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Military history is now a best-selling publishing category, and in recent years there has been a spate of enormously successful books, films and television programmes devoted to it. The First World War in Photographs showcases 400 of the best images from the Imperial War Museum's superb photographic archive, many never before published. Written by leading military historian Richard Holmes, the book presents the photographs in year-by-year chapters, covering all the great battles of the war and every theatre of operations. Dramatic, hard hitting and intensely moving, this book is a unique visual testament to the many millions of men and women who lost their lives in the war.
Dramatic, hard hitting, and intensely moving, this book is a unique visula testament to the many millions of men and women who lost their lives in the war, and a reminder to today's younger generations.
1914, the first year of the war to end all wars, is documented in archive photographs in this, the first of a series covering the war in detail.
One hundred years later, the First World War has returned to public consciousness, often through republished photographs of its horrors: the muddy trenches, the devastated battlefields, the maimed survivors. Because the most popular cameras of the time were the Vest Pocket Kodak and other crude film cameras, the "look" of that Great War is grainy, blurred, and monochrome. This book presents a startlingly different First World War, one seen through rare glass plate photographs made by the war's most gifted cameramen, selected and digitally restored by Magnum photographer Carl De Keyzer. Scanned from the original plates, with scratches and other flaws painstakingly removed, these oversized reproductions reveal the war in uncanny and previously unseen clarity. Also startling are the unfamiliar scenes selected by De Keyzer and elucidated by historian David Van Reybrouck: staged scenes of men in training (and of children imitating them), dramatic industrial photographs, landscapes of astonishing destruction, pictures of African colonial troops on the Western front, and postmortem portraits of thirteen Belgian soldiers killed in battle on the second day of the war. A quarter of the photographs in this book are in color, made with the autochrome process. The book includes a preface by Geoff Dyer, who refers to "the extraordinary power and surprise of this hoard of photographs" and discusses the disconcerting temporal effects of seeing such unusual pictures of a historical event we strongly associate with entirely different imagery.
The photographs of the First World War offer an extraordinary range of images, and in this book Jane Carmichael draws on her great expertise and knowledge in this area to look at how those photographs came to be taken. She examines the work of the official, press and amateur photographers, and reproduces over 100 photographs from the archive of the Imperial War Museum, one of Britain's great photographic collections. She focuses on the growing use of the photograph as a medium for the masses and as a historical document, making us aware of the operations of propaganda and journalism during the period and enhancing our appreciation of the photographic documents of the war.
‘Lost Tommies’ brings together never-before-seen images of Western Front tommies and their amazing stories in a beautiful collection that is part thriller, part family history and part national archive.
Charting the Allies' entry into warfare in 1914, Max Arthur tells the story in words and pictures of the new conscripted army's life through the five years of slaughter and suffering. He brilliantly conveys not only the heroism, but also the universal horror, futility, humour and boredom of warfare. From the front-line troops and the daily dice with death, to the support lines, communications, enlistment, training and propaganda, every aspect of the soldier's life is covered in this brilliant collection of images and interviews that brings the Great War to life once more.
The colours of catastrophe: Rediscovered autochrome photography of the First World War The devastating events of the First World War were captured in myriad photographs on all sides of the front. Since then, thousands of books of black-and-white photographs of the war have been published as all nations endeavour to comprehend the scale and the carnage of the "greatest catastrophe of the 20th century". Far less familiar are the rare colour images of the First World War, taken at the time by a small group of photographers pioneering recently developed autochrome technology. To mark the centenary of the outbreak of war, this groundbreaking volume brings together all of these remarkable, fully hued pictures of the "war to end war". Assembled from archives in Europe, the United States and Australia, more than 320 colour photos provide unprecedented access to the most important developments of the period - from the mobilization of 1914 to the victory celebrations in Paris, London and New York in 1919. The volume represents the work of each of the major autochrome pioneers of the period, including Paul Castelnau, Fernand Cuville, Jules Gervais-Courtellemont, Léon Gimpel, Hans Hildenbrand, Frank Hurley, Jean-Baptiste Tournassoud and Charles C. Zoller. Since the autochrome process required a relatively long exposure time, almost all of the photos depict carefully composed scenes, behind the rapid front-line action. We see poignant group portraits, soldiers preparing for battle, cities ravaged by military bombardment - daily human existence and the devastating consequences on the front. A century on, this unprecedented publication brings a startling human reality to one of the most momentous upheavals in history.
1917, the fourth year of the war to end all wars, is documented in archive photographs in this series covering the war in detail.
Fourth in a series of five titles which will cover each year of the war graphically. Countless thousands of pictures were taken by photographers on all sides during the First World War. These pictures appeared in the magazines, journals and newspapers of the time. Some illustrations went on to become part of post-war archives and have appeared, and continue to appear, in present-day publications and TV documentary programmes many did not. The Great War Illustrated series, beginning with the year 1914, will include in its pages many rarely seen images with individual numbers allocated, and subsequently they will be lodged with the Taylor Library Archive for use by editors and authors.The Great War Illustrated 1917 covers the battles at Arras, Passchendaele and Cambrai, the use of aviation and the role of the tanks. Some images will be familiar, and many will be seen for the first time by a new generation interested in the months that changed the world for ever.