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“A fast-paced adventure combined with an engrossing mystery, all set in a unique and original fantasy world. I can't wait to find out what happens next!” —Martha Wells, Hugo Award-winning author on For the Killing of Kings In this sequel to For the Killing of Kings, Howard Andrew Jones returns to the ring-sworn champions of the Altenerai in Upon the Flight of the Queen to continue this thrilling, imaginative and immersive epic fantasy trilogy. While the savage Naor clans prepare to march on the heart of the Allied Realms, Rylin infiltrates the highest of the enemy ranks to learn their secrets and free hundreds of doomed prisoners. His ailing mentor Varama leads the ever-dwindling Altenerai corps in a series of desperate strikes to cripple the Naor occupiers, hoping for a relief force that may not come in time to save what’s left of the city and her charges. Elenai, Kyrkenall, and the kobalin Ortok ride through the storm-wracked Shifting Lands to rekindle an alliance with the ko’aye, the only possible counter to the terrible Naor dragons. Even if they survive the hazardous trek deep through kobalin territory to find the winged lizards, though, the three are unlikely to get a warm reception, for the queen of the five realms refused to aid the ko’aye when their homelands were attacked, and the creatures have long memories. While the Altenerai fight impossible odds to save the realms, their queen delves further and deeper into the magic of the mysterious hearthstones in a frantic attempt to unlock secrets that might just destroy them all. Praised for his skills in drafting modern epic fantasy that engrosses and entertains, Howard Andrew Jones delivers a sequel that expands the amazing world, relationships, and adventure introduced in the first book of this series.
Follows the adventures of Talia as she travels the land as a Herald of Valdemar in the third book in the classic epic fantasy Arrows trilogy With Elspeth, the heir to the throne of Valdemar, come of marriageable age, Talia, the Queen’s Own Herald returns to court to find Queen and heir beset by diplomatic intrigue as various forces vie for control of Elspeth’s future. But just as Talia is about to uncover the traitor behind all these intrigues, she is sent off on a mission to the neighboring kingdom, chosen by the Queento investigate the worth of a marriage proposal from Prince Ancar. And, to her horror, Talia soon discovers there is far more going on at Prince Ancar’s court than just preparation for a hoped-for royal wedding. For a different magic than that of the Heralds is loose in Ancar’s realm—an evil and ancient sorcery that may destroy all of Valdemar unless Talia can send warning to her Queen in time!
The Boeing 747 is more than an airliner - it is the Queen of the Skies. From flights over Antarctica to carrying a spare fifth engine beneath the wing, award-winning aviation writer and airline pilot, Owen Zupp, has detailed the varied journeys of the magnificent Boeing 747.
Here is the brief but intense life of Bessie Coleman, America's first African American woman aviator. Born in 1892 in Atlanta, Texas, she became known as “Queen Bess,” a barnstormer and flying-circus performer who defied the strictures of race, sex, and society in pursuit of a dream.
Based on the Brothers Grimm's fairy tale Six Swans, The Flight of Swans follows Ryn's journey to save her family and their kingdom. Princess Andaryn's six older brothers have always been her protectors—until her father takes a new Queen, a frightening, mysterious woman who enchants the men in the royal family. When Ryn's attempt to break the enchantment fails, she makes a bargain: the Queen will spare her brothers' lives if Ryn remains silent for six years. Ryn thinks she freed her brothers, but she never thought the Queen would turn her brothers into swans. And she never thought she'd have to undo the Queen's spell alone, without speaking.
This is an account of three months of flight in a vintage 1942 Stearman bi-plane. Travelling across 48 continental United States, Coonts flies like the legendary barnstormers, painting a picture of the astonishing panorama of landscapes beneath him, from the Painted Desert to the Grand Canyon and Mount Rushmore. He swoops under storms and over mountains, across swamps, deserts, forests and the monumental expanse of the Great Plains; he relates with relish the sights, sounds and stories of small-town America; he shares the individual tales of the people he meets along the way. His experiences fill him with nostalgia for the past and above all an overriding hope for the future.
In Between the Queen and the Cabby, John Cole provides the first full translation of de Gouges's Rights of Woman and the first systematic commentary on its declaration, its attempt to envision a non-marital partnership agreement, and its support for persons of colour. Cole compares and contrasts de Gouges's two texts, explaining how the original text was both her model and her foil. By adding a proposed marriage contract to her pamphlet, she sought to turn the ideas of the French Revolution into a concrete way of life for women. Further examination of her work as a playwright suggests that she supported equality not only for women but for slaves as well. Cole highlights the historical context of de Gouges's writing, going beyond the inherent sexism and misogyny of the time in exploring why her work did not receive the reaction or achieve the influential status she had hoped for. Read in isolation in the gender-conscious twenty-first century, de Gouges's Rights of Woman may seem ordinary. However, none of her contemporaries, neither the Marquis de Condorcet nor Mary Wollstonecraft, published more widely on current affairs, so boldly attempted to extend democratic principles to women, or so clearly related the public and private spheres. Read in light of her eventual condemnation by the Revolutionary Tribunal, her words become tragically foresighted: "Woman has the right to mount the Scaffold; she must also have that of mounting the Rostrum."