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Contains one hundred illustrations representing the most significant aspects of the folk art tradition, with extensive footnotes and a biographical index of the major artists.
Speaking with Pictures offers a path-breaking exploration of visual narratives in folk art. It foregrounds folk art’s engagement with modernity by re-looking at its figurative modes and the ways in which they are embedded in mythic thought. The book discusses folk art as a contemporary phenomenon which is a part of a complex visual culture where the ‘essence’ of tradition is best captured in a ‘new’ form or medium. Each chapter picks up a theme that moves between the local and the global, thereby attempting to problematise the stereotypical view of folk artists as carriers of ‘timeless tradition’. The volume provides an ethnographic account of innovations through a detailed analysis of the scroll painting tradition of the patuas of West Bengal and the Pardhan-Gond style of Madhya Pradesh, highlighting some recent attempts at inter-medium exchange in storytelling. The book will interest those in visual and popular culture in anthropology, sociology, literary criticism and folklore. It will also be of immense value to art historians, museologists, curators and NGOs working in media and communication, apart from those with a general interest in folk art.
Throughout Massachusetts, artists carry on and revitalise deeply rooted traditions that take many expressive forms - from Native American basketry to Yankee wooden boats, Armenian lace, Chinese seals, and Irish music and dance. This illustrated volume celebrates and shares the work of a wide array of these living artists.
This volume celebrates the richness of folk art in Sweden, from traditional peasant art to modern design. It illustrates the many facets of Swedish style and culture, exploring the ways in which Sweden's traditional heritage and contemporary design and decorative arts are connected.
A truly international treatment of its subject, The Spirit of Folk Art draws upon the vast resources of the Girard Collection, amassed by Alexander and Susan Girard and housed at the Museum of International Folk Art in Santa Fe. Distinguished folklorist and scholar Henry Glassie offers a vigorous and often lyrical discussion of the nature of folk art. More than 345 illustrations, including 285 in full color and 50 field photographs showing the various artists at work, provide a rich complement to Glassie's insights.
This is the most comprehensive study of such varied factors as art historical traditions and influences, the social and economic background that encouraged each of these arts, Norwegian symbolism, traditional costume, and emigration to the United States and its influence on the arts. An informative and practical discussion of Norwegian folk art collections is also included.
Folk art still influences everyday art in some surprising ways. Folk Art Fusion shows you how to blend classic subjects with new techniques to create a lovely work of art that is completely unique. Folk Art Fusion explores the colorful combination of art styles and presents them in modern folk art paintings. This is your chance to learn how traditional folk art continues to influence today's painters, and to discover how to create contemporary folk-art paintings yourself! Even if you're new to creating art, Folk Art Fusion makes creating your own works approachable with step-by-step projects. The projects are as varied as they are colorful. You will enjoy painting classic subjects painted with creative techniques and in popular styles, including flower fields, Frida Kahlo, the Tree of Life, a cat, a quaint English cottage, and much more. Colorful, contemporary, and inspirational, Folk Art Fusion allows artists of all skill levels to quickly discover the joy of creating modern, global-inspiredart in this time-treasured genre.
CHOICE 1997 Outstanding Academic Books This is the first full-length study in English of Japan's folk performing arts covering such topics as the different categories of presentations, public policies affecting the folk performing arts, performance events within and without communities, and the folk performing arts in literature. Throughout, it addresses issues concerning the survival and preservation of traditional culture in contemporary Japan. Once largely unknown outside of their local community settings, Japan's folk performing arts have today captured universal attention. In Japan, almost every municipality is home to one or more of the diverse dramatic, dance, narrative, and musical presentations that make up the folk performing arts. They can be seen at events that range from long-established festivals to newly created folk-culture and tourist programs. Since the 1920s, a growing body of work by folklorists, theater historians, and other academic specialists, together with literary treatment by well-known authors, brought the folk performing arts into the national cultural spotlight. The postwar Cultural Properties Protection Law conferred on them the status of legally designated cultural assets.
"Though their work is informed by a shared sense of culture, place, and identity as women, each artist has her own unique style, source of inspiration, and approach to her craft. Daily life and flights of fancy, spiritual devotion and earthly concerns all find expression in these finely crafted and beautifully colored ceramic marvels, including street scenes and nativities, Virgins and Zapotec creatures, vases, plates, candleholders, and figures of Frida Kahlo."--BOOK JACKET.