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THE FIRE PIT IS THE THIRD BOOK IN THE FAROES NOVEL SERIES, FOLLOWING ON FROM THE CRITICALLY ACCLAIMED THE KILLING BAY In the wake of a dying man's apparent suicide, the skeleton of a young woman is discovered on a windswept hillside. Detective Hjalti Hentze suspects that it is the body of a Norwegian woman reported missing forty years earlier, while a commune occupied the land, and whose death may be linked to the abduction and rape of a local Faroese girl. Meanwhile British DI Jan Reyna is pursing his investigation into his mother's suicide. But as he learns more about her final days, links between the two cases start to appear: a conspiracy of murder and abuse spanning four decades. And as Hentze puts the same pieces together, he realizes that Reyna is willing to go further than ever before to learn the truth...
This new, thoroughly updated sixth edition of Bradt’s Faroe Islands remains the only English-language guide to this isolated, unspoiled Nordic archipelago, home to Tórshavn (the world’s smallest capital), and where there are twice as many sheep as people – meaning that it’s still possible to discover a way of life that is fast disappearing elsewhere in Europe, a place where sheep were fitted with cameras to help film for Google Streetview (locally dubbed Google ‘Sheepview’). Visiting the Faroes is a chance to experience nature in the raw. Its breathtaking landscapes never fail to inspire, from the highest sea cliffs in Europe at Enniberg on the island of Viðoy to the dramatic seascapes at Akraberg, the southernmost point of the Faroes. Also included are details of how to reach even the remotest corners by bus using a travel card, information on changing seabird numbers in the North Atlantic, and details of where to go birdwatching and hiking. Written by expert author James Proctor, who has been visiting the Faroes since 1992, this guidebook offers detailed information about all 18 islands (including Mykines, whose year-round population is barely in double figures). Within the islands themselves, Bradt’s Faroe Islands is recognised as the definitive source of information about the Faroes in the English language – and is widely respected as such. There’s hands-on advice about where to stay and eat, how to get around – be it by local ferry, helicopter or your own hire car – and what to see and do. This latest edition includes all the most recent developments (including improvements in air, ferry and road travel – the latter including the world’s only subsea roundabout) and provides all the information needed for a successful trip, with updated reviews of accommodation (plus Tórshavn’s classy new hotels) and eating and drinking options. Whether you’re visiting for the amazing birdlife, to walk some of Europe’s least-known hiking trails or simply to sample real village life among the turf-roofed houses painted in a mêlée of reds, yellows and blues, Bradt’s Faroe Islands is the perfect companion.
The gritty first installment in a crime thriller series set in the Faroe Islands—for fans of Henning Mankell and Ann Cleeves “ . . . a winner for fans of both Scandinavian and British procedurals . . . brilliantly plunges intuitive, straightforward detectives Jan and Hjalti into a complicated tangle of secret motivations . . . ” —Booklist Having left the Faroes as a child, Jan Reyna is now a British police detective, and the islands are foreign to him. But he is drawn back when his estranged father is found unconscious with a shotgun by his side and someone else’s blood at the scene. Then a man’s body is washed up on an isolated beach. Is Reyna’s father responsible? Looking for answers, Reyna falls in with local detective Hjalti Hentze. But as the stakes get higher and Reyna learns more about his family and the truth behind his mother’s flight from the Faroes, he must decide whether to stay, or to forsake the strange, windswept islands for good.
In this debut mystery set in Santa Barbara, movie stars are in town for the film festival, powerful business interests are at stake, and detective Nola MacIntire and her partner, Tony Angelotti, must solve the complicated puzzle behind three seemingly unrelated deaths in this idyllic beach town. This mystery has got it all: snappy dialogue, memorable characters, and a captivating web of intrigue to untangle. Anne Flett-Giordano is a five-time Emmy-winning television writer and producer whose credits include Frasier, Becker, and Desperate Housewives. In addition to three Best Comedy and two Best Writing in a Comedy Series Emmys, Anne (with her screenwriting partner Chuck Ranberg) has won a Producer's Guild Award, a Golden Globe, and a Writer's Guild nomination for Best Writing in a Comedy Series. Currently a consultant on the half-hour comedy Hot In Cleveland, starring Betty White, Anne divides her time between Los Angeles and Santa Barbara, California.
When a group of international activists arrive on the Faroe Islands, intent on stopping the traditional whale hunts, tensions between islanders and protestors run high. And when a woman is found viciously murdered only hours after a violent confrontation, the circumstances seem purposely designed to increase animosity between the two sides. As English DI Jan Reyna and local detective Hjalti Hentze investigate, it becomes increasingly clear that the murder has other, more sinister aspects to it, and that crucial evidence is being hidden. Neither policeman knows who to trust, or how far some people might go to defend their beliefs.
A compulsively readable novel of enormous charm swimming in the cuisine and culture of the Faroe Islands from the author of Girl, Interrupted. Jonathan Brand, a graduate student in anthropology, has decided to do his fieldwork in the remote Faroe Islands in the North Atlantic. But, despite his Harvard training, he can barely understand, let alone "study," the culture he encounters. From his struggles with the local cuisine to his affair with the Danish woman the locals want him to marry, Jonathan is both repelled by and drawn into the Faroese way of life. Wry and insightful, Far Afield reveals Susanna Kaysen's gifts of imagination, satire, and compassion.
A murder mystery set in the Faroe Islands. First, detective Hannis Martinsson suspects local whale hunters...but much larger forces are at work, those that could devastate the whole country.
New District Sheriff Tristan Haraldsen uncovers a series of dark secrets when he investigates the disappearance of two boys in the remote Faroe Islands. Newly-appointed District Sheriff Tristan Haraldsen and his wife Elsebeth are looking forward to a peaceful semi-retirement in the remote fishing village of Djevulsfjord on the stunningly beautiful island of Vagar. But when two boys go missing during the first whale hunt of the season, the repercussions strike at the heart of the isolated coastal community. As he pursues his investigations, Tristan discovers that the Mikkelsen brothers aren’t the first young men to have vanished on Vagar. Determined to solve the mystery of Djevulsfjord, yet encountering suspicion wherever he turns, Haraldsen comes to realize he and his wife are not living in the rural paradise they had imagined, and that the wild beauty of the region hides a far darker reality.
Stranded in a stormy corner of the North Atlantic midway between Norway and Iceland, the Faroe Islands are part of "the unknown Western Europe"—a region of recent economic development and subnational peoples facing uncertain futures. This book tells the remarkable story of the Faroes' cultural survival since their Viking settlement in the early ninth century. At first an unruly little republic, the islands soon became tributary to Norway, dwindled into a Danish-Norwegian mercantilist fiefdom, and in 1816 were made a Danish province. Today, however, they are an internally self-governing Danish dependency, with a prosperous export fishery and a rich intellectual life carried out in the local language, Faroese. Jonathan Wylie, an anthropologist who has done extensive field work in the Faroes, creates here a vivid picture of everyday life and affairs of state over the centuries, using sources ranging from folkloric texts to parliamentary minutes and from census data to travelers' tales. He argues that the Faroes' long economic stagnation preserved an archaic way of life that was seriously threatened by their economic renaissance in the nineteenth century, especially as this was accompanied by a closer political incorporation into Denmark. The Faroese accommodated increasingly profound social change by selectively restating their literary and historical heritage. Their success depended on domesticating a Danish ideology glorifying "folkish" ways and so claiming a nationality separate from Denmark's. The book concludes by comparing the Faroes' nationality-without-nationhood to the contrasting situations of their closest neighbors, Iceland and Shetland. The Faroe Islands is an important contribution to Scandinavian as well as regional and ethnic studies and to the growing literature combining the insights and techniques of anthropology and history. Engagingly written and richly illustrated, it will also appeal to scholars in other fields and to anyone intrigued by the lands and peoples of the North.
This study follows the process of nation-building in a tiny nation -- the Faroe Islands, a cluster of 18 rocky islands in the North Atlantic. Originally settled by Vikings and governed by Norway, then by Denmark, and occupied by British forces during World War II, the Faroes gained a measure of home rule in 1948. Since then, Faroese politics have been doctrinated by the struggle for emancipation from the Danish cultural hegemony, through the establishment of cultural and education institutions on the islands, and through the promotion of the Faroese language in place of Danish. As the author shows, the national identity has developed in interaction with an outside world often perceived as hostile and threatening by the islanders, and in this process, certain national symbols have played a key role as boundary markers. Apart from language, the practice of pilot whale hunting has served as an important focus of national identity, and international criticism of whaling in general has only served to intensify the Faroese feeling of unity and opposition to an outside world which does not understand them.