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The Forgotten Arts & Craftsbrings together in a single absorbing volume two best-selling classics, The Forgotten Artsand Forgotten Household Crafts, written by the acknowledged 'Father of Self-sufficiency', John Seymour. Taking the reader on an evocative journey through the worlds of traditional craftspeople - from blacksmith to bee-keeper, wainwright to housewife - Seymour celebrates their honest skills, many of which have disappeared beneath the tread of progress.
A read-and-do book that will recreate the simplicity and warmth of yesteryear's lifestyle with drawings, diagrams, recipes, remedies, formulas, all with easy-to-follow instructions.
The Lost Arts of Hearth and Home is not about extreme, off-the-grid living. It’s for city and suburban dwellers with day jobs: people who love to cook, love fresh natural ingredients, and old techniques for preservation; people who like doing things themselves with a needle and thread, garden hoe, or manual saw. Ken Albala and Rosanna Nafziger Henderson spread the spirit of antiquated self-sufficiency throughout the household. They offer projects that are decidedly unplugged and a little daring, including: * Home building projects like rooftop food dehydrators and wood-burning ovens * Homemaking essentials, from sewing and quilting to rug braiding and soap making * The wonders of grain: making croissants by hand, sprouting grains, and baking bread * Adventures with meat: pickled pig’s feet, homemade liverwurst, and celery-cured salami Intended for industrious cooks and crafters who aren’t afraid to roll up their sleeves, The Lost Arts of Hearth and Home will teach you the history and how-to on projects for every facet of your home, all without the electric toys that take away from the experience of making things by hand.
"A revolution of forms is a revolution of essentials."-Jos Mart, Cuban intellectual and independence leader. Although the current surge of interest in Cuba has extended to that country's architecture, few know that the most outstanding architectural achievement of the Cuban Revolution stands neglected just outside Havana. The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an organic complex of brick and terra-cotta Catalan vaulted structures that reflected the optimism and exuberance of the period. The schools attempted to reinvent architecture, just as the Revolution hoped to reinvent society. However, even before construction was completed, the schools fell out of official favor and were subjected to an attack that resulted in their subsequent "disappearance." An ideological campaign branded them politically incorrect, a bourgeois luxury that was not in keeping with the Revolution. The buildings fell into disuse and, abandoned to the jungle, were literally overgrown. Now, almost 40 years later, Cuba is beginning to recognize and reclaim these significant works of architecture. Revolution of Forms investigates the history and politics surrounding the creation of these structures as well as their subsequent abandonment. The text is accompanied by archival photographs, plans, and images of the present condition of these structures.
The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. However, and especially because so many of the artists were Jewish, their contributions were actively obscured beginning in the late 1930s. Many had to flee Austria, losing their studios and lifework in the process. Some were killed in concentration camps. Along with the stories of individual women artists, the author reconstructs the history of separate women artists' associations and their exhibitions. Chapters covering the careers of Tina Blau, Elena Luksch-Makowsky, Bronica Koller, Helene Funke, and Teresa Ries (among others) point to a more integrated and cosmopolitan art world than previously thought; one where women became part of the avant-garde, accepted and even highlighted in major exhibitions at the Secession and with the Klimt group.
Rediscover the lost world of traditional household crafts with 'the grand master of self-sufficiency' John Seymour. Master tried and trusted methods that have been honed over the centuries and learn to make butter and cheese, embroider, keep bees, decorate your home and more. As Seymour himself once said "we must fill our homes and our lives with beautiful things again and cast out the mass-produced rubbish. This book shows that such things are possible." Part fascinating historical survey, part practical manual, this book shows how many timeless skills were first employed. From basketry to baking to quilting, the book explores a range of fascinating skills and techniques. For country dwellers and those living in the heart of a city, this book encourages a celebration of and a return to some of the wonderful traditions of yesteryear.
"From notable mixed martial artist and UFC fighter, Justin Wren, comes a personal account of faith, redemption, empowerment, and overwhelming love as one man sets out on an international mission to fight for those who can't fight for themselves. Justin Wren knows what it's like to feel like the world is against you. Like many kids, Justin was bullied as a child, but had a dream that kept him going. Fueled by the anger he felt toward his tormenters, Justin trained hard and propelled his dream of becoming a UFC fighter into reality. But the pain from his childhood didn't dissipate and Justin fell into a spiral of depression and addiction, leading him on a path toward destruction. After getting kicked out of his training community, his career was in shambles and he had nowhere else to go, so Justin attended a men's retreat, and it was there he found God. As Justin began piecing his life back together, he joined several international mission trips that opened his eyes and his heart to a world filled with suffering deep in the jungle of the Democratic Republic of Congo. There he came across the Mbuti Pygmy tribe, a group of people persecuted by neighboring tribes and forced into slavery. His encounter with the Pygmy tribe left him wondering who was there to help them and in that moment Justin stepped out of the ring and into a fight for the forgotten. From cage fighter to freedom fighter, Justin's story is a deeply personal memoir with a bigger message about a quest, justice, and the amazing things that can happen when we relinquish our lives to God"--
For generations, Canadian artists have made their mark on the world, with countless individuals rising to fame on stage and screen, and as frontrunners in the various arts, inspiring and influencing all who come after them. One of these legends has been largely forgotten, though his contribution to the arts have inspired the likes of Monty Python and Kids in the Hall, and brought hope and laughter to troops serving their countries at home and overseas, all the while pushing boundaries as a prolific artist, illustrator, author, and actor. This book tells the story of forgotten legend John Wilson (Jack) McLaren from his birth in Scotland to his early years in Canada, becoming a soldier in WWI, entertaining his comrades in arms on the stages of Europe, his business career after the war, his deep involvement with the Group of Seven, his membership in Toronto’s famed Arts & Letters Club, and his eventual retirement to the community of Benmiller, near Goderich, Ontario, where he passed away in 1988. His is a story that deserves to be told ... and remembered.
This title examines the work of 35 artists, including Jimmie Durham, David Hammons, José Bedia, Rebecca Belmore and James Lee Byars, who began using ritualistic practices during the 1970s and 1980s as a way of reinterpreting aspects of their cultural heritage.
The machines of war, and the effects of combat and its aftermath. The reader is also given a sense of how some writers and artists felt about the country and the people of South Vietnam. To date, our perceptions of the Vietnam War have been influenced largely by movies, television and novels. Recognizing this, Dr. Noble enlisted Professor William J. Palmer, a noted authority on the media and their reportage of the war, to provide an essay that allows the reader to.