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The Journey of Partition itself -- after Partition. The Partition of British India and the subsequent creation of two antagonist countries is a phenomenon that we are still trying to comprehend. Millions displaced, thousands slaughtered, families divided and redefined, as home became alien land and the unknown became home. So much has been said about it but there is still no writer, storyteller or poet who has been able to explain the madness of Partition.Using the oral narratives of four generations of people -- mainly Pakistanis but also some Indians -- Anam Zakaria, a Pakistani researcher, attempts to understand how the perception of Partition and the 'other' has evolved over the years. Common sense dictates that the bitter memories of Partition would now be forgotten and new relationships would have been forged over the years, but that is not always the case. The memories of Partition have been repackaged through state narratives, and attitudes have only hardened over the years. Post-Partition events -- wars, religious extremism, terrorism -- have left new imprints on 1947. This book documents the journey of Partition itself -- after Partition.
Seventy years ago, as India and Pakistan gained their independence, the region of Jammu & Kashmir also found itself divided, with parts of the territory administered by Pakistan ever since. Located by the volatile Line of Control and caught in the middle of artillery barrages from both ends, Pakistan-administered Kashmir was until over a decade ago one of the most closed-off territories of the world. In a first book of its kind, award-winning Pakistani writer Anam Zakaria travels through Pakistan-administered Kashmir to hear its people - their sufferings, hopes and aspirations. She talks to women and children living near the Line of Control, bearing the brunt of ceasefire violations; journalists and writers braving all odds to document events in remote areas; political and military representatives championing the cause of Kashmir; former militants still committed to the cause; nationalists struggling for a united independent Kashmir; and refugees yearning to reunite with their families on the other side. In the process, Zakaria breaks the silence surrounding a people who are often ignored in discussions on the present and future of Jammu & Kashmir even though they are important stakeholders in what happens in the region. What she unearths during her deeply empathetic journeys is critical to understanding the Kashmir conflict and will surprise and enlighten Indians and Pakistanis alike.
The year 1971 exists everywhere in Bangladesh-on its roads, in sculptures, in its museums and oral history projects, in its curriculum, in people's homes and their stories, and in political discourse. It marks the birth of the nation, it's liberation. More than 1000 miles away, in Pakistan too, 1971 marks a watershed moment, its memories sitting uncomfortably in public imagination. It is remembered as the 'Fall of Dacca', the dismemberment of Pakistan or the third Indo-Pak war. In India, 1971 represents something else-the story of humanitarian intervention, of triumph and valour that paved the way for India's rise as a military power, the beginning of its journey to becoming a regional superpower. Navigating the widely varied terrain that is 1971 across Pakistan, Bangladesh and India, Anam Zakaria sifts through three distinct state narratives, and studies the institutionalization of the memory of the year and its events. Through a personal journey, she juxtaposes state narratives with people's history on the ground, bringing forth the nuanced experiences of those who lived through the war. Using intergenerational interviews, textbook analyses, visits to schools and travels to museums and sites commemorating 1971, Zakaria explores the ways in which 1971 is remembered and forgotten across countries, generations and communities.
The Partition of 1947 has influenced the works of an entire generation of writers, and continues to do so. Gulzar witnessed the horrors of Partition first-hand and it is a theme that he has gone back to again and again in his writings. Footprints on Zero Line brings together a collection of his finest writings -- fiction, non-fiction and poems -- on the subject. What sets this collection apart from other writings on Partition is that Gulzar's unerring eye does not stop at the events of 1947 but looks at how it continues to affect our lives to this day. Wonderfully rendered in English by well-known author and translator Rakhshanda Jalil, this collection marks seventy years of India's Independence. Footprints on Zero Line is not only a brilliant collection on a cataclysmic event in the history of our nation by one of our finest contemporary writers, it is also a timely reminder that those who forget the errors of the past are doomed to repeat them.
The Mohammadan Anglo-Oriental College (MAO), that became the Aligarh Muslim University (AMU) in 1920 drew the Muslim elite into its orbit and was a key site of a distinctively Muslim nationalism. Located in New Dehli, the historic centre of Muslim rule, it was home to many leading intellectuals and reformers in the years leading up to Indian independence. During partition it was a hub of pro-Pakistan activism. The graduates who came of age during the anti-colonial struggle in India settled throughout the subcontinent after the Partition. They carried with them the particular experiences, values and histories that had defined their lives as Aligarh students in a self-consciously Muslim environment, surrounded by a non-Muslim majority. This new archive of oral history narratives from seventy former AMU students reveals histories of partition as yet unheard. In contrast to existing studies, these stories lead across the boundaries of India, Pakistan and Bangladesh. Partition in AMU is not defined by international borders and migrations but by alienation from the safety of familiar places. The book reframes Partition to draw attention to the ways individuals experienced ongoing changes associated with “partitioning”-the process through which familiar spaces and places became strange and sometimes threatening-and they highlight specific, never-before-studied sites of disturbance distant from the borders.
Seventy years on, the Partition of India fades from memory. Can it be restored?
Kashmir remains one of the world's most militarized areas of dispute, having been in the grips of an armed insurgency against India since the late 1980s. In existing scholarship, ideas of territoriality, state sovereignty, and national security have dominated the discourses on the Kashmir conflict. This book, in contrast, places Kashmir and Kashmiris at the center of historical debate and investigates a broad range of sources to illuminate a century of political players and social structures on both sides of divided Kashmir and in the wider Kashmiri diaspora. In the process, it broadens the contours of Kashmir's postcolonial and resistance history, complicates the meaning of Kashmiri identity, and reveals Kashmiris' myriad imaginings of freedom. It asserts that 'Kashmir' has emerged as a political imaginary in postcolonial era, a vision that grounds Kashmiris in their negotiations for rights not only in India and Pakistan, but also in global political spaces.
My understanding of this ferocious, restless, relentless metropolis is that each of us who lives in this city carries a unique, if virtual, Delhi inside our heads.' Independence, four million refugees from Pakistan and the overwhelming presence of visible and invisible power that flows from New Delhi being the capital have transformed it from the unruffled imperial town it once was to the fearsome metropolis it is today. And yet, says Ranjana Sengupta, this largely unloved city deserves to be loved. Delhi is home to the most diverse population of any city in the country. The unceasing influx of migrants has unleashed new urban architectures of opulence and deprivation. Different groups have set up their own, different universes, and these manage to coexist, not unhappily. And somewhere between the futurist Gurgaon skyline and the proliferating slums, alongside the march of the Metro and the refurbishment of Khan Market, lie Delhi's unsung sagas—the memories, the passions and the unspoken expectation that the city will change lives. Sengupta illustrates how Delhi is essentially the creation of refugees of all kinds, from those fleeing plundered homes within and across the border to the adventurers who have flocked to the city for the greater opportunities of employment or simply to be close to the hub of political power. The newer Delhi, she says, in its turn gained from the accumulated and diverse talent and capital it acquired from these people, although haphazard development poses a great danger to it. Delhi Metropolitan tracks the changes from the time 'going to CP' was almost the only leisure activity for the middle class, looks at the subtle reinventions of government colonies and the shining new suburbs, and inspects the footprints of 'Punjabification'. Have all these actually managed to colonize this extravagant, indefinable and unlikely city? In a work of immense detail, at once informed and entertaining, Ranjana Sengupta proffers an answer.
_______________ 'A boisterous tribute to her home town that crackles with the chaos of Pakistani political life' - The Times 'Deftly woven and provocative ... Shamsie's blistering humour and ear for dialogue scorches through their whirl of whisky and witticisms' - Observer 'You will notice very quickly that you're reading a book by someone who can write ... Above all, Kartography is a love story. And if you're not sniffling by, or in fact on, page 113, you're reading the wrong book' - Guardian _______________ BY THE ACCLAIMED WINNER OF THE WOMEN'S PRIZE FOR FICTION 2018 SHORTLISTED FOR THE JOHN LLEWELLYN RHYS PRIZE _______________ Soul mates from birth, Karim and Raheen finish one another's sentences, speak in anagrams and lie spine to spine. They are irrevocably bound to one another and to Karachi, Pakistan. It beats in their hearts - violent, polluted, corrupt, vibrant, brave and ultimately, home. As the years go by they let a barrier of silence build between them until, finally, they are brought together during a dry summer of strikes and ethnic violence and their relationship is poised between strained friendship and fated love. _______________ 'Perceptive, funny and poignant' - Times Literary Supplement 'A touching love story, with the city of Karachi beating at its heart' - Daily Mail 'A gorgeous novel of perimeters and boundaries, of the regions – literal and figurative – in which we're comfortable moving about and those through which we'd rather not travel' - Los Angeles Times