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There were very few land burials in Moon Beach. It was considered old-fashioned, unhealthy and something that only happened to the poor. Instead the dead were buried in ocean cemeteries, twelve miles out. A special festival was held every year in their honour. Children loved it. They were given white chocolate bones, marzipan skulls and ice-cream coffins on a stick. There were costume parties too. You had to wear something blue because that was the colour people went when they were buried under the sea. You could paint your hands and face if you liked, or even dye your hair. That's what people did in Moon Beach. Turned blue once a year. And then they turned blue forever...
Moon Beach is a city built on the business of burial; funeral parlours are everywhere, low-rise like fast-food chains. But just as death is a way of life in Moon Beach, life there shows all the sign of corruption and decay. It is a place filled with colourful eccentrics and unworldly happenings.
The Gates of Hell is the follow up to Michael Livingston’s amazing The Shards of Heaven, a historical fantasy that reveals the hidden magic behind the history we know, and commences a war greater than any mere mortal battle. Alexandria has fallen, and with it the great kingdom of Egypt. Cleopatra is dead. Her children are paraded through the streets in chains wrought of their mother's golden treasures, and within a year all but one of them will be dead. Only her young daughter, Cleopatra Selene, survives to continue her quest for vengeance against Rome and its emperor, Augustus Caesar. To show his strength, Augustus Caesar will go to war against the Cantabrians in northern Spain, and it isn't long before he calls on Juba of Numidia, his adopted half-brother and the man whom Selene has been made to marry—but whom she has grown to love. The young couple journey to the Cantabrian frontier, where they learn that Caesar wants Juba so he can use the Trident of Poseidon to destroy his enemies. Perfidy and treachery abound. Juba's love of Selene will cost him dearly in the epic fight, and the choices made may change the very fabric of the known world. “Livingston has spiced real history with a compelling dose of fantasy! Wonderfully imaginative and beautifully told.” —Bernard Cornwell, bestselling author of The Pagan Lord, on The Shards of Heaven At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A riveting story of one man's life and ministry during the explosion of Christian missions in nineteenth-century America, Against the Gates of Hell is the biography of Henry T. Perry, a missionary to Turkey from 1866 to 1913. Based heavily on previously unpublished letters and diaries from the ABCFM (American Board of Commissioners of Foreign Missions) archives in Harvard's Houghton Library, Against the Gates of Hell provides an eyewitness account of the last years of the Ottoman Empire, years that are the foundation for the modern Middle East. Perry's diary also reveals a life wholly committed to Christ, by his example challenging the reader in his own Christian walk. Here too can be found historical testimonies of Muslim/Christian relations which have assumed renewed importance since the events of September 11, 2001.Against the Gates of Hell is classic narrative history, carefully researched, attentive to human interest detail, and contextually rich in historical background. Because of the richness of the historical background, the work becomes a cultural history as well as a biography. The book includes firsthand, eyewitness accounts of the 1894-1895 Armenian massacres and the 1915 Armenian genocide. Against the Gates of Hell is especially timely for the 100th anniversary in 2015 of the 1915 Armenian Genocide, the first genocide of the twentieth century.
Michael Livingston's The Shards of Heaven reveals the hidden magic behind the history we know, and commences a war greater than any mere mortal battle Julius Caesar is dead, assassinated on the senate floor, and the glory that is Rome has been torn in two. Octavian, Caesar's ambitious great-nephew and adopted son, vies with Marc Antony and Cleopatra for control of Caesar's legacy. As civil war rages from Rome to Alexandria, and vast armies and navies battle for supremacy, a secret conflict may shape the course of history. Juba, Numidian prince and adopted brother of Octavian, has embarked on a ruthless quest for the Shards of Heaven, lost treasures said to possess the very power of the gods-or the one God. Driven by vengeance, Juba has already attained the fabled Trident of Poseidon, which may also be the staff once wielded by Moses. Now he will stop at nothing to obtain the other Shards, even if it means burning the entire world to the ground. Caught up in these cataclysmic events, and the hunt for the Shards, are a pair of exiled Roman legionnaires, a Greek librarian of uncertain loyalties, assassins, spies, slaves . . . and the ten-year-old daughter of Cleopatra herself. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Young Samuel Johnson and his dachshund, Boswell, are trying to show initiative by trick-or-treating a full three days before Halloween, which is how they come to witness strange goings-on at 666 Crowley Road. The Abernathys don’t mean any harm by their flirtation with the underworld, but when they unknowingly call forth Satan himself, they create a gap in the universe, a gap through which a pair of enormous gates is visible. The gates to Hell. And there are some pretty terrifying beings just itching to get out. . . . Bursting with imagination and impossible to put down, New York Times bestselling author John Connolly’s "wholly original" (People) and "refreshing" (San Francisco Chronicle) novel is about the pull between good and evil, physics and fantasy. It is about a quirky and eccentric boy, who is impossible not to love, and the unlikely cast of characters who give him the strength to stand up to a demonic power.
Everlasting hell and divine judgment, a lake of fire and brimstone--these mainstays of evangelical tradition have come under fire once again in recent decades. Would the God of love revealed by Jesus really consign the vast majority of humankind to a destiny of eternal, conscious torment? Is divine mercy bound by the demands of justice? How can anyone presume to know who is saved from the flames and who is not? Reacting to presumptions in like manner, others write off the fiery images of final judgment altogether. If there is a God who loves us, then surely all are welcome into the heavenly kingdom, regardless of their beliefs or behaviors in this life. Yet, given the sheer volume of threat rhetoric in the Scriptures and the wickedness manifest in human history, the pop-universalism of our day sounds more like denial than hope. Mercy triumphs over judgment; it does not skirt it. Her Gates Will Never Be Shut endeavors to reconsider what the Bible and the Church have actually said about hell and hope, noting a breadth of real possibilities that undermines every presumption. The polyphony of perspectives on hell and hope offered by the prophets, apostles, and Jesus humble our obsessive need to harmonize every text into a neat theological system. But they open the door to the eternal hope found in Revelation 21-22: the City whose gates will never be shut; where the Spirit and Bride perpetually invite the thirsty who are outside the city to "Come, drink of the waters of life."
New Egypt is a village somewhere in the South of England. A village that nobody has ever left. Peach, the sadistic chief of police, makes sure of that. Then, one misty morning, a young couple secretly set their baby son Moses afloat on the river, in a basket made of rushes. Years later, Moses is living above a nightclub, mixing with drug-dealers, thieves and topless waitresses. He knows nothing about his past - but it is catching up with him nevertheless, and it threatens to put his life in danger. Terror, magic and farce all have a part to play as the worlds of Peach and Moses slowly converge.
With the queasy U.S.-Soviet wartime alliance long dissolved into mutual suspicion, the House Un-American Activities Committee launched aggressive investigations of alleged communist activity in the Hollywood film industry in 1947--and again in 1951. Studio chiefs, terrified of scandal, scrambled to display their patriotism by producing anti-communist films, from melodramas to thrillers to animated cartoons. Twenty-one lively new essays by film historians examine the aesthetics and politics of more than 40 remarkable films of the McCarthy era and the chauvinism that spawned them.