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A provocative dystopian thriller set in a future that seems scarily possible, Flashback proves why Dan Simmons is one of our most exciting and versatile writers. The United States is near total collapse. But 87% of the population doesn't care: they're addicted to flashback, a drug that allows its users to re-experience the best moments of their lives. After ex-detective Nick Bottom's wife died in a car accident, he went under the flash to be with her; he's lost his job, his teenage son, and his livelihood as a result. Nick may be a lost soul but he's still a good cop, so he is hired to investigate the murder of a top governmental advisor's son. This flashback-addict becomes the one man who may be able to change the course of an entire nation turning away from the future to live in the past.
At the age of four, Dr. Lise Deguire suffered third-degree burns over 65% of her body. In this memoir, she tells her story as a burn survivor and growing up in her dysfunctional family. Despite the seriousness of the subject, the tone of the book is positive, humorous, and inspiring.
A New York Times bestselling series A USA TODAY bestselling series A California Young Reader Medal–winning series In this unforgettable seventh book in the Keeper of the Lost Cities series, Sophie must let the past and present blur together, because the deadliest secrets are always the ones that get erased. Sophie Foster doesn’t know what—or whom—to believe. And in a game with this many players, the worst mistake can be focusing on the wrong threat. But when the Neverseen prove that Sophie’s far more vulnerable than she ever imagined, she realizes it’s time to change the rules. Her powerful abilities can only protect her so far. To face down ruthless enemies, she must learn to fight. Unfortunately, battle training can’t help a beloved friend who’s facing a whole different danger—where the only solution involves one of the biggest risks Sophie and her friends have ever taken. And the distraction might be exactly what the villains have been waiting for.
In New York Times bestselling author Dan Gutman’s thrilling Flashback Four series, four very different kids are picked by a mysterious billionaire to travel through time and photograph some of history's most important events. Blends fascinating real history with an action-packed adventure! This time, Luke, Julia, David, and Isabel are headed to the deck of the doomed Titanic. Their mission? Capture a shot of the sinking ship, then come right back. The only problem is, once they arrive aboard the ship, the four friends can’t agree on what to do next. Should they try to save the passengers? Or maybe bring back a priceless book before it sinks with the ship? With real historical photographs to put young readers right in the action, plus back matter that separates fact from fiction, The Titanic Mission tells the story of the ship’s fateful last voyage like you’ve never seen it before.
Set in the Jazz Age on Long Island, the novel depicts narrator Nick Carraway's interactions with mysterious millionaire Jay Gatsby and Gatsby's obsession to reunite with his former lover, Daisy Buchanan. Gatsby continues to attract popular and scholarly attention. The novel was most recently adapted to film in 2013 by director Baz Luhrmann, while modern scholars emphasize the novel's treatment of social class, inherited wealth compared to those who are self-made, race, environmentalism, and its cynical attitude towards the American dream. As with other works by Fitzgerald, criticisms include allegations of antisemitism. The Great Gatsby is widely considered to be a literary masterwork and a contender for the title of the Great American Novel.
Escaping a proposal of marriage from Sheriff Paul Davidson, Anna Pigeon takes a post as a temporary supervisory ranger on remote Garden Key in Dry Tortugas National Park, a grouping of tiny islands in a natural harbour seventy miles off Key West. This island paradise has secrets it would keep, not just in the present, but in shadows from its gritty past, when it served as a prison during the Civil War, and for the Lincoln assassination conspirators afterward. Here, on this last lick of the United States, in a giant crumbling fortress, Anna has little company besides the occasional sunburned tourist or unruly shrimper. When her sister, Molly, sends her a packet of letters from a great-great-aunt who lived at the fort with her husband, a career soldier, Anna?s fantasy life is filled with visions of this long-ago time. But a mysterious boat explosion and the discovery of unidentifiable body parts keeps Anna anchored to the present, and she soon finds crimes of yesterday and today closing in on her. A tangled web that was woven before she arrived threatens her sanity and her life. Cut off from the mainland by miles of water, poor phone service, and sketchy radio contact, Anna must find answers and weather a storm that rivals the hurricanes for which the islands are famous.
Two sought-after collections of short stories by Ivan Vladislavi? are brought together and made available again in this new volume. Vladislavi?’s abilities as a master of understatement and brevity are brilliantly demonstrated in these stories from Missing Persons (1989), for which he received the Olive Schreiner Prize, and Propaganda by Monuments and Other Stories (1996), featuring the two stories that won him the Thomas Pringle Award.
The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning. Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology. From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.
The hundred-year-old U.S.S. Excelsior houses a mysterious and deadly threat to the entire known galaxy in this thrilling Star Trek: Voyager novel. A hundred years before the U.S.S. Voyager was transported to the Delta Quadrant, Lieutenant Tuvok served under one of Starfleet’s most famous officers: Captain Hikaru Sulu of the U.S.S. Excelsior. Now those days have come back to haunt him. While traveling through an uncharted nebula, Tuvok is besieged by recurring memories of his time with Captain Sulu—repressed memories that may well kill him unless their source is determined in time. To save her closest friend, Captain Kathryn Janeway follows Tuvok to the century-old bridge of the Excelsior during a desperate battle. There Tuvok, Captain Janeway, Captain Sulu, and Commander Janice Rand must face a menace to galactic life unlike anything known before...
Desperately searching for a way to recover her memory, a young American woman on the run must unlock a terrible secret from her past Discovered in a ditch by the side of a country road in France, Eve has only good American dentistry and a ferry ticket scribbled with Arabic letters to suggest her identity. That, and a bullet wound in her brain that she miraculously survives, even as it destroys her memory. Only a few scattered violent images remain—or are they dreams?—along with one undeniable physical fact: she has had a child. When the nuns who have sheltered her for a year are brutally massacred, Eve realizes that whoever she was in her past life, she had powerful enemies. Just half a step ahead of her pursuers, she lights out for Morocco in an attempt to retrace her steps and discover her past. Away from the convent, she begins to discover things that startle her—among them, her capacity for violence and her facility with guns. Was she a spy? Who is the dying man in her nightmares? As she searches through spice-scented souks and glamorous nightclubs for clues to her past, she has to figure out who is after her, and why—before it's too late. Within scenes of heart-stopping terror, Jenny Siler's lyrical writing and memorable images stand out. As Marilyn Stasio said of Easy Money in The New York Times Book Review, Siler's is "a voice that gets your attention like a rifle shot."