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Steven Cassedy takes aim at two of the most enduring myths of modern criticism: that it is secular, and that it is new and autonomous. He argues that though modern criticism is often forbiddingly scientific and technical, the modern critic remains something of a mystic. Every school of modern criticism—from structuralism to postmodern criticism—rests on a faith in an "Eden," an irreducible essence, a myth, like the common myth that there is an intrinsic distinction between "poetic" language and "ordinary" language. The modern critic attempts to abandon all mystical faith; this is the "flight from Eden." But it is always in vain. It is traditionally assumed that modern literary criticism and theory came from France, and relatively recently. In fact, according to Cassedy, the entire modern critical consciousness was already formed by the early twentieth century in the minds of writers who were primarily neither professional critics nor philosophers, but poets. Some were French (Mallarmé, and Valéry); others were not (Rilke, Bely, and the Russian avant-garde poet Velimir Khlebnikov). In them we find the same Edenic faith, the same effort to abandon it, and the same failure of that effort. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Civilization is advancing rapidly, the world population burgeoning. Satan has caused the fall of man and now wants complete control of Earth. all that stands in his way is that annoying line of humans descended from Seth; they insist on honoring their Creator. And there is that other problem, the prophecy spoken in the Garden of Eden about a Redeemer who's coming who has the power to "crush his head!" Knowing the Redeemer must be born of a human to be truly both human and God, Satan initiates a scheme to pollute the human bloodline and prevent the prophesy from coming to pass!
Provides step-by-step instruction for designing a variety of kites, and offers tips on material selection and flying techniques.
“Patiently, and unflinchingly, Ackerman is becoming one of the great poet laureates of America’s tragic adventurism across the globe.” —Pico Iyer Eden lies in a hospital bed, unable to move or speak. His wife Mary spends every day on the sofa in his room. We see them through the eyes of Eden’s best friend, a fellow Marine who didn’t make it back home—and who must relive the secrets held between all three of them as he waits for Eden to finally, mercifully die and join him in whatever comes after. A breathtakingly spare and shattering novel that explores the unseen aftereffects—and unacknowledged casualties—of war, Waiting for Eden is a piercingly insightful, deeply felt meditation on loyalty, friendship, betrayal, and love. “The Tim O’Brien of our era.” —Vogue “Devastating.” —The Wall Street Journal “Haunting. . . . Daring.” —The Boston Globe “Heart-wrenching.” —NPR
From takeoff to landing, this anthology is about flying and the culture surrounding this precarious method of transportation. Includes contributions by Diane Ackerman, Margaret Atwood, Albert Goldbarth, Lee Martin, Marilyn Nelson, Naomi Shahib Nye, and a host of others.
'There' says Alice Hayward to Reverend Stephen Drew, when she come up out of the water after her baptism. Just a few short hours later, Alice is dead, shot by her abusive husband who turned the gun on himself soon after. Tortured by the cryptic finality of that short utterance, Reverend Drew feels his faith in God slipping away as he tries to unearth the truth behind Alice's death. Only new arrival Heather Laurent -- the enigmatic author of wildly successful books about angels -- seems able to save him from slipping into the depths of despair. Heather has her own story. She survived a childhood that culminated in her own parents' murder-suicide, so she identifies deeply with Alice's daughter, Katie, offering herself as a mentor to the girl and a shoulder for Stephen. But then the state's attorney begins to suspect that Alice's husband may not have killed himself . . . and finds out that Alice had secrets only her minister knew. Related through the eyes of four different narrators, Secrets of Edenis both a haunting literary thriller and a deeply evocative testament to the inner complexities that mark all of our lives. Once again, Chris Bohjalian has given us a riveting page-turner in which nothing is precisely what it seems.
In late May 1927 an inexperienced and unassuming 25-year-old Air Mail pilot from rural Minnesota stunned the world by making the first non-stop transatlantic flight. A spectacular feat of individual daring and collective technological accomplishment, Charles Lindbergh's flight from New York to Paris ushered in the modern age of commercial aviation. In The Flight of the Century, Thomas Kessner takes a fresh look at one of America's greatest moments, explaining how what was essentially a publicity stunt became a turning point in history. Kessner vividly recreates the flight itself and the euphoric reaction to it on both sides of the Atlantic, and argues that Lindbergh's amazing feat occurred just when the world--still struggling with the disillusionment of WWI--desperately needed a hero to restore a sense of optimism and innocence. Kessner also shows how new forms of mass media made Lindbergh into the most famous international celebrity of his time, casting him in the role of a humble yet dashing American hero of rural origins and traditional values. Much has been made of Lindbergh's personal integrity and his refusal to cash in on his fame, but Kessner reveals that Lindbergh was closely allied with, and managed by, a group of powerful businessmen--Harry Guggenheim, Dwight Morrow, and Henry Breckenridge chief among them--who sought to exploit aviation for mass transport and massive profits. Their efforts paid off as commercial air traffic soared from 6,000 passengers in 1926 to 173,000 passengers in 1929. Kessner's book is the first to fully explore Lindbergh's central role in promoting the airline industry--the rise of which has influenced everything from where we live to how we wage war and do business.
Both history and memoir, The Flight tells the story of Richard W. “Dick” Bridges’s heroic service in World War II. Bridges survived a German attack on his plane, the Fascinatin’ Witch, by parachuting out of the exploding B-24. He escaped detection in Austria, became the first American prisoner of war in Hungary, was sent to Yugoslavia, escaped from his POW camp there, was sheltered by the Partisans one step ahead of the Germans, and was finally airlifted to safety in Italy by the British. Bridges’s story, which seems almost too astonishing to be true, went untold until after his death in 2003, when his son, Tyler Bridges, pieced it together. The younger Bridges’s odyssey in search of his father’s wartime experiences connected him with the families of other crew members aboard the Fascinatin’ Witch and led him to retrace his father’s footsteps through Austria, Hungary, and the former Yugoslavia. With his findings, Bridges has woven a story not only about World War II and the bravery of this unique group of soldiers, but also about fathers and sons, what can get lost in the gulf between generations, and how patience and understanding can bridge that gap.