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The colours of catastrophe: Rediscovered autochrome photography of the First World War The devastating events of the First World War were captured in myriad photographs on all sides of the front. Since then, thousands of books of black-and-white photographs of the war have been published as all nations endeavour to comprehend the scale and the carnage of the "greatest catastrophe of the 20th century". Far less familiar are the rare colour images of the First World War, taken at the time by a small group of photographers pioneering recently developed autochrome technology. To mark the centenary of the outbreak of war, this groundbreaking volume brings together all of these remarkable, fully hued pictures of the "war to end war". Assembled from archives in Europe, the United States and Australia, more than 320 colour photos provide unprecedented access to the most important developments of the period - from the mobilization of 1914 to the victory celebrations in Paris, London and New York in 1919. The volume represents the work of each of the major autochrome pioneers of the period, including Paul Castelnau, Fernand Cuville, Jules Gervais-Courtellemont, Léon Gimpel, Hans Hildenbrand, Frank Hurley, Jean-Baptiste Tournassoud and Charles C. Zoller. Since the autochrome process required a relatively long exposure time, almost all of the photos depict carefully composed scenes, behind the rapid front-line action. We see poignant group portraits, soldiers preparing for battle, cities ravaged by military bombardment - daily human existence and the devastating consequences on the front. A century on, this unprecedented publication brings a startling human reality to one of the most momentous upheavals in history.
For those of us who didn't live through World War II, it appears in our mind's eye in black and white. Images of the Blitz, of the D-Day landings at Normandy, the liberation of Paris, the fall of Berlin--all come to us in shadowy grays and blacks, the lack of color simultaneously heightening their drama and distancing them from us. Seen in black and white, World War II seems wholly of the past, a story that's being told much more than an experienced that men and women actually lived through. ​This book will help change that. Reproducing seventy-eight rare full-color images from the archives of the Imperial War Museums, it shows us a new--or at least long-forgotten--World War II. In these pages, we see the vivid hues of flames, the richly colored fabrics of flags and uniforms, intense blue skies high over battlefields, faces of suntanned soldiers on the march, and the dizzyingly complicated color of the new art of military camouflage. The result is a World War II that has been rescued from the past and restored to us, powerful and unforgettable, so we can see for the first time what our parents, grandparents, and great-grandparents saw as they fought and sacrificed all those decades ago.
Allied victory in the Second World War owed much to air power. The success of military and naval operations invariably hinged on control of the skies, and the rise to dominance of the Allied air forces meant that the Nazi war machine was effectively doomed. Following the success of 'The Second World War in Colour', this book presents a further selection of original colour photographs from the IWM collection, focusing on Allied aircraft and airmen. Alongside these striking images, 'War in the Air' examines how crucial aviation was to winning the war, from the defence of Britain's skies and maritime trade, to battlefield support in North Africa and Europe and the strategic bombing offensive over Germany. Shot from the ground and from the air, these powerful images bring a vital aspect of the Second World War to life.
Fourth in a series of five titles which will cover each year of the war graphically. Countless thousands of pictures were taken by photographers on all sides during the First World War. These pictures appeared in the magazines, journals and newspapers of the time. Some illustrations went on to become part of post-war archives and have appeared, and continue to appear, in present-day publications and TV documentary programmes many did not. The Great War Illustrated series, beginning with the year 1914, will include in its pages many rarely seen images with individual numbers allocated, and subsequently they will be lodged with the Taylor Library Archive for use by editors and authors.The Great War Illustrated 1917 covers the battles at Arras, Passchendaele and Cambrai, the use of aviation and the role of the tanks. Some images will be familiar, and many will be seen for the first time by a new generation interested in the months that changed the world for ever.
The opening of the former Soviet Union to the West over the past three years has made accessible, for the first time, much new material on the Red Army of the Great Patriotic War - the huge and varied forces which won some of the greatest battles of World War II against the German invasion. This book contains a range of rare, authentic uniforms modelled and photographed in Moscow: tank commanders and generals, assault infantry and women medics, pilots and NKVD security officers, artillerymen, camouflaged scouts, and many more. The photographs are backed-up by close-ups of insignia and personal equipment.
HISTORY-MILITARY/WAR
"Germany at War is a unique collection of color photographs of the German experience of the Second World War. It covers the course of the war, from Hitler's assumption of power in the 1930s to the destruction of Berlin and Munich and the defeat of Nazism by the Allies, with many rare or unseen images, specially researched in German archives, covering: the rise of Nazism; rearmament and the war machine; the persecution of the Jews and other minorities; early success then the defeat on the Eastern front; campaigns in Europe and North Africa; everyday life in occupied territories; propaganda and the suppression of opposition; life on the home front during wartime; the final days of the war and the aftermath." --
A SUNDAY TIMES BOOK OF THE YEAR A TELEGRAPH BOOK OF THE YEAR 'A tour de force of scholarship, analysis and narration . . . Lloyd is well on the way to writing a definitive history of the First World War' Lawrence James, The Times 'This well-researched, well-written and cogently argued new analysis . . . will undoubtedly now take its rightful place as the standard account of this vital theatre of the conflict' Andrew Roberts, author of Churchill: Walking with Destiny _________________ In the annals of military history, the Western Front stands as an enduring symbol of the folly and futility of war. However, as bestselling military historian Nick Lloyd reveals in this highly-praised history - the first of an epic trilogy -- the story is not one of pointlessness and stupidity, but rather a heroic triumph against the odds. With a cast of hundreds and a huge canvas of places and events, Lloyd tells the whole tale, revealing what happened in France and Belgium between August 1914 and November 1918 from the perspective of all the main combatants - including French, British, Belgian, US and, most importantly, German forces. Lloyd examines the most decisive campaigns of the Great War and explains the unprecedented innovation, adaptation and tactical development that have been too long obscured by legends of mud, blood and futility, drawing upon the latest scholarship on the war, wrongly overlooked first-person accounts, and archival material from every angle. Conveying the visceral assault of the battlefield with vivid detail, Lloyd ultimately redefines our understanding of a crucial theatre in this monumental tragedy. _________________ 'Excellent on detail . . . Lloyd's book will be cherished by military history buffs' Max Hastings, Sunday Times 'It is the best modern single-volume history of war on the Western Front and is likely to remain the standard account for some time' Jonathan Boff, The Spectator
Reproductions of one hundred rare, full-color images from the archives of the Imperial War Museums bring new life to World War II Britain Britain at War in Colour showcases one hundred of the best rare and original color images from the Imperial War Museums' unparalleled collection. Bringing together the most striking photographs from Ian Carter's bestselling War in the Air and The Second World War in Colour, alongside new and never-before-published images, this powerful visual collection shows us a new--or at least long-forgotten--World War II.
The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.