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Henry Kissinger dominated American foreign relations like no other figure in recent history. He negotiated an end to American involvement in the Vietnam War, opened relations with Communist China, and orchestrated détente with the Soviet Union. Yet he is also the man behind the secret bombing of Cambodia and policies leading to the overthrow of Chile's President Salvador Allende. Which is more accurate, the picture of Kissinger the skilled diplomat or Kissinger the war criminal? In The Flawed Architect, the first major reassessment of Kissinger in over a decade, historian Jussi Hanhimaki paints a subtle, carefully composed portrait of America's most famous and infamous statesman. Drawing on extensive research from newly declassified files, the author follows Kissinger from his beginnings in the Nixon administration up to the current controversy fed by Christopher Hitchens over whether Kissinger is a war criminal. Hanhimaki guides the reader through White House power struggles and debates behind the Cambodia and Laos invasions, the search for a strategy in Vietnam, the breakthrough with China, and the unfolding of Soviet-American detente. Here, too, are many other international crises of the period--the Indo-Pakistani War, the Yom Kippur War, the Angolan civil war--all set against the backdrop of Watergate. Along the way, Hanhimaki sheds light on Kissinger's personal flaws--he was obsessed with secrecy and bureaucratic infighting in an administration that self-destructed in its abuse of power--as well as his great strengths as a diplomat. We see Kissinger negotiating, threatening and joking with virtually all of the key foreign leaders of the 1970s, from Mao to Brezhnev and Anwar Sadat to Golda Meir. This well researched account brings to life the complex nature of American foreign policymaking during the Kissinger years. It will be the standard work on Kissinger for years to come.
This first major reassessment of Kissinger in over a decade paints a subtle, carefully composed portrait of America's most famous and infamous statesman.
THE NEW YORK TIMES BESTSELLER! "A gripping page-turner...a riveting reminder of sacrifices made by history's most unlikely heroes." —Kristina McMorris, New York Times bestselling author of Sold on a Monday and The Ways We Hide An extraordinary book about a gifted architect who reluctantly begins a secret life of resistance, devising ingenious hiding places for Jews in World War II Paris. In 1942 Paris, architect Lucien Bernard accepts a commission that will bring him a great deal of money – and maybe get him killed. All he has to do is design a secret hiding place for a Jewish man, a space so invisible that even the most determined German officer won't find it while World War II rages on. He sorely needs the money, and outwitting the Nazis who have occupied his beloved city is a challenge he can't resist. Soon Lucien is hiding more souls and saving lives. But when one of his hideouts fails horribly, and the problem of where to conceal a Jew becomes much more personal, and he can no longer ignore what's at stake. Book clubs will pore over the questions Charles Belfoure raises about justice, resistance, and just how far we'll go to make things right. Also by Charles Belfoure: The Fallen Architect House of Thieves
A "smoothly written and fair-minded" (Wall Street Journal) biography of architect Philip Johnson -- a finalist for the National Book Critic's Circle Award. When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America.
Tracing the redevelopment of the World Trade Center site from graveyard to playground for high design, insurgent critic Nobel strips away the hyperbole to reveal the secret life--including a tally of deceptions and betrayals--of the century's most charged building project.
"In his twenty-five years as President of Boston University, Dr. Silber oversaw a building program totaling more than 13 million square feet. Here he constructs an unflinching case, beautifully illustrated, against the worst trends in contemporary architecture. He challenges architects to derive creative satisfaction from meeting the practical needs of clients and the public. He urges the directors of our universities, symphony orchestras, museums, and corporations to stop financing inefficient, overpriced architecture, and calls on clients and the public to tell the emperors of our skylines that their pretensions cannot hide the naked absurdity of their designs."--BOOK JACKET.
From the New York Times bestselling author of The Paris Architect! Charles Belfoure's next novel is a puzzling historical thriller about a man who must dig through the rubble of his past to construct a future worth living, grounded by Belfoure's experiences as a professional architect. Someone has to take the blame when the Britannia Theatre's balcony collapses. Over a dozen people are killed, and the fingers all point at the architect. The man should have known better, should have made it safer, should have done something. Douglas Layton knows the flaw wasn't in his design, but he can't fight a guilty verdict. When the architect is finally released from prison, he has no job, no family, nowhere to go. He needs to assume a new identity and rebuild his life. But the disgraced man soon finds himself digging up the past in a way he never anticipated. If the collapse wasn't an accident ... who caused it? And why? And what if they find out who he used to be? A chilling novel of architecture, intrigue, and identity, this historical thriller uncovers one man's quest to clear his name and correct the mistake that ruined his life. "A twisted mystery...Belfoure gets better and better"—Karen Bakshoian, Letterpress Books (Portland, ME) Also by Charles Belfoure: The Paris Architect House of Thieves
Software architecture—the conceptual glue that holds every phase of a project together for its many stakeholders—is widely recognized as a critical element in modern software development. Practitioners have increasingly discovered that close attention to a software system’s architecture pays valuable dividends. Without an architecture that is appropriate for the problem being solved, a project will stumble along or, most likely, fail. Even with a superb architecture, if that architecture is not well understood or well communicated the project is unlikely to succeed. Documenting Software Architectures, Second Edition, provides the most complete and current guidance, independent of language or notation, on how to capture an architecture in a commonly understandable form. Drawing on their extensive experience, the authors first help you decide what information to document, and then, with guidelines and examples (in various notations, including UML), show you how to express an architecture so that others can successfully build, use, and maintain a system from it. The book features rules for sound documentation, the goals and strategies of documentation, architectural views and styles, documentation for software interfaces and software behavior, and templates for capturing and organizing information to generate a coherent package. New and improved in this second edition: Coverage of architectural styles such as service-oriented architectures, multi-tier architectures, and data models Guidance for documentation in an Agile development environment Deeper treatment of documentation of rationale, reflecting best industrial practices Improved templates, reflecting years of use and feedback, and more documentation layout options A new, comprehensive example (available online), featuring documentation of a Web-based service-oriented system Reference guides for three important architecture documentation languages: UML, AADL, and SySML
Explores "fundamental questions about how good--and not-so-good--buildings are designed and constructed. Introducing the reader to the rich and varied world of modern architecture, [the author] takes us behind the scenes, revealing how architects as different as Frank Gehry, Renzo Piano, and Robert A. M. Stern envision and create their designs"--Dust jacket flap.
On the surface, my new boyfriend is a stiff, buttoned-up architect. He plans every detail of his life while carefully maintaining the walls he's built around his heart. But when the biggest project of his career pulls him away, Clay's solution is both temporary and unconventional. It even comes with a name-Travis. This handsome stranger is sweet and thoughtful. He's only meant to be a stand-in, to fulfill my needs under Clay's watchful direction, yet these two men couldn't be more different. The one thing they share? Well, I guess that would be me. One gets off on my pain, the other on my pleasure, and it awakens a desire none of us knew existed. But it can't last. Eventually I'll have to choose. And it's going to destroy us all.