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The first-ever biography of the most powerful woman of tenth-century England.
In this groundbreaking new biography of "Bloody Mary," Linda Porter brings to life a queen best remembered for burning hundreds of Protestant heretics at the stake, but whose passion, will, and sophistication have for centuries been overlooked. Daughter of Henry VIII and Katherine of Aragon, wife of Philip of Spain, and sister of Edward VI, Mary Tudor was a cultured Renaissance princess. A Latin scholar and outstanding musician, her love of fashion was matched only by her zeal for gambling. It is the tragedy of Queen Mary that today, 450 years after her death, she remains the most hated, least understood monarch in English history. Linda Porter's pioneering new biography—based on contemporary documents and drawing from recent scholarship—cuts through the myths to reveal the truth about the first queen to rule England in her own right. Mary learned politics in a hard school, and was cruelly treated by her father and bullied by the strongmen of her brother, Edward VI. An audacious coup brought her to the throne, and she needed all her strong will and courage to keep it. Mary made a grand marriage to Philip of Spain, but her attempts to revitalize England at home and abroad were cut short by her premature death at the age of forty-two. The first popular biography of Mary in thirty years, The First Queen of England offers a fascinating, controversial look at this much-maligned queen.
In the summer of 1553, against all odds, Mary Tudor was the first woman to be crowned Queen of England. Anna Whitelock's absorbing debut tells the remarkable story of a woman who was a princess one moment, and a disinherited bastard the next. It tells of her Spanish heritage and the unbreakable bond between Mary and her mother, Katherine of Aragon; of her childhood, adolescence, rivalry with her sister Elizabeth and finally her womanhood. Throughout her life Mary was a fighter, battling to preserve her integrity and her right to hear the Catholic mass. Finally, she fought for the throne. The Mary that emerges from this groundbreaking biography is not the weak-willed failure of traditional narratives, but a complex figure of immense courage, determination and humanity.
"Superb.... A perceptive, suspenseful account." --The New York Times Book Review "Dunn demythologizes Elizabeth and Mary. In humanizing their dynamic and shifting relationship, Dunn describes it as fueled by both rivalry and their natural solidarity as women in an overwhelmingly masculine world." --Boston Herald The political and religious conflicts between Queen Elizabeth I and the doomed Mary, Queen of Scots, have for centuries captured our imagination and inspired memorable dramas played out on stage, screen, and in opera. But few books have brought to life more vividly the exquisite texture of two women’s rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power. Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England’s rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.
A striking and sympathetic portrait of England's first Queen, Mary I - whose character has been vilified for over 400 years. Instead of the bloodthirsty bigot of Protestant mythology, Mary Tudor emerges from the pages of this deeply-researched biography as a cultured renaissance princess, a courageous survivor of the violent power struggles that characterised the reigns of her father, Henry VIII, and brother Edward VI. The author does not belittle Mary's burning of heretics, which earned her the subriquet 'Bloody Mary', but she also had many endearing personal qualities and talents, not least the courage of leadership she showed in facing down Northumberland's rebellion. A well-balanced and readable biography of Mary I is long overdue.
A new appraisal of the first Tudor queen offers a detailed portrait of the daughter of Henry VIII and his Spanish wife, Catherine of Aragon, exploring her religious faith and policies, as well as her historical significance in English history.
At a time when prejudiced historical verdicts are being largely revised, and when it is universally admitted that history must be studied on broader and more discriminating lines than heretofore, the restatement of the case for our first Queen Regnant scarcely needs an apology. Two books, one The Privy Purse Expenses of the Princess Mary, with an Introductory Memoir by Sir Frederick Madden, some time Keeper of the Manuscripts in the British Museum, and the other, The Life of Jane Dormer, Duchess of Feria, edited by the Rev. Joseph Stevenson, from the original manuscript in the possession of Lord Dormer, first revealed Queen Mary to me as an attractive and sympathetic personality. Subsequent diligent examination of documents relating to her life and reign, scattered about the various archives of Europe, has not belied that impression, but has further shown that more interest attaches to her dire struggle with the difficulties which beset her than has generally been supposed. This material has proved to be extremely rich and abundant, especially as regards the archives of Venice, Austria, Belgium and England. The valuable papers formerly at Brussels have, it is true, disappeared, but fortunately we are provided with transcripts of them in the Record Office. And where the despatches of ambassadors, those of Giustinian, Chapuys, Renard, Michiel, de Noailles, Surian and others, drop the thread of the story, our own chroniclers, Stowe, Holinshed, Machyn, Wriothesley, Foxe, etc., take it up, so that an almost continuous narrative is formed, reaching from Mary’s earliest childhood to her death. I have endeavoured, where possible, to give the story in the words of each individual ambassador or annalist, in order to preserve, if it might be, the atmosphere of the times, in a manner unattainable by our modern phraseology. In most instances, I have been careful to reproduce even the eccentricities of the spelling in the English documents quoted, but in others, where I have given somewhat lengthy extracts from our chroniclers, the spelling has been modernised to avoid tedium. It has not come within the scope of the present work to deal exhaustively with Mary’s correspondence, and many of her most interesting letters have been unavoidably omitted, preference being given to those which relate to the more crucial points in her history. One word may not be out of place here, as to the now fully recognised necessity of bringing historical imagination to bear upon any period under consideration; for unless we throw ourselves into the spirit, the views, the interests of that period, we shall utterly fail to form a correct notion of its merits and its short-comings. The thoughts and opinions, the virtues and vices of the sixteenth century are not those of our own day, and the only way in which we can form a just estimate of them is by divesting ourselves of every preconceived notion, and by judging each individual case according to the standard which then prevailed. Whether, bearing this necessity in mind, and with the colours at my disposal, I have succeeded in painting a picture vivid enough to supersede the old traditional, but generally spurious, portraits of Queen Mary, I must leave to the kind judgment of my readers.
Porter offers this groundbreaking new biography of Mary Tudor, a queen best remembered for burning hundreds of Protestant heretics at the stake, but whose passion, will, and sophistication have for centuries been overlooked. 16-page b&w photo insert.
High and Mighty Queens of Early Modern England is a truly interdisciplinary anthology of essays including articles on such actual queen regnants as Mary I and Elizabeth I, and queen consorts such as Anne Boleyn, Anna of Denmark, and Henrietta Maria. The collection also deals with a number of literary representations of earlier historical queens such as Cleopatra, and semi-historical ones such as Gertrude, Tamora, and Lady Macbeth, and such fictional ones as Hermione and the queen of Cymbeline, all of them Shakespeare characters. This fascinating look at Renaissance queens also examines myth and folklore, Romantic or Victorian representations, and the depictions of queens like Catherine de Medici of France in twentieth century film.