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In 1852 Ohio, twelve-year-old Owen steals aboard a floating circus called the River Palace, with nothing more in mind than catching a little of the show. But then a free black man named Solomon offers to take him on as an assistant animal keeper, and Owen discovers a family among the ragtag members of the circus-including a young elephant named Little Bet. A brush with yellowfever in New Orleans and a devastating storm threaten the boat and its crew. But it's the menace of slave catchers that poses the greatest danger of all, and that will put Owen's loyalty to Solomon and Little Bet to the test. This is a memorable tale of prejudice, race, and the relationships that transcend them. Inspired by the riverboat circuses of the nineteenth century, it also brings little known historical facts to life. TRACIE VAUGHN ZIMMER has worked as a special education teacher and reading specialist. She is also the creator of more than 80 teacher's guides for numerous publishers and has published poetry books as well as the novel Reaching for Sun. Tracie lives outside Cincinnati, Ohio, with her husband and two children. www.tracievaughnzimmer.com PRAISE FOR REACHING FOR SUN: "Like taking slow bites from a piece of homemade lemon pie-sharp sweet and honest." -Linda Sue Park, Newbery Medal winner "Josie's strength shines as she handles sadness and loss as well as recovery and progress."-Kirkus Reviews, starred review
#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.
The nineteenth century saw the American circus move from a reviled and rejected form of entertainment to the “Greatest Show on Earth.” Circus Life by Micah D. Childress looks at this transition from the perspective of the people who owned and worked in circuses and how they responded to the new incentives that rapid industrialization made possible. The circus has long been a subject of fascination for many, as evidenced by the millions of Americans that have attended circus performances over many decades since 1870, when the circus established itself as a truly unique entertainment enterprise. Yet the few analyses of the circus that do exist have only examined the circus as its own closed microcosm—the “circus family.” Circus Life, on the other hand, places circus employees in the larger context of the history of US workers and corporate America. Focusing on the circus as a business-entertainment venture, Childress pushes the scholarship on circuses to new depths, examining the performers, managers, and laborers’ lives and how the circus evolved as it grew in popularity over time. Beginning with circuses in the antebellum era, Childress examines changes in circuses as gender balances shifted, industrialization influenced the nature of shows, and customers and crowds became increasingly more middle-class. As a study in sport and social history, Childress’s account demonstrates how the itinerant nature of the circus drew specific types of workers and performers, and how the circus was internally in constant upheaval due to the changing profile of its patrons and a changing economy. MICAH D. CHILDRESS received his PhD in history from Purdue University and currently works as a Realtor® in Grand Rapids, Michigan. His articles have appeared in Popular Entertainment Studies and American Studies.
A new edition of a “dazzlingly seductive” fever dream written in “brilliant poetic vernacular” (Bookforum) by a beloved poet and cultural critic, now with an introduction by Rachel Kushner. For five years, concert pianist Theo Mangrove has been living at his family’s home in East Kill, New York, recovering from a nervous breakdown that derailed his career, and attempting to relieve his relentless polysexual appetite in the company of male hustlers, random strangers, music students, his aunt, and occasionally his wife. As he prepares for a comeback recital in Aigues-Mortes, a walled medieval town in southern France, he becomes obsessed with the idea that the Italian circus star Moira Orfei must join him there to perform alongside him. Extravagantly (and tragicomically) describing his hallucinatory plans in a series of twenty-five notebooks, he assembles an incantatory meditation on performance, failure, fame, decay, and delusion. "If Debussy and Robert Walser had collaborated on an opera, it would sound like this. --John Ashbery
The latest title in the Norton/Library of Congress Visual Sourcebooks series, Theaters offers a richly illustrated history of a revered cultural artifact and a technological challenge, following its progression from the eighteenth-century opera house to the modern movie multiplex.
To both young and old, the circus remains an icon of American entertainment, a wholesome pastime untouched by the passing years. But the modern circus, with its three rings, ringmaster, animals, and acrobats, is the product of nearly three hundred years of evolution. This intriguing work chronicles the history of the American circus from its roots in England through its importation to America to the end of the nineteenth century. It introduces the early pioneers of the circus, addresses business concerns such as management and training, and discusses the development of the show itself, including the incorporation of menageries, the need for animal training and care, the addition of circus music, the use of the tent, and the unique attractions of side shows and "freaks." Personal stories of those who made their lives under the "big top" are woven throughout the narrative, adding an intimate perspective to one of America's most enduring entertainments.