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Frustrated by years of neglecting her creativity, Colleen Warren finally vowed in a New Year’s resolution to do something creative every day, a decision that literally transformed her life. This book tells her story and reveals the ideas, mindsets, habits, and practices she adopted that enabled that change. The First Verb offers the encouraging message that creativity is every person’s possession, by virtue of being created in the image of a creative God. Readers will be inspired by the book’s celebration of God’s own creative attributes, spiritually strengthened by its theological affirmation of creativity, motivated by exploring the benefits of creativity and the qualities of creative people, and energized by engaging in activities that enlarge creativity.
This collection of papers brings together the most recent crosslinguistic research on the syntax of verb-initial languages. Authors with a variety of theoretical perspectives pursue the questions of how verb-initial order is derived, and how these derivations play into the characteristic syntax of these languages. Major themes in the volume include the role of syntactic category in languages with verb-initial order; the different mechanisms of deriving V-initial order; and the universal correlates of the order. This book should be of interest to scholars who work on theoretical approaches to word order derivation, typologists, and those who work on the particular grammars of Celtic, Zapotec, Mixtec, Polynesian, Austronesian, Mayan, Salish, Aboriginal, and Nilotic languages.
NATIONAL BESTSELLER • For anyone who wants to learn a foreign language, this is the method that will finally make the words stick. “A brilliant and thoroughly modern guide to learning new languages.”—Gary Marcus, cognitive psychologist and author of the New York Times bestseller Guitar Zero At thirty years old, Gabriel Wyner speaks six languages fluently. He didn’t learn them in school—who does? Rather, he learned them in the past few years, working on his own and practicing on the subway, using simple techniques and free online resources—and here he wants to show others what he’s discovered. Starting with pronunciation, you’ll learn how to rewire your ears and turn foreign sounds into familiar sounds. You’ll retrain your tongue to produce those sounds accurately, using tricks from opera singers and actors. Next, you’ll begin to tackle words, and connect sounds and spellings to imagery rather than translations, which will enable you to think in a foreign language. And with the help of sophisticated spaced-repetition techniques, you’ll be able to memorize hundreds of words a month in minutes every day. This is brain hacking at its most exciting, taking what we know about neuroscience and linguistics and using it to create the most efficient and enjoyable way to learn a foreign language in the spare minutes of your day.
During the second year of his daughter's life, Michael Tomasello kept a detailed diary of her language, creating a rich database. He made a careful study of how she acquired her first verbs and analysed the role that verbs played in her early grammatical development.
Verb recognition and conjugation is one of the most difficult aspects of learning any language - especially French. But with The Everything French Verb Book, mastering those idiomatic verbs is a cinch! You'll not only learn basic and advanced verbs and how to use them, you'll also learn the subtleties that distinguish similar verbs. Enhance your French now with: A complete conjugated glossary of more than 1,200 verbs Proper pronunciation guidance for flawless speech Strategies for recognizing and using verbs with ease Special verbs, idiomatic expressions, and prepositions Practical instruction on simple and compound conjugations With easy-to-follow instruction that explains the nuances of tense usage and etiquette-appropriate language, you'll be speaking this splendid romance language with ease and confidence in no time. Impress your friends, travel to French-speaking countries, or wander through a Parisian marketplace - all you need is The Everything French Verb Book!
This volume contains twelve chapters on the derivation of and the correlates to verb initial word order. The studies in this volume cover such widely divergent languages as Irish, Welsh, Scots Gaelic, Old Irish, Biblical Hebrew, Jakaltek, Mam, Lummi (Straits Salish), Niuean, Malagasy, Palauan, K'echi', and Zapotec, from a wide variety of theoretical perspectives, including Minimalism, information structure, and sentence processing. The first book to take a cross-linguistic comparative approach to verb initial syntax, this volume provides new data to some old problems and debates and explores some innovative approaches to the derivation of verb initial order.
Aimed at the beginner who has no prior knowledge of Arabic, this work begins with the first letter of the alphabet, and gradually builds up the learner's skills to a level where he or she would be able to read a passage of vocalised Arabic text. It also includes numerous copying exercises that enable students to develop a clear handwritten style.
A journey through linguistic time and space, from Aristotle through the twentieth century's “era of syntax,” in search of a dangerous verb and its significance. Beginning with the early works of Aristotle, the interpretation of the verb to be runs through Western linguistic thought like Ariadne's thread. As it unravels, it becomes intertwined with philosophy, metaphysics, logic, and even with mathematics—so much so that Bertrand Russell showed no hesitation in proclaiming that the verb to be was a disgrace to the human race. With the conviction that this verb penetrates modern linguistic thinking, creating scandal in its wake and, like a Trojan horse of linguistics, introducing disruptive elements that lead us to rethink radically the most basic structure of human language—the sentence—Andrea Moro reconstructs this history. From classical Greece to the dueling masters of medieval logic through the revolutionary geniuses from the seventeenth century to the Enlightenment, and finally to the twentieth century—when linguistics became a driving force and model for neuroscience—the plot unfolds like a detective story, culminating in the discovery of a formula that solves the problem even as it raises new questions—about language, evolution, and the nature and structure of the human mind. While Moro never resorts to easy shortcuts, A Brief History of the Verb To Be isn't burdened with inaccessible formulas and always refers to the broader picture of mind and language. In this way it serves as an engaging introduction to a new field of cutting-edge research.
Frederik Theodor Visser's An Historical Syntax of the English Language, published in four massive volumes between 1963 and 1973, is certainly one of the cornerstones of research in English linguistics. Visser's achievements can hardly be overestimated. Before the advent of modern corpus linguistics, he compiled a remarkable wealth of detailed philological data from all periods of English and combined this with current grammatical analyses of his time. This has made this publications an indispensable resource for anyone investigating the history of English syntax. This reproduction of Visser's volumes is more than welcome, and timely, as the volumes have been out of print for quite some time and were sometimes a little bit difficult to navigate. Having a searchable and easy-to- use online version, although maybe not perfect, available now means a revival for scholarship that celebrates its fiftieth birthday without losing any of its relevance.
This volume is a collection of current work at the interface of linguistics and conversation analysis. The focus is on linguistic items in their action contexts: syntactic structures and lexical items in data from natural conversations in six European languages: Danish, English, Finnish, German, Italian and Swedish. Some of the studies deal with similar practices in two different languages, which enables cross-linguistic comparisons. The notion of 'construction' is brought together with an interactional perspective; the fact that constructions cannot always be clearly analysed as either syntactic or lexico-semantic has its reflection in this volume. So far, there have been fewer attempts at interactionally oriented work on lexical and semantic phenomena than on syntactic constructions. In this volume, several papers show the interactional relevance of word selection and lexical semantic issues. In the future, studies on syntax and lexico-semantics in interaction will enrich realistic grammars of our languages, and cross-linguistic description of comparable practices of organizing talk in interaction will be invaluable for the study of both inter-European and international communication.