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With a new introduction by Michael Marqusee.
"This edition has been reproduced from the limited Nonesuch Press edition of 1927, with the last revisions of the 1949 edition " Includes bibliographical references.
The last volumes in the series of William Blake's Illuminated Books reveal the writer and artist as a prophet driven by a sense of apocalyptic urgency. Blake conceived and executed The Continental Prophecies and The Urizen Books in the early 1790s, capturing the intellectual and spiritual turmoil of the American and French revolutions. Here, for the first time, the general reader will encounter Blake's most intense vision in reproductions that do justice to the originals, accompanied by texts, comprehensive notes and commentaries, and detailed interpretations of the designs. The Continental Prophecies, which comprises "America," "Europe," and "The Song of Los," presents Blake's critical reckoning with the history of his own times. Marked by a particularly close integration of word and image, the books form a mythical plot from historical events and criticize the intricate structure of social oppression that the author attributes to organized state religion. Each of the three books attempts to point a way toward the process of millennial liberation. These volumes complete the six-part series of William Blake's Illuminated Books, including Jerusalem, Songs of Innocence and of Experience (now available in paperback), The Early Illuminated Books, and Milton, A Poem, all published by Princeton University Press.
An illustrated version of the folk song in which a fox travels many miles to get dinner for his wife and ten cubs.
This vintage book contains a detailed biography of William Blake. William Blake (1757–1827) was an English painter and poet. As with many of his ilk, Blake's artistic endeavours were unrecognised during his lifetime, but he is considered today to be one of the most seminal figures in the history of poetry. This volume is highly recommended for those with an interest in poetry, and would make for a worthy addition to any bookshelf. Contents include: “Childhood”, “Engraver's Apprentice”, “A Boy's Poems”, “Student and Lover”, “Introduction To The Polite World”, “Struggle and Sorrow”, “Mediation: Notes on Lavater”, “Poems of Manhood”, “Books of Prophecy”, “Bookseller Johnson's”, “The Gates of Paradise, America, Etc.”, “The Songs of Experience”, “Productive Years”, “At Work For The Publishers”, “A New Life”, “Poet Hayley and Felpham”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction. This book was first published in 1863.
In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.
'If a thing loves, it is infinite' William Blake A short, impassioned argument for why the visionary artist William Blake is important in the twenty-first century The visionary poet and painter William Blake is a constant presence throughout contemporary culture - from videogames to novels, from sporting events to political rallies and from horror films to designer fashion. Although he died nearly 200 years ago, something about his work continues to haunt the twenty-first century. What is it about Blake that has so endured? In this illuminating essay, John Higgs takes us on a whirlwind tour to prove that far from being the mere New Age counterculture figure that many assume him to be, Blake is now more relevant than ever.