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Focusing on follies and garden buildings in Ireland, this book seeks to describe and illustrate these architectural oddities. Examines buildings mainly from the 18th and 19th centuries from all four provinces of Ireland, placing them in their architectural and historical contexts.
Don't leave yet. Let there be one more piece of magic to remember the place by. Is there something especially Irish about Irish gardens? The climate, soils, availability of plants and skills of green-fingered people generate an unusually benign environment, it's true, but not one that is unique to Ireland. Irish gardens tend to avoid magnificence in favour of a quiet and domesticated beauty, but that is not peculiar to Ireland either. Strains of Irishness run through these gardens like seams of ore. Seen not just as zones of horticultural bravura, but also as reflections of historical, cultural, political and religious events and values, the gardens accrue an unusual richness of surface and depth of meaning. Atmospherically illustrated by Brian Lalor, The Irish Garden wanders into individual gardens, rather than presenting a sweeping chronology. This book is a rhapsody on themes of Irishness, as if the spirit and soul of Ireland itself were sometimes more visible in these places than in the more conventionally visited locations of battlefields, breweries and bars.
Chronicles nearly 1,450 UK sites which boast follies, grottoes or garden buildings of original or eccentric aspect.
Tracing its distant origins to the villa of the Roman emperor Hadrian in the second century AD, the eccentric phenomenon of the ornamental hermit enjoyed its heyday in the England of the eighteenth century It was at this time that it became highly fashionable for owners of country estates to commission architectural follies for their landscape gardens. These follies often included hermitages, many of which still survive, often in a ruined state. Landowners peopled their hermitages either with imaginary hermits or with real hermits - in some cases the landowner even became his own hermit. Those who took employment as garden hermits were typically required to refrain from cutting their hair or washing, and some were dressed as druids. Unlike the hermits of the Middle Ages, these were wholly secular hermits, products of the eighteenth century fondness for 'pleasing melancholy'. Although the fashion for them had fizzled out by the end of the eighteenth century, they had left their indelible mark on both the literature as well as the gardens of the period. And, as Gordon Campbell shows, they live on in the art, literature, and drama of our own day - as well as in the figure of the modern-day garden gnome. This engaging and generously illustrated book takes the reader on a journey that is at once illuminating and whimsical, both through the history of the ornamental hermit and also around the sites of many of the surviving hermitages themselves, which remain scattered throughout England, Scotland, and Ireland. And for the real enthusiast, there is even a comprehensive checklist, enabling avid hermitage-hunters to locate their prey.
Go on a journey with Robert O’Byrne as he brings fascinating Irish ruins to life. Fantastical, often whimsical, and frequently quirky, these atmospheric ruins are beautifully photographed and paired with fascinating text by Robert O’Byrne. Born out of Robert’s hugely popular blog, The Irish Aesthete, there are Medieval castles, Georgian mansions, Victorian lodges, and a myriad of other buildings, many never previously published. Robert focuses on a mixture of exteriors and interiors in varying stages of decay, on architectural details, and entire scenarios. Accompanying texts tell of the Regency siblings who squandered their entire fortune on gambling and carousing, of an Anglo-Norman heiress who pitched her husband out the window on their wedding night, and of the landlord who liked to walk around naked and whose wife made him carry a cowbell to warn housemaids of his approach. Arranged by the country’s four provinces, the diverse ruins featured offer a unique insight into Ireland and an exploration of her many styles of historic architecture.
This captivating book, fully revised and updated and featuring more NT houses than ever before, is a guide to some of the greatest architectural treasures of Britain, encompassing both interior and exterior design. This new edition is fully revised and updated and includes entries for new properties including: Acorn Bank, Claife Viewing Station, Cushendun, Cwmdu, Fen Cottage, The Firs (birthplace of Edward Elgar), Hawker's Hut, Lizard Wireless Station, Totternhoe Knolls and Trelissick. The houses covered include spectacular mansions such as Petworth House and Waddesdon Manor, and more lowly dwellings such as the Birmingham Back to Backs and estate villages like Blaise Hamlet, near Bristol. In addition to houses, the book also covers fascinating buildings as diverse as churches, windmills, dovecotes, castles, follies, barns and even pubs. The book also acts as an overview of the country's architectural history, with every period covered, from the medieval stronghold of Bodiam Castle to the clean-lined Modernism of The Homewood. Teeming with stories of the people who lived and worked in these buildings: wealthy collectors (Charles Wade at Snowshill), captains of industry (William Armstrong at Cragside), prime ministers (Winston Churchill at Chartwell) and pop stars (John Lennon at Mendips). Written in evocative, imaginative prose and illustrated with glorious images from the National Trust's photographic library, this book is an essential guide to the built heritage of England, Wales and Northern Ireland.
Based on the accounts of British and Anglo-Irish travelers, 'Creating Irish Tourism' charts the development of tourism in Ireland from its origins in the mid-eighteenth century to the country's emergence as a major European tourist destination a century later. The work shows how the Irish tourist experience evolved out of the interactions among travel writers, landlords, and visitors with the peasants who, as guides, jarvies, venders, porters and beggars, were as much a part of Irish tourism as the scenery itself.
If this were a novel, the tales of astounding wealth, sexual perversion, murder, munificence, rape, insanity, brutality, slavery, religious mania, selfishness, snobbery, charity, suicide, generosity, theft, madness, wickedness, failure and eccentricity which unfold in these pages would be too concentrated to allow for the willing suspension of disbelief. All these sins and virtues, and more, are displayed by the characters in this book, some exhibiting several of them simultaneously. Folly builders were not as we are. They never built what we now call follies. They built for beauty, utility, improvement; it is only we, struggling after them with our imperfect understanding, who dismiss their prodigious constructions as follies. Follies can be found around the world, but England is their spiritual home. Having written the definitive books on follies in Great Britain, Benelux and the USA, Headley & Meulenkamp have turned their attention to the folly builders themselves, people so blinded by fashion or driven by some nameless ideology that they expended great fortunes on making their point in brick, stone and flint. Most follies are simply misunderstood buildings, and this book studies the motives, characters, decisions and delusions of their builders. If there was madness in their building, fortunately there was no method in it.
Examining the various types of building in both the North and South of Ireland, in towns villages and the countryside, this work aims to help readers to identify buildings and establish their history and purpose. Buildings are therefore identified by type, location and function. The focus is on the small everyday buildings of Ireland - dwellings, workplaces, churches, schools and other local symbols of administration and institution. Great works of architecture, the large country house and the monumental architecture of the city have been omitted, except where they are used to illustrate historical development.