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Winner of the Edgar® Award for Best First Novel by an American Author Set against the Taiwanese criminal underworld, The Foreigner is Francie Lin's audacious debut novel. A noirish tale about family, fraternity, conscience, and the curious gulf between a man's culture and his deepest self Emerson Chang is a mild mannered bachelor on the cusp of forty, a financial analyst in a neatly pressed suit, a child of Taiwanese immigrants who doesn't speak a word of Chinese, and, well, a virgin. His only real family is his mother, whose subtle manipulations have kept him close--all in the name of preserving an obscure idea of family and culture. But when his mother suddenly dies, Emerson sets out for Taipei to scatter her ashes, and to convey a surprising inheritance to his younger brother, Little P. Now enmeshed in the Taiwanese criminal underworld, Little P seems to be running some very shady business out of his uncle's karaoke bar, and he conceals a secret--a crime that has not only severed him from his family, but may have annihilated his conscience. Hoping to appease both the living and the dead, Emerson isn't about to give up the inheritance until he uncovers Little P's past, and saves what is left of his family. The Foreigner is a darkly comic tale of crime and contrition, and a riveting story about what it means to be a foreigner--even in one's own family.
What should we do about foreigners? Should we try to make them more like us or keep them at bay to protect our democracy, our culture, our well-being? This dilemma underlies age-old debates about immigration, citizenship, and national identity that are strikingly relevant today. In Democracy and the Foreigner, Bonnie Honig reverses the question: What problems might foreigners solve for us? Hers is not a conventional approach. Instead of lauding the achievements of individual foreigners, she probes a much larger issue--the symbolic politics of foreignness. In doing so she shows not only how our debates over foreignness help shore up our national or democratic identities, but how anxieties endemic to liberal democracy themselves animate ambivalence toward foreignness. Central to Honig's arguments are stories featuring ''foreign-founders,'' in which the origins or revitalization of a people depend upon a foreigner's energy, virtue, insight, or law. From such popular movies as The Wizard of Oz, Shane, and Strictly Ballroom to the biblical stories of Moses and Ruth to the myth of an immigrant America, from Rousseau to Freud, foreignness is represented not just as a threat but as a supplement for communities periodically requiring renewal. Why? Why do people tell stories in which their societies are dependent on strangers? One of Honig's most surprising conclusions is that an appreciation of the role of foreigners in (re)founding peoples works neither solely as a cosmopolitan nor a nationalist resource. For example, in America, nationalists see one archetypal foreign-founder--the naturalized immigrant--as reconfirming the allure of deeply held American values, whereas to cosmopolitans this immigrant represents the deeply transnational character of American democracy. Scholars and students of political theory, and all those concerned with the dilemmas democracy faces in accommodating difference, will find this book rich with valuable and stimulating insights.
Stephen Leather's BESTSELLING breakthrough thriller, previously published as THE CHINAMAN - perfect for fans of Lee Child and James Patterson. He understood death. Jungle-skilled, silent and lethal, he had killed for the Viet Cong and then for the Americans. He had watched helpless when his two eldest daughters had been raped and killed by Thai pirates. Now all that was behind him. Quiet, hard-working and unassuming, he was building up his South London take-away business. Until the day his wife and youngest daughter were destroyed by an IRA bomb in a Knightsbridge department store. Then, simply but persistently, he began to ask the authorities who were the men responsible, what was being done. And was turned away, fobbed off, treated as a nuisance. Which was when, denied justice, he decided on revenge. And went back to war. Praise for Stephen Leather 'Explores complex contemporary issues while keeping the action fast and bloody' Economist 'Action and scalpel-sharp suspense' Daily Telegraph 'The sheer impetus of his story-telling is damned hard to resist' Sunday Express
“Moore captures the children’s complicated mix of feelings: embarrassment, defiance, pride, appreciation and, most palpably, love.” —The New York Times Academy Award–winning actress and New York Times–bestselling author of the Freckleface Strawberry series Julianne Moore pays homage to all the Muttis, Mammas, and Mamans who are from another country. A foreign mom may eat, speak, and dress differently than other moms—she may wear special clothes for holidays, twist hair in strange old-fashioned braids, and cook recipes passed down from grandma. Such a mom may be different than other moms, but . . . she is also clearly the best! Vividly illustrated by Meilo So, this funny and heartwarming picture book about growing up in multiple cultures celebrates the diverse world in which we live.
Two hundred years ago, there was war. The humans lost and were exiled to the island of Mospheira, trading titbits of advanced technology for continued peace and a secluded refuge. Only one single human - the paidhi - is allowed off the island and into the dangerous society of their conquerors.
Nguyen Minh fought with the Viet Cong, before changing sides to become an efficient hunter of his former comrades. Imprisoned and tortured by the victorious North Vietnamese, he saw two of his daughters die. So when his wife and third daughter are killed by an IRA bomb, Nguyen seeks revenge.
Originally published: Melbourne, Australia: Text Publishing, 2008.
Part reportage and part protest, A Foreigner Carrying in the Crook of His Arm a Tiny Bomb is an inquiry into the cultural logic and global repercussions of the war on terror. At its center are two men convicted in U.S. courts on terrorism-related charges: Hemant Lakhani, a seventy-year-old tried for attempting to sell a fake missile to an FBI informant, and Shahawar Matin Siraj, baited by the New York Police Department into a conspiracy to bomb a subway. Lakhani and Siraj were caught through questionable sting operations involving paid informants; both men received lengthy jail sentences. Their convictions were celebrated as major victories in the war on terror. In Amitava Kumar’s riveting account of their cases, Lakhani and Siraj emerge as epic bunglers, and the U.S. government as the creator of terror suspects to prosecute. Kumar analyzed the trial transcripts and media coverage, and he interviewed Lakhani, Siraj, their families, and their lawyers. Juxtaposing such stories of entrapment in the United States with narratives from India, another site of multiple terror attacks and state crackdowns, Kumar explores the harrowing experiences of ordinary people entangled in the war on terror. He also considers the fierce critiques of post-9/11 surveillance and security regimes by soldiers and torture victims, as well as artists and writers, including Coco Fusco, Paul Shambroom, and Arundhati Roy.
In 17th century Japan, a battle between the shoguns and the Lees raged for a lengthy period of time. The shoguns wanted the Lees to come join their elite army, but the Lees remained neutral and peaceful people. After much harassing, the husband and wife became supreme warriors. The Lees began killing whatever shoguns threatened them. After a particularly violent, gruesome battle with the shoguns, the Lees disappeared into the Oakla Mountains for about twenty years . The mastermind, an ancient wizard siding with the shoguns, commanded what was left of the shoguns to patrol the mountains of Oakla trying to find the Lees. Decades would pass. In those twenty long years, the Lees raised a son who would become known as “the Master.” Phenomenal genetics would breed an individual who became a far better warrior and stronger fighter then both of his parents put together. In the Master’s infantile years, the mother and father went up on the mountains of Oakla, similar to Moses’ summoning of God, where they asked their God for a sacrifice. He answered, and in return of this sacrifice, he would give their extraordinary son, the Master, the power of immortality in the form of Five Scrolls of Terror. Their God asked for the skin from their baby’s head, a threatening request, but would ultimately create a child who would grow into that of the Master: the Skulled Warrior. As the Lees returned from Oakla on that twentieth or so year, they got ambushed and killed—an attack decades in the making. When the Master found the bodies of his parents, he naturally flew into a blind rage and killed many shoguns, slaughtering anyone who stood in his way. As he battled on Oakla Mountain, his scrolls disappeared off the mountain and were never seen again. As the Master went to the end of Oakla searching for the ancient wizard for retribution, he came across an ancient hut, and inevitably the wizard and the Master did battle. The Master would ultimately kill the wizard, but he would put a curse on the Master that would remain with the Master for nearly four hundred years. As the Master’s statue, which in reality was the curse turning him to stone, was moved by cult followers and believers, it eventually found its way to New Amsterdam, which as we know, would evolve into present-day New York City. An adventure unfolds as the Master awakens after a four-hundred-year slumber, masked as a mysterious piece of art, to deal with our current world as we know it. And so begins The Dark Legend of The Foreigner.