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In the 1940s through the 1960s, the Cape Cod Chamber of Commerce promoted Cape Cod as "an alluring vacationland where the blue begins, and the frets of life cease." At the same time, a young, exuberant man with a camera, Richard Cooper Kelsey, arrived in Chatham. Kelsey began compiling a photographic record of small town life, of Cape Cod tourist landmarks, and the real people of Cape Cod with precision and clarity. He portrayed a Cape Cod of much beauty and charm, an earlier, more youthful time, and a time just within reach of memory. The photographs in The Forgotten Cape: 1940-1960 were culled from the over7,000item Kelsey Collection of the Nickerson Room at Wilkens Library, Cape Cod Community College.
This book tells the story of a French cabin boy, Narcisse Pelletier, and his life with the Uutaalnganu people of north-east Cape York from 1858 to 1875. Even though it is all but forgotten in Australia, and in France is known only in its broad outlines, Pelletier's story rivals that of the famous William Buckley, both as a tale of human survival and as an enthralling and accessible ethnographic record. Narcisse Pelletier, from the village of Saint-Gilles-sur-Vie, was fourteen years old when the Saint-Paul was wrecked near Rossel Island off New Guinea in 1858. Leaving behind more than 300 Chinese labourers recruited for the Australian goldfields - believed to have been subsequently massacred by the Rossel Islanders - the ship's captain and crew, including the cabin boy, escaped in a longboat. After a gruelling voyage across the Coral Sea, they landed near Cape Direction on Cape York, where Pelletier found himself abandoned when the boat sailed off without him. He was rescued by an Aboriginal family and remained with them as a member of their clan until 1875 when he was sighted by the crew of a pearling lugger. 'Rescued' against his will, Pelletier was conveyed to Sydney and then repatriated to France. The author, Stephanie Anderson, came across Pelletier's story by chance in an old French anthropological journal. As she started researching it, her fascination with the story grew. She found that Pelletier had left an account of his experiences, first published in 1876, that had never been translated into English. Now, for the very first time, this remarkable story is available to read in English, complemented by an ethnographic commentary by anthropologist Athol Chase and an in-depth introduction by Anderson. Pelletier: The Forgotten Castaway of Cape York is required reading for anyone with an interest in Australian history, anthropology, or the intriguing world of pre-colonial Aboriginal life.
Publisher Description
The apartheid state employed many weapons against its opponents: imprisonment, banning, detention, assassination - and banishment. In a practice reminiscent of Tsarist and Soviet Russia, a large number of 'enemies of the state' were banished to remote areas, far from their homes, communities and followers. Here their existence became 'a slow torture of the soul', a kind of social death. This is the first study of an important but hitherto neglected group of opponents of apartheid, set in a global, historical and comparative perspective. It looks at the reasons why people were banished, their lives in banishment and the efforts of a remarkable group of activists, led by Helen Joseph, to assist them. Book jacket.
"The present book continues the series on South Africa’s ‘invisible’ earliest people with the Hessequa, who pastured their cattle along the south-east Cape coast – all the way from the present town of Swellendam to Albertinia, and even beyond – long before the European colonists arrived. They may be better described as a “Khoekhoe community”, rather than what the early history books pejoratively called “Hottentots”. In the current dynamic debate in South Africa about the rights of cultural and linguistic minorities, however, the voices of their descendants are not being heard, nor are they appropriately acknowledged by the powers that be. By writing about them and taking up their cause, Mike de Jongh opens a window on their history, their current lives, and their rightful place in the present-day Republic of South Africa."--Publisher description.
Here, in this remarkable, previously unknown collection of 230 of his photographs from 1800s to 1900, we see a Florida we will never see again. We see people carving out a life on a frontier that was in many ways more unique than any other. Here sailboats were the counter-parts of the covered wagon and the barefoot mailman of the pony express. Through Munroe's (Ralph Middleton) camera we see carefully detailed scenes that historians cannot fully describe: the Gold Coast before settlement; the first pictures of the Seminole Indians; Key West as the wrecking capital of the world; beauty primeval and untouched. ... jacket.
Learn more about Andrew Murray and others who spearheaded the Holy Spirit Revival at the Cape. Although the Great Awakening at the Cape in 1860 was as powerful as its precursors in America, Ireland and Wales, its story has never been fully told until now. Dr. Olea Nel has succeeded in filling a much needed gap in the literature by describing these events through the lives of three key players: Andrew Murray, Nicolaas Hofmeyr and Gottlieb van der Lingen. As the story unfolds, you will learn: About the crisis in the Dutch Reformed Church prior to revival when semi-literate stock farmers believed that God had called them to subdue the African tribes, not evangelize them. How virtually overnight the revival demolished this outlook so that awakened Christians became people of prayer and mission enthusiasts. How Andrew Murray defended the Church against the onslaught of liberalism through legal battles in the Cape High Court as well as the Privy Council, London.
In 1894 a Muslim mystic named Muḥammad al-Kattānī abandoned his life of asceticism to preach Islamic revival and jihad against the French. Ten years later, he mobilized a Moroccan resistance against French colonization. This book narrates the story of al-Kattānī and his virtual disappearance from accounts of modern Moroccan history.
The author deftly weaves the materials of natural and human history into a radiant, tightly woven fabric. . . . This classic is a book for all seasonsÑto be reread and savored over the years.ÑLatin America in Books "His superb writing style and the timelessness of his subject (the natural world and the interaction of human beings with it) make this every bit as enjoyable today as it was in the 1960's."ÑBooks of the Southwest "Well-written and fascinating."ÑJournal of Arid Environments
In 1951, musician Kenneth Peacock (1922–2000) secured a contract from the National Museum of Canada (today the Canadian Museum of History) to collect folksongs in Newfoundland. As the province had recently joined Confederation, the project was deemed a goodwill gesture, while at the same time adding to the Museum’s meager Anglophone archival collections. Between 1951 and 1961, over the course of six field visits, Peacock collected 766 songs and melodies from 118 singers in 38 communities, later publishing two-thirds of this material in a three-volume collection, Songs of the Newfoundland Outports (1965). As the publication consists of over 1000 pages, Outports is considered to be a bible for Newfoundland singers and a valuable resource for researchers. However, Peacock’s treatment of the material by way of tune-text collations, use of lines and stanzas from unpublished songs has always been somewhat controversial. Additionally, comparison of the field collection with Outports indicates that although Peacock acquired a range of material, his personal preferences requently guided his publishing agenda. To ensure that the songs closely correspond to what the singers presented to Peacock, the collection has been prepared by drawing on Peacock’s original music and textual notes and his original field recordings. The collection is far-ranging and eclectic in that it includes British and American broadsides, musical hall and vaudeville material alongside country and western songs, and local compositions. It also highlights the influence of popular media on the Newfoundland song tradition and contextualizes a number of locally composed songs. In this sense, it provides a key link between what Peacock actually recorded and the material he eventually published. As several of the songs have not previously appeared in the standard Newfoundland collections, The Forgotten Songs sheds new light on the extent of Peacock’s collecting. The collection includes 125 songs arranged under 113 titles along with extensive notes on the songs, and brief biographies of the 58 singers. Thanks to the Research Centre for the Study of Music Media and Place, a video of the launch event, held in St.John's, Newfoundland, is available at https://www.youtube.com/watch?v=ghj6E6-QiLI&t=21s.