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The Index covers the four published volumes of the author's essays.--The coöperative commonwealth.--The forgotten man (1883)--Bibliography (p. [497]-518)--Index. Preface.--Protectionism, the -ism which teaches that waste makes wealth (1885)--Tariff reform (1888)--What is free trade? (1886)--Protectionism twenty years after (1906)--Prosperity strangled by gold (1896)--Cause and cure of hard times (1896)--The free-coinage scheme is impracticable at every point (1896)--The delusion of the debtors (1896)--The crime of 1873 (1896)--A concurrent circulation of gold and silver (1878)--The influence of commercial crises on opinions about economic doctrines (1879)--The philosophy of strikes (1883)--Strikes and the industrial organization (1887)--Trusts and trade-unions (1888)--An old "trust" (1889)--Shall Americans own ships? (1881)--Politics in America, 1776-1876 (1876)--The administration of Andrew Jackson (1880)--The commercial crisis of 1837 (1877 or 1878)--The science of sociology (1882)--Integrity in education.--Discipline.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
A soul-satisfying collection of 12 essays by the noted philosopher and poet who embraced independence, rejected conformity, and loved nature. Includes the title essay, plus "Character," "Intellect," "Spiritual Laws," "Circles," and others.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
Rough Rider, hunter, trust-buster, president, and Bull Moose candidate. Biographers have long fastened on TR as man of action, while largely ignoring his political thought. Now, in time for the centennial of his Progressive run for the presidency, Jean Yarbrough provides a searching examination of TR's political thought, especially in relation to the ideas of Washington, Hamilton, and Lincoln--the statesmen TR claimed most to admire. Yarbrough sets out not only to explore Roosevelt's vision for America but also to consider what his political ideas have meant for republican self-government. She praises TR for his fighting spirit, his love of country, and efforts to promote republican greatness, but faults him for departing from the political principles of the more nationalistic Founders he esteemed. With the benefit of hindsight, she argues that the progressive policies he came to embrace have over time undermined the very qualities Roosevelt regarded as essential to civic life. In particular, the social welfare policies he championed have eroded industry and self-reliance; the expansion of the regulatory state has multiplied the special interests seeking access to political power; and the bureaucratic experts in whom he reposed such confidence have all too often turned out to be neither disinterested nor effective. Yarbrough argues that TR's early historical studies—inspired by Darwinian biology and Hegelian political thought—treated westward expansion from an evolutionary and developmental perspective that placed race and conquest at the center of the narrative, while relegating individual rights and consent of the governed to the sidelines. Although his early career showed him to be a moderate Republican reformer, Yarbrough argues that even then he did not share Hamilton's enthusiasm for the commercial republic, and substituted an appeal to "abstract duty" for The Federalist's reliance on self-interest. As New York governor and first-term president, TR attempted to strike a "just balance" between democratic and oligarchic interests, but by the end of his presidency he had tipped the balance in favor of progressive policies. From the New Nationalism until his death in 1919, Roosevelt continued to claim the mantle of Washington and Lincoln, even as he moved further from their political principles. Through careful examination of TR's political thought, Yarbrough's book sheds new light on his place in the American political tradition, while enhancing our understanding of the roots of progressivism and its transformation of the founders' Constitution.
These widely acclaimed essays from the author of Infinite Jest -- on television, tennis, cruise ships, and more -- established David Foster Wallace as one of the preeminent essayists of his generation. In this exuberantly praised book -- a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner -- David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling Infinite Jest.
An NYRB Classics Original Simon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao’s Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now. The Hall of Uselessness is the most extensive collection of Leys’s essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of André Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon. Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time.
Amity Shlaes, author of The Forgotten Man, delivers a brilliant and provocative reexamination of America’s thirtieth president, Calvin Coolidge, and the decade of unparalleled growth that the nation enjoyed under his leadership. In this riveting biography, Shlaes traces Coolidge’s improbable rise from a tiny town in New England to a youth so unpopular he was shut out of college fraternities at Amherst College up through Massachusetts politics. After a divisive period of government excess and corruption, Coolidge restored national trust in Washington and achieved what few other peacetime presidents have: He left office with a federal budget smaller than the one he inherited. A man of calm discipline, he lived by example, renting half of a two-family house for his entire political career rather than compromise his political work by taking on debt. Renowned as a throwback, Coolidge was in fact strikingly modern—an advocate of women’s suffrage and a radio pioneer. At once a revision of man and economics, Coolidge gestures to the country we once were and reminds us of qualities we had forgotten and can use today.
In this collection of her finest and best-known short essays, Natalia Ginzburg explores both the mundane details and inescapable catastrophes of personal life with the grace and wit that have assured her rightful place in the pantheon of classic mid-century authors. Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize. "A glowing light of modern Italian literature . . . Ginzburg's magic is the utter simplicity of her prose, suddenly illuminated by one word that makes a lightning streak of a plain phrase. . . . As direct and clean as if it were carved in stone, it yet speaks thoughts of the heart.' — The New York Times Book Review