Download Free The Flower Of Battle Book in PDF and EPUB Free Download. You can read online The Flower Of Battle and write the review.

The Flower of Battle is Colin Hatcher's translation of Fiore dei Liberi's art of combat from the early 15th century. The work included high-resolution images and English text laid out in the manner of the original.
"The complete martial works of Fiore dei Liberi, a master at arms at the turn of the fifteenth century."
In From Medieval Manuscript to Modern Practice, renowned historical swordsman Guy Windsor demystifies one of the greatest martial arts books of all time, Fiore dei Liberi's Il Fior di Battaglia (The Flower of Battle). In the late 14th century dei Liberi, an Italian knightly combat master, wrote Il Fior di Battaglia (The Flower of Battle). This magnificent, illustrated manuscript described how to fight on foot and on horseback, in armour and without, with sword, spear, pollax, dagger, or with no weapon at all. Windsor spent the last twenty years studying Fiore's work and creating a modern practice of historical swordsmanship from it. In this book, Windsor takes you through all of Fiore's longsword techniques on foot without armour. Each technique (or “play”) is shown with the drawing from the treatise, Windsor's transcription and translation of the text, his commentary on how it fits into the system and works in practice, and a link to a video of the technique in action. The book also contains a detailed introduction describing Fiore's life and times, and extensive discussion of the contexts in which Fiore's art belongs. From Medieval Manuscript to Modern Practice is essential reading for all martial artists and historians of the medieval and early Renaissance.
This is an extravagantly illustrated and engrossing exploration of the art of medieval fighting. The book features some of the most interesting selections from a manuscript by the renowned Italian fencing master Fiore dei Liberi depicting the knightly arts of fighting with swords, daggers, and polearms, both on foot and on horseback.
Fiore dei Liberi was a weapons-master from Italy who was active in the 14th and early 15th century. After fifty years of training Italy's elite, he put his art to paper and created the Flower of Battle. The Flower of Battle covers the use of the dagger, sword, spear, axe as well as fighting in armor, on horseback, and other odds and ends. MS M 383, owned by the Morgan Library and Museum, differs from the other Italian versions by beginning with fighting on horseback and moving to foot combat with progressively smaller weapons. This edition includes high-resolution scans alongside a new transcription and translation by Michael Chidester, who also wrote a codicological analysis and an overview of dueling at the turn of the 15th century to help contextualize the treatise. An appendix includes a paper by Jay Leccese that analyzes the artwork and explores artistic connections to others of Fiore's manuscripts.
"In the wake of the bombing of Pearl Harbor, the 1942 Rose Bowl was moved from Pasadena to Duke University out of fear of further Japanese attacks on the West Coast. Shortly after this unforgettable game, many of the players and coaches left their respective colleges, entered the military, and went on to serve around the world in famous battlegrounds, from Iwo Jima and Okinawa to Normandy and the Battle of the Bulge, where fate and destiny would bring them back together on faraway battlefields, fighting on the same team. Fields of Battle is a powerful story that sheds light on a little-known slice of American history where World War II and football intersect. Author Brian Curtis captures in gripping detail an intimate account of the teamwork, grit, and determination that took place on both the football and battle fields"--
The classic account of the final offensive against Hitler’s Third Reich. The Battle for Berlin was the culminating struggle of World War II in the European theater, the last offensive against Hitler’s Third Reich, which devastated one of Europe’s historic capitals and marked the final defeat of Nazi Germany. It was also one of the war’s bloodiest and most pivotal battles, whose outcome would shape international politics for decades to come. The Last Battle is Cornelius Ryan’s compelling account of this final battle, a story of brutal extremes, of stunning military triumph alongside the stark conditions that the civilians of Berlin experienced in the face of the Allied assault. As always, Ryan delves beneath the military and political forces that were dictating events to explore the more immediate imperatives of survival, where, as the author describes it, “to eat had become more important than to love, to burrow more dignified than to fight, to exist more militarily correct than to win.” The Last Battle is the story of ordinary people, both soldiers and civilians, caught up in the despair, frustration, and terror of defeat. It is history at its best, a masterful illumination of the effects of war on the lives of individuals, and one of the enduring works on World War II.
This sixteenth-century German guide to sword fighting and combat training is a crucial source for understanding medieval swordplay techniques. Following his translation of Joachim Meyer’s The Art of Combat, Jeffrey L. Forgeng was alerted to an earlier version of Meyer’s text, discovered in Lund University Library in Sweden. The manuscript, produced in Strasbourg around 1568, is illustrated with thirty watercolor images and seven ink diagrams. The text covers combat with the longsword (hand-and-a-half sword), dusack (a one-handed practice weapon comparable to a sabre), and rapier. The manuscript’s theoretical discussion of guards sheds significant light on this key feature of the historical practice, not just in relation to Meyer but in relation to medieval combat systems in general. The Art of Sword Combat also offers an extensive repertoire of training drills for both the dusack and the rapier, a feature largely lacking in treatises of the period and critical to modern reconstructions of the practice. Forgeng’s translation also includes a biography of Meyer, much of which has only recently come to light, as well as technical terminology and other essential information for understanding and contextualizing the work.
This standalone portal fantasy transports unsuccessful rockstar Theo Vilmos from modern California to a land of magic and mystery Returning to the fantasy genre that made him a coast-to-coast best-selling phenomenon, Tad Williams writes this stand-alone contemporary fantasy novel, set in Northern California—and also in the strange parallel world that coexists in the farthest reaches of the imagination.Theo Vilmos is a thirty-year-old lead singer in a not terribly successful rock band. Once, he had enormous, almost magical charisma, both onstage and off—but now, life has taken its toll on Theo. Hitting an all-time low, he seeks refuge in a isolated cabin in the woods. While there, he reads an odd memoir written by a dead relative who believed he had visited the magical world of Faerie. And before Theo can disregard the account as the writings of a madman, he, too, is drawn to a place beyond his wildest dreams...a place that will be, and has always been, his destiny.
NATIONAL BESTSELLER • “Steven Pressfield brings the battle of Thermopylae to brilliant life.”—Pat Conroy At Thermopylae, a rocky mountain pass in northern Greece, the feared and admired Spartan soldiers stood three hundred strong. Theirs was a suicide mission, to hold the pass against the invading millions of the mighty Persian army. Day after bloody day they withstood the terrible onslaught, buying time for the Greeks to rally their forces. Born into a cult of spiritual courage, physical endurance, and unmatched battle skill, the Spartans would be remembered for the greatest military stand in history—one that would not end until the rocks were awash with blood, leaving only one gravely injured Spartan squire to tell the tale. . . .