture in Block AF. This southern group of buildings is one of the most important areas in the settlement because of its long succession of building phases. Block AF provides the fullest sequence of building phases from any one area at Pseira, with habitation extending from before MM II to LM III. It has examples of complex architectural details including a "pillar crypt," elaborate upstairs floors, a well-preserved U-shaped staircase, and a well-designed kitchen, all of which contribute significantly to our knowledge of East Cretan building practices. In addition to domestic pottery, the houses furnish examples of stone tools, stone vessels, loom weights, inscriptions in Linear A, cult objects, animal bones, marine shells, and a wide range of material recovered from water sieving. This latter category, with burned grain, fish bones, shells, and other categories of materials, fills many gaps in our knowledge of Pseiran life.
A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching.
Theses on any subject submitted by the academic libraries in the UK and Ireland.
What is the social role of images and architecture in a pre-modern society? How were they used to create adequate environments for specific profane and ritual activities? In which ways did they interact with each other? These and other crucial issues on the social significance of imagery and built structures in Neopalatial Crete were the subject of a workshop which took place on November 16th, 2009 at the University of Heidelberg. The papers presented in the workshop are collected in the present volume. They provide different approaches to this complex topic and are aimed at a better understanding of the formation, role, and perception of images and architecture in a very dynamic social landscape. The Cretan Neopalatial period saw a rapid increase in the number of palaces and 'villas', characterized by elaborate designs and idiosyncratic architectural patterns which were themselves in turn generated by a pressing desire for a distinctive social and performative environment.
A comprehensive account of the Palaces, control networks and spatial dynamics of Neopalatial Crete, the floruit of the Minoan civilization.
The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections, the handbook begins with Background and Definitions, which contains articles establishing the discipline in its historical, geographical, and chronological settings and in its relation to other disciplines. The second section, Chronology and Geography, contains articles examining the Bronze Age Aegean by chronological period (Early Bronze Age, Middle Bronze Age, Late Bronze Age). Each of the periods are further subdivided geographically, so that individual articles are concerned with Mainland Greece during the Early Bronze Age, Crete during the Early Bronze Age, the Cycladic Islands during the Early Bronze Age, and the same for the Middle Bronze Age, followed by the Late Bronze Age. The third section, Thematic and Specific Topics, includes articles examining thematic topics that cannot be done justice in a strictly chronological/geographical treatment, including religion, state and society, trade, warfare, pottery, writing, and burial customs, as well as specific events, such as the eruption of Santorini and the Trojan War. The fourth section, Specific Sites and Areas, contains articles examining the most important regions and sites in the Bronze Age Aegean, including Mycenae, Tiryns, Pylos, Knossos, Kommos, Rhodes, the northern Aegean, and the Uluburun shipwreck, as well as adjacent areas such as the Levant, Egypt, and the western Mediterranean. Containing new work by an international team of experts, The Oxford Handbook of the Bronze Age Aegean represents the most comprehensive, authoritative, and up-to-date single-volume survey of the field. It will be indispensable for scholars and advanced students alike.
This volume presents a spectrum of current research on ancient surface decoration (painting, mosaic and stuccowork/plasterwork) that offers new avenues of exploration and directions of inquiry. The collected essays draw from a wide range of disciplinary frameworks and integrate material analysis, the study of technical characteristics, the investigation of literary and archaeological evidence, and the interpretation and reconstruction of iconographic programs. Geographically, the papers focus on paintings from the Mediterranean world, including examples from the Bronze Age Aegean, the Hellenistic Levant, and Roman Campania and Greece. Exciting work on Classical Maya paintings in Guatemala augment the case studies from the Mediterranean region and provide an important opportunity for cross-cultural comparisons of ancient artistic and cultural practices as well as modern analytical approaches. By offering a wide chronological and geographic panorama, this volume expands existing research on ancient surface decoration and aims to secure a broad and variable foundation for continued work.