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This book recounts the life stories of a small group of Queensland 9th Battalion Anzacs who hold the unique honour of being the first soldiers ashore at the Gallipoli landing in 1915. For World War 1 Diggers, their identity was a serious and sometimes contentious matter of battalion pride. Over the decades, these first Anzacs have gained a significant place in the Anzac Legend. Extensive research has confidently identified 26 of the approximate 30 Anzacs who were in this first boat ashore. Their life stories are retold to intimately reveal the war experiences of ordinary Australians. Heroic actions and horrendous ordeals are highlighted. Mateship, self-sacrifice, dedication to duty and changing identity are recurring themes. While many of those who survived returned home to broken lives, for some, the unique and proud identity as first ashore, 'original' Anzacs inspired strength and leadership. Important contributions were made to the post-war community and veteran affairs.
Today, Japan defends its controversial whaling expeditions by invoking tradition--but what was the historical reality? In examining the techniques and impacts of whaling during the Tokugawa period (1603-1868), Jakobina Arch shows that the organized, shore-based whaling that first developed during these years bore little resemblance to modern Japanese whaling. Drawing on a wide range of sources, from whaling ledgers to recipe books and gravestones for fetal whales, she traces how the images of whales and byproducts of commercial whaling were woven into the lives of people throughout Japan. Economically, Pacific Ocean resources were central in supporting the expanding Tokugawa state. In this vivid and nuanced study of how the Japanese people brought whales ashore during the Tokugawa period, Arch makes important contributions to both environmental and Japanese history by connecting Japanese whaling to marine environmental history in the Pacific, including the devastating impact of American whaling in the nineteenth century.
When Finn Learson staggers out of a stormy sea into a village on the Shetland Isles, he brings a secret with him. While the other villagers are enchanted by the stranger, Robbie suspects he's hiding something. Haunted by tales of the Selkie Folk, Robbie sees the clues everywhere -- the strange coin, the missing ship, Finn's love for Robbie's sister and her golden hair. But can Robbie convince the others in time to save his sister?
Jacqui Germain’s poems in When the Ghosts Come Ashore situate St. Louis as the archetypal American city: it’s here she explores the intersections of race, gender, and violence, here she finds the ghosts of those who still hunger for freedom. But Germain still carves out space for love. As Phillip B. Williams writes of these poems, “Placelessness is the place, leaving only the unsafety of flesh as a hideout. Black presences break from the margins and pierce through these hard lyrics.”
The third and final volume in the spirited and witty memoir series. Picking up her story in the late '60s at age 21, Cathy Gildiner whisks the reader through five years and three countries, beginning when she is a poetry student at Oxford. Her education extended beyond the classroom to London's swinging Carnaby Street, the mountains of Wales, and a posh country estate. After Oxford, Cathy returns to Cleveland, Ohio, which was still reeling from the Hough Ghetto Riots. Not one to shy away from a challenge, she teaches at a high school where police escort teachers through the parking lot. There, she tries to engage apathetic students and tussles with the education authorities. In 1970, Cathy moves to Canada. While studying literature at the University of Toronto, she rooms with members of the FLQ (Quebec separatists) and then with one of the biggest drug dealers in Canada. Along the way, she falls in love with the man who eventually became her husband and embarks on a new career in psychology. Coming Ashore brings readers back to a fascinating era populated by lively characters, but most memorable of all is the singular Cathy McClure. The BackLit bonus content includes a reader’s guide, Q&A with the author, and more.
A unique, moving thriller for teens of all ages--set by the sea and with a dark undercurrent underneath--and a perfect summer read that's A Long Walk to Water meets Eliot Schrefer. On a wild Scottish island, a tragedy washes up on the storm-beaten shore: the bodies of a whale and a man. Fraser, desperate for adventure, and Hayley, visiting from Texas, become tangled in the mystery.But Fraser's younger brother Dunny is distraught by the discovery. He hasn't spoken in years, and lately he's been acting more strangely than ever.Together, the three meet a man living in the abandoned caves nearby. They start to wonder if he might lie at the center of something darker than they had previously thought. For the whispering sea conceals a terrible secret, and to discover the truth, one of them must learn to listen...
Angela Haseltine Pozzi makes animal sculptures from plastic that washes up on beaches. Photos of these sculptures are paired with facts about featured sea creatures and the impacts of plastic on sea life.
In the spring of 1621, Plymouth Colony sent STEPHEN HOPKINS to make the first visit to Wampanoag sachem Massasoit to present a red horseman’s coat as a gift and sign of friendship. For most ordinary Englishmen, venturing off into the depths of unexplored America would have been a once in a lifetime adventure: but not for Stephen. By the time he turned forty, he had already survived a hurricane, been shipwrecked in the Bermuda Triangle, been written into a Shakespearean play, witnessed the famine and abandonment of Jamestown Colony, and participated in the marriage of Pocahontas. He was once even sentenced to death! He got himself and his family onto the Pilgrims’ Mayflower, and helped found Plymouth Colony. He signed the Mayflower Compact, lodged the famous Squanto in his house, participated in the legendary Thanksgiving, and helped guide and govern the early colonists. Yet Stephen was just an ordinary man, with a wife, three sons, seven daughters, a small house, some farmland for his corn, and cows named Motley, Sympkins, Curled, and Red. These are the extraordinary adventures of an ordinary man.
Poetry. From the waters of Waikīkī, to the forests outside Honolulu, and across the Pacific ocean, the poems in Laurel Nakanishi's debut collection consider the relationships between place and story. In estrangement and intimacy, at home and away, on the surface and in the depths, these poems level a steady gaze on the world and ask, "And yet, what do I really know?" The answer comes in memory and geography, in old songs and moments folded into a larger time. These poems ask us to live deeply on the earth, to attend to the "stories at work in us," and known ourselves anew.