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In Miami, Florida, on February 15, 1933, Giuseppe Zangara, an unemployed bricklayer from Italy, fired five pistol shots at the back of President-elect FDR's head from only 25 feet away. While all five rounds missed their target, one of them found Mayor Anton Cermak of Chicago, who died of his wound three weeks later. A scant two weeks after that, Zangara was executed in the electric chair. It was the swiftest legal execution in twentieth-century American history. With his death, Zangara took to the grave the answer to one of the most baffling unsolved mysteries in the annals of Presidential assassinations. Was FDR Zangara's real target? Or was he a mob hitman who actually intended to kill Cermak, as Walter Winchell believed? Was he a terrorist, as the LA police contended? Could he have been a member of La Camorra, as the prison warden insisted? Was he simply insane, as many at the time thought? Or was he really a martyr for the cause of the Common Man, as he himself proclaimed?
An analysis of the true crime of Giuseppe Zangara, who fired five shots at FDR in 1933, missing him but killing Mayor Anton Cermak of Chicago.
An assessment of the political and physical dangers faced by the newly elected President Roosevelt in 1933 profiles such adversaries as would-be assassin Giuseppe Zangara and populist demagogues Huey Long and Charles Coughlin.
Despite all that has already been written on Franklin Delano Roosevelt, Joseph Persico has uncovered a hitherto overlooked dimension of FDR's wartime leadership: his involvement in intelligence and espionage operations. Roosevelt's Secret War is crowded with remarkable revelations: -FDR wanted to bomb Tokyo before Pearl Harbor -A defector from Hitler's inner circle reported directly to the Oval Office -Roosevelt knew before any other world leader of Hitler's plan to invade Russia -Roosevelt and Churchill concealed a disaster costing hundreds of British soldiers' lives in order to protect Ultra, the British codebreaking secret -An unwitting Japanese diplomat provided the President with a direct pipeline into Hitler's councils Roosevelt's Secret War also describes how much FDR had been told--before the Holocaust--about the coming fate of Europe's Jews. And Persico also provides a definitive answer to the perennial question Did FDR know in advance about the attack on Pearl Harbor? By temperament and character, no American president was better suited for secret warfare than FDR. He manipulated, compartmentalized, dissembled, and misled, demonstrating a spymaster's talent for intrigue. He once remarked, "I never let my right hand know what my left hand does." Not only did Roosevelt create America's first central intelligence agency, the OSS, under "Wild Bill" Donovan, but he ran spy rings directly from the Oval Office, enlisting well-placed socialite friends. FDR was also spied against. Roosevelt's Secret War presents evidence that the Soviet Union had a source inside the Roosevelt White House; that British agents fed FDR total fabrications to draw the United States into war; and that Roosevelt, by yielding to Churchill's demand that British scientists be allowed to work on the Manhattan Project, enabled the secrets of the bomb to be stolen. And these are only a few of the scores of revelations in this constantly surprising story of Roosevelt's hidden role in World War II.
Chicago, 1933. Magician Nick Zetner¿s magic act is the victim of vaudeville¿s demise and the Great Depression. He embarks on a risky quest to regain his life. Along the way, a love he thought he¿d forever lost is rekindled. Is this magic . . . or simply an illusion?The question plays out during the political upheaval following the wounding of Chicago Mayor Anton Cermak, who took a bullet during the real-life assassination attempt on president-elect Franklin D. Roosevelt, Feb. 15, 1933. Nineteen days later, Cermak died.In modern style, the screenplay ranges through historic Chicago, its comedy and plight, exposing the intrigues of the City¿s famous and infamous, as Nick Zetner¿s dreams, adversity and insights unfold. Using ¿the mind¿s eye¿ and this easy-to-read format, movie fans may enjoy the cinematic experience of J.B. Rivard¿s acclaimed novel, Illusions of Magic: Love and Intrigue in 1933 Chicago.
From first to last the New Deal was a work in progress, a patchwork of often contradictory ideas.
This New York Times bestselling “deep dive into the terms of eight former presidents is chock-full of political hijinks—and déjà vu” (Vanity Fair) and provides a fascinating look at the men who came to the office without being elected to it, showing how each affected the nation and world. The strength and prestige of the American presidency has waxed and waned since George Washington. Eight men have succeeded to the presidency when the incumbent died in office. In one way or another they vastly changed our history. Only Theodore Roosevelt would have been elected in his own right. Only TR, Truman, Coolidge, and LBJ were re-elected. John Tyler succeeded William Henry Harrison who died 30 days into his term. He was kicked out of his party and became the first president threatened with impeachment. Millard Fillmore succeeded esteemed General Zachary Taylor. He immediately sacked the entire cabinet and delayed an inevitable Civil War by standing with Henry Clay’s compromise of 1850. Andrew Johnson, who succeeded our greatest president, sided with remnants of the Confederacy in Reconstruction. Chester Arthur, the embodiment of the spoils system, was so reviled as James Garfield’s successor that he had to defend himself against plotting Garfield’s assassination; but he reformed the civil service. Theodore Roosevelt broke up the trusts. Calvin Coolidge silently cooled down the Harding scandals and preserved the White House for the Republican Herbert Hoover and the Great Depression. Harry Truman surprised everybody when he succeeded the great FDR and proved an able and accomplished president. Lyndon B. Johnson was named to deliver Texas electorally. He led the nation forward on Civil Rights but failed on Vietnam. Accidental Presidents shows that “history unfolds in death as well as in life” (The Wall Street Journal) and adds immeasurably to our understanding of the power and limits of the American presidency in critical times.

Assassins

Lorraine Kimsa Theatre for Young People Theatre Archives (University of Guelph)

Published: 1993

Total Pages: 0


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In 1933, America was in the midst of the Great Depression. The depth of despair created in the American people earned the panic a singular place in the history of the nations economic turmoil. Football, a uniquely American game, weathered these hard times, adapted, and made some of the pain a little easier to endure. In 1933, author Mark C. Bodanza examines the important role football played in the midst of the nations historic crisis. Bodanza recounts this dramatic year both on and off the field of the professional and college gridirons and analyzes it in the context of the times. He tells the story of a momentous season shared by the high schools of Fitchburg and Leominster, Massachusetts, a rivalry dating back to 1894. In the prior thirty-nine seasons, the teams had played each other forty-nine times. But, 1933 was different; the game had never had such significance. More than ever, Depression-wary Americans needed a reprieve from their cares and concerns. Football provided a welcome relief. Including period photos, 1933 narrates how the sport of footballwhich has created some of the nations most magical moments in sportswas impacted by the Great Depression in a variety of ways, some with lasting consequences.
The biggest crime story in American history began on the night of March 1, 1932, when the twenty-month-old son of Charles and Anne Lindbergh was snatched from his crib in Hopewell, New Jersey. The news shocked a nation enthralled with the aviator, the first person to fly solo nonstop across the Atlantic. American law enforcement marshalled all its resources to return “Little Lindy” to the arms of his parents—and perhaps even more energized were the legions of journalists catering to a public whose appetite for Lindbergh news was insatiable. In Little Lindy Is Kidnapped, Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh’s ascent to fame and proceeding through the trial and execution of the accused kidnapper, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.” He casts the affair as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the template for the way the media would treat breaking news ever after. An engrossing account of an endlessly fascinating case, Little Lindy Is Kidnapped sheds new light on an enduring quality of journalism ever since: the media’s eye on a crucial part of the story—itself.