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“Hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters, and ministerial students.” —Dallas Morning News Fool—the bawdy and outrageous New York Times bestseller from the unstoppable Christopher Moore—is a hilarious new take on William Shakespeare’s King Lear…as seen through the eyes of the foolish liege’s clownish jester, Pocket. A rousing tale of “gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity,” Fool joins Moore’s own Lamb, Fluke, The Stupidest Angel, and You Suck! as modern masterworks of satiric wit and sublimely twisted genius, prompting Carl Hiassen to declare Christopher Moore “a very sick man, in the very best sense of the word.”
The year is 1877 and the Ottoman Empire is embroiled in war. A young man escapes a crumbling fortress during a military siege. Disguising himself as a jester, he entertains the enemy camp before disappearing into the night. He sets out on a passionate and daring mission that involves a wealthy family, secret contrabandists, corrupt government officials, self-absorbed clerics, and a young propagandist from Constantinople. All are in pursuit of their own secret motives, while their nation lies on the brink of doom... First published in 1880, The Fool is Raffi's most renowned work and saw him hailed as a prophet after the Ottoman Empire's 30-year genocide (1894-1924) of its Armenian, Assyrian, and Greek populations came to pass.
The Known Lands are teetering on the brink of war. Desperate to avert worldwide catastrophe, Jack, the baker's boy, must learn to harness the full strength of his magic to face his ultimate destiny--a final confrontation with the murderously evil Kylock.
Publishers Weekly Best Books in Fiction 2018 The sensational US debut of a major French writer—an intense, delicious meringue of a novella In a large country house shut off from the world by a gated garden, three young governesses responsible for the education of a group of little boys are preparing a party. The governesses, however, seem to spend more time running around in a state of frenzied desire than attending to the children’s education. One of their main activities is lying in wait for any passing stranger, and then throwing themselves on him like drunken Maenads. The rest of the time they drift about in a kind of sated, melancholy calm, spied upon by an old man in the house opposite, who watches their goings-on through a telescope. As they hang paper lanterns and prepare for the ball in their own honor, and in honor of the little boys rolling hoops on the lawn, much is mysterious: one reviewer wrote of the book’s “deceptively simple words and phrasing, the transparency of which works like a mirror reflecting back on the reader.” Written with the elegance of old French fables, the dark sensuality of Djuna Barnes and the subtle comedy of Robert Walser, this semi-deranged erotic fairy tale introduces American readers to the marvelous Anne Serre.
'To make a pact with the thing that threatens you is arguably the smartest trick of all.' From the brilliant, sui generis Anne Serre come three bewitching, thoroughly out-of-the-way tales, in which kernels of trauma, loss, loneliness and obsession are glimpsed through the glittering gauze of fiction. 'The Fool' may have stepped out of a tarot pack - to walk a mountain trail or worm his way into a writer's mind. 'The Narrator' proposes his mirror image, a storyteller in sheep's clothing, who has a bone to pick with language. The power of narrative to trump a stark reality is perhaps at its strongest in the last story; in 'The Wishing Table' the orgiastic antics of an incestuous family are recounted by one of three daughters. A dream logic rules each of these unpredictable, sensual, and surreal stories: romps no doubt, yet deeply moral, and entirely unforgettable ones.
The seventh daughter of the Sea King, Ekaterina is more than a pampered princess-she's also the family spy. Which makes her the perfect emissary to check out interesting happenings in the neighboring kingdom…and nothing interests her more than Sasha, the seventh son of the king of Belrus. Ekaterina suspects he's far from the fool people think him. But before she can find out what lies beneath his facade, she is kidnapped! Trapped in a castle at the mercy of a possessive Jinn, Ekaterina knows her chances of being found are slim. Now fortune, a fool and a paper bird are the only things she can count on-along with her own clever mind and intrepid heart.…
From the author of Lovecraft Country: Myth and reality collide on a college campus “in a comic fantasy of wonderful energy, invention, and generosity of spirit” (Alison Lurie). Stephen Titus George is a young writer-in-residence at Cornell University in upstate New York. A bestselling author in search of a new story, he sees his life as a modern-day fairy tale starring himself as a would-be knight trying to woo a lovely maiden—or, actually, two: the bewitching Calliope and his guiding light, Aurora Borealis Smith. But he’s not quite in control of the narrative. There’s another writer with even greater influence on campus. The unseen Mr. Sunshine is an eternal, semi-retired deity who’s been fashioning his own story for centuries. He has all his characters in place: dragons, sprites, gnomes, and villains. And now, finally, his hero. As Mr. Sunshine’s world comes to fabulous and violent life, how can Stephen decide his own fate if it’s already being plotted by a god? An epic of life and death, good and evil, love and sorcery, Fool on the Hill lands Matt Ruff happily on the shelf between Tom Robbins and J. R. R. Tolkien for every lover of the “funky and fantastical” (New York magazine). “Inspired . . . rich in flavorful language . . . [a] dazzling tour de force.” —San Francisco Chronicle “The plot comes together like a brilliant clockwork toy.” —Locus
Who is the Fool and what does he mean to us? Pre-1900 scholars thought him a Renaissance fashion, a continental import of note in the British Isles only between 1486 and the 1630s, per his appearances in Shakespeare's plays. However, as Sandra Billington shows in this pioneering study, the Fool has been with us from medieval times and has worn many guises: village idiot and sophisticated comedian, embodiment of Satan and God's own jester. He has managed, as Billington notes, 'to inspire or infect our thinking for at least eight hundred years'.
The first cremation the homeless people held in Golden Gate Park was for a dog; their second pyre held a much larger body. To find the one responsible for these deaths, Kate Martinelli sets out on a quest for Brother Erasmus -- an enigmatic creature who has befriended the homeless and speaks only in quotations.
In fifteenth-century Florence, Italy, a contest is held to design a magnificent dome for the town's cathedral, but when Pippo the Fool claims he will win the contest, everyone laughs at him. Based on a true story.