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This book is a dramatically told and visually stunning account of a ninth-century hermitage discovered on the South Peak of Skellig Michael, an island off the west coast of Ireland. It is the story, pieced together from fragmentary remains, study, and conjecture, of a man's attempt to live on a tiny ledge some 700 feet above the Atlantic on the outer edge of the European land mass, alone, as close to God as possible, in what is perhaps the ne plus ultra of ecstatic monastic solitude. Richly illustrated with maps, plans, and photographs that capture both the astonishing beauty and isolation of the hermitage, the text also includes reconstruction drawings of the site that combine a surveyor's accuracy with an artist's imaginative response to the hermit who found spiritual refuge on a pinnacle.
David Almond’s Printz Honor–winning novel celebrates its 10th anniversary! Ten-year-old Michael was looking forward to moving into a new house. But now his baby sister is ill, his parents are frantic, and Doctor Death has come to call. Michael feels helpless. Then he steps into the crumbling garage. . . . What is this thing beneath the spiders' webs and dead flies? A human being, or a strange kind of beast never before seen? The only person Michael can confide in is his new friend, Mina. Together, they carry the creature out into the light, and Michael's world changes forever. . . .
In the early 1880's dissension arose among the Muslim and Christian inhabitants of al-Karak, east of the Dead Sea. Up to that time the believers of both religions had lived peacefully together in the city. Problems arose and the Christians decicded to move. They were allowed to settle at Madaba. The government gave permission to build churches, but exclusively on those spots where churches had existed in Antiquity. The immigrants removed the debris from still partially visible foundation walls of the ancient churches. During this work they discovered in 1884 a marvelous mosaic map. It had been part of the floor of a large cathedral. The surviving fragments were roughly repaired and incorporated in the floor of the new St. George's church. It took nearly a hundred years and many admirers to have the map finally restored. This book is an introductory guide and can be a help to different kinds of people, such as visitors, students, and professors teaching first level archaeology, bible, and Umwelt. Numbers on the sketch included in the guide, refer the reader to appropriate information in the booklet. A colour reproduction of the map and a black/white sketch is included.
Tracing its distant origins to the villa of the Roman emperor Hadrian in the second century AD, the eccentric phenomenon of the ornamental hermit enjoyed its heyday in the England of the eighteenth century It was at this time that it became highly fashionable for owners of country estates to commission architectural follies for their landscape gardens. These follies often included hermitages, many of which still survive, often in a ruined state. Landowners peopled their hermitages either with imaginary hermits or with real hermits - in some cases the landowner even became his own hermit. Those who took employment as garden hermits were typically required to refrain from cutting their hair or washing, and some were dressed as druids. Unlike the hermits of the Middle Ages, these were wholly secular hermits, products of the eighteenth century fondness for 'pleasing melancholy'. Although the fashion for them had fizzled out by the end of the eighteenth century, they had left their indelible mark on both the literature as well as the gardens of the period. And, as Gordon Campbell shows, they live on in the art, literature, and drama of our own day - as well as in the figure of the modern-day garden gnome. This engaging and generously illustrated book takes the reader on a journey that is at once illuminating and whimsical, both through the history of the ornamental hermit and also around the sites of many of the surviving hermitages themselves, which remain scattered throughout England, Scotland, and Ireland. And for the real enthusiast, there is even a comprehensive checklist, enabling avid hermitage-hunters to locate their prey.
Early Christians sought miracles from Michael the Archangel and this enigmatic ecumenical figure was the subject of hagiography, liturgical texts, and relics across Western Europe. Entering contemporary debates about angelology, this fascinating study explores the formation and diffusion of the cult of Saint Michael from c. 300-c.800.
A profound exploration of the Celtic spiritual tradition, and particularly of the Celtic visionary imagination.Connecting this with both the Platonic and Islamic traditions, this book suggests a "lost category" of existence which would account for the possibility of resurrection from the dead and communication with Angels. Noel O'Donoghue opens up new and exciting horizons for Christian exploration.
What happens when UNESCO heritage conventions are ratified by a state? How do UNESCO’s global efforts interact with preexisting local, regional and state efforts to conserve or promote culture? What new institutions emerge to address the mandate? The contributors to this volume focus on the work of translation and interpretation that ensues once heritage conventions are ratified and implemented. With seventeen case studies from Europe, Africa, the Caribbean and China, the volume provides comparative evidence for the divergent heritage regimes generated in states that differ in history and political organization. The cases illustrate how UNESCO’s aspiration to honor and celebrate cultural diversity diversifies itself. The very effort to adopt a global heritage regime forces myriad adaptations to particular state and interstate modalities of building and managing heritage.
Olivia Silver directs this coming-of-age indie drama in which a family begins a 3,000 mile road trip to a new life in California. Whisked away by their father Tom (John Hawkes) in the dead of night from their home in New England, twelve-year-old Greta (Ryan Simpkins), her elder sister Caroline (Kendall Toole), and younger brother Nat (Ty Simpkins), find themselves crammed into the family's beat-up station wagon on a cross-country journey to Arcadia, where their father has a new job. Told that their mother will be meeting them there, an initially wary Greta, making her own journey of self-discovery, begins to have her suspicions that is something is wrong, when, with the journey becoming ever more claustrophobic, her father's demeanour descends from a cheery, day-trip dad to that of a belligerently tense hothead, ready-to-snap at any moment.
Many hermitages and eremitic communities are recorded throughout the medieval period, yet to date, there has been no comprehensive archaeological study. This richly illustrated book will consequently discuss a range of hermitages and introduce the reader to their architectural forms, spaces, location and environments as well as the religious practices associated with them. It will focus primarily on the British material but will nonetheless consider this within a wider comparative framework. Overall, it will offer an archaeological history of hermitages and presents a unique window into a lost world of medieval spirituality and religious life. Key related themes will include the earliest archaeological evidence for hermits (eremitic life) in India, China and East Asia, pre- and early Christian desert hermitages, cave hermitages, eremitic communities, saints and missionary hermits, life and diet, medieval mysticism and the contemplative tradition, secular and ornamental hermitages and hermits in post-medieval and contemporary society. This book offers an illustrated archaeological history of hermitages and eremitic communities, with reference to key examples and case studies. It will therefore appeal to both academics, students and a more general readership interested in archaeology, history, comparative religion, architecture, religion and belief, spirituality, medieval Britain, modern contemplative practice and contemporary heritage issues.