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"When he brought Maggie Christensen and fencing buddy, Ian Silverstein, home to Hardwood, N.D., for spring break, Torrie Thorsen anticipated nothing more than a carefree vacation, He never expected that werewolves would drag his mother and his girlfriend screaming from the house in the dead of night - or that he and his father, Thorian, would end up joining them as hostages on a secret trail into an inconceivable world." "For the Thorsen destiny lies where the family's history began - in a place of legend called Tir Na Nog, where Thor thundered and Odin still walks. It is here where the blade of Thorian del Thorian once loyally served the House of the Sky - until the able swordsman transgressed...and was forced to flee through the Hidden Ways to seek refuge in Earth." "Prisoners of the House of Flame in the city of Falias - pawns in a treacherous intrigue that threatens to bring war to the Middle Dominion - there is no turning back now for the two Thorians, father and son. But an unlikely champion approaches from the reality they have abandoned - a displaced young hero who travels in the company of Gods. For it is Ian Silverstein who must raise his sword to save his captive friends - and prevent the fiery coming of Ragnarok, the End of All Days."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Child of the Fire is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures inspired by historical and biblical themes. Throughout this richly illustrated study, Kirsten Pai Buick investigates how Lewis and her work were perceived, and their meanings manipulated, by others and the sculptor herself. She argues against the racialist art discourse that has long cast Lewis’s sculptures as reflections of her identity as an African American and Native American woman who lived most of her life abroad. Instead, by seeking to reveal Lewis’s intentions through analyses of her career and artwork, Buick illuminates Lewis’s fraught but active participation in the creation of a distinct “American” national art, one dominated by themes of indigeneity, sentimentality, gender, and race. In so doing, she shows that the sculptor variously complicated and facilitated the dominant ideologies of the vanishing American (the notion that Native Americans were a dying race), sentimentality, and true womanhood. Buick considers the institutions and people that supported Lewis’s career—including Oberlin College, abolitionists in Boston, and American expatriates in Italy—and she explores how their agendas affected the way they perceived and described the artist. Analyzing four of Lewis’s most popular sculptures, each created between 1866 and 1876, Buick discusses interpretations of Hiawatha in terms of the cultural impact of Henry Wadsworth Longfellow’s epic poem The Song of Hiawatha; Forever Free and Hagar in the Wilderness in light of art historians’ assumptions that artworks created by African American artists necessarily reflect African American themes; and The Death of Cleopatra in relation to broader problems of reading art as a reflection of identity.
When news of Sir Harry Oakes' murder broke to the world on the morning of July, 8, 1943, one man was more concerned than most. He was the Duke of Windsor, then Governor of the British colony, whose job it was to ensure that the killer was caught and brought to justice. Although many believe the duke was a bungler, "Blood and Fire" points to evidence that he was a plotter with something to hide.
First published in 1963, James Baldwin's A Fire Next Time stabbed at the heart of America's so-called ldquo;Negro problemrdquo;. As remarkable for its masterful prose as it is for its uncompromising account of black experience in the United States, it is considered to this day one of the most articulate and influential expressions of 1960s race relations. The book consists of two essays, ldquo;My Dungeon Shook mdash; Letter to my Nephew on the One Hundredth Anniversary of Emancipation,rdquo; and ldquo;Down At The Cross mdash; Letter from a Region of My Mind.rdquo; It weaves thematic threads of love, faith, and family into a candid assault on the hypocrisy of the so-say ldquo;land of the freerdquo;, insisting on the inequality implicit to American society. ldquo;You were born where you were born and faced the future that you facedrdquo;, Baldwin writes to his nephew, ldquo;because you were black and for no other reason.rdquo; His profound sense of injustice is matched by a robust belief in ldquo;monumental dignityrdquo;, in patience, empathy, and the possibility of transforming America into ldquo;what America must become.rdquo;
A gripping biography tracing the controversial Louisiana politician's quest for political legitimacy
Duke Wolff was a flawless specimen of the American clubman -- a product of Yale and the OSS, a one-time fighter pilot turned aviation engineer. Duke Wolff was a failure who flunked out of a series of undistinguished schools, was passed up for military service, and supported himself with desperately improvised scams, exploiting employers, wives, and, finally, his own son. In The Duke of Deception, Geoffrey Wolff unravels the enigma of this Gatsbyesque figure, a bad man who somehow was also a very good father, an inveterate liar who falsified everything but love.
A Kirkus Reviews 2019 Best Romance Novel, the first in an exciting new series by USA Today bestseller Kerrigan Byrne! They are a dangerous duke, a fierce lord, and an infamous earl—dark, bold, brave men who know exactly what they want. And there is only one woman who can bring them to their knees... Famed and brilliant, Lady Alexandra Lane has always known how to look out for to herself. But nobody would ever expect that she has darkness in her past—one that she pays a blackmailer to keep buried. Now, with her family nearing bankruptcy, Alexandra strikes upon a solution: Get married to one of the empire’s most wealthy eligible bachelors. Even if he does have the reputation of a devil. LOVE TAKES NO PRISONERS Piers Gedrick Atherton, the Duke of Redmayne, is seeking revenge and the first step is securing a bride. Winning a lady’s hand is not so easy, however, for a man known as the Terror of Torcliff. Then, Alexandra enters his life like a bolt of lightning. When she proposes marriage, Piers knows that, like him, trouble haunts her footsteps. But her gentleness, sharp wit, independent nature, and incredible beauty awakens every fierce desire within him. He will do whatever it takes to keep her safe in his arms. “Romantic, lush, and suspenseful.”—New York Times bestselling author Suzanne Enoch
“Lush, beautifully written, and deeply romantic, My Darling Duke will sweep you off your feet. My heart was lost to this couple from the very start.” —Amalie Howard, author of The Beast of Beswick Miss Katherine Danvers has always been a wallflower. But now, with her family on the brink of financial ruin, she finds herself a desperate wallflower. To save her family, she’ll do anything. Luckily, she has the perfect plan... She’ll impress the ton by simply announcing she is engaged to the reclusive and mysterious Duke of Thornton, Alexander Masters, and secure strong matches for her sisters. No one has heard from the duke in years. Surely he’ll never find out before her sisters’ weddings, and she can go back to her own quiet life. Soon, though, everything is out of control. At first, it’s just a few new ball gowns on the duke’s accounts. Then, it’s interviews with reporters eager for gossip. Before she knows it, Katherine has transformed herself into Kitty Danvers, charming and clever belle of the ton—with everyone eager to meet her thankfully absent fiancé. But when the enigmatic Alexander Masters suddenly arrives in the city, dashing and oh so angry, he demands retribution. Except not in the way Katherine expected... Each book in the Sinful Wallflowers series is STANDALONE: * My Darling Duke * Her Wicked Marquess * A Scoundrel of Her Own
An analysis of the emergence, reception, and legacy of fusion, experimental music that emerged in the late 1960s and 1970s as musicians combined jazz, rock, and funk in new ways.
The steamy first book in The Pleasure Wars series by USA Today Bestselling Historical Romance Author Jess Michaels Amid all the lies and scandals that fuel Society’s gossip mill, one truth has stood out: House Rothcastle and House Windbury have always hated each other. Lady Ava Windbury prays the feud will someday end, to no avail. One dreadful night, her brother accidentally causes the death of Christian Rothcastle’s sister, a tragedy that leaves both men maimed. Consumed by grief, Christian makes a grim decision. He will kidnap Lady Ava so that her family will feel the pain of loss as keenly as he feels the loss of his own sister. But once he has Ava in his clutches, desire takes unexpected hold. Even more surprising, she willingly surrenders to his every sexual whim—after haggling over the terms of giving up her virginity. Too late, he realizes she is using her body for peace, not war. But just as their affair of revenge turns into an affair of the heart, the past rears its ugly head to take matters into its own hands… Length: Full Length Novel Heat Level: Naughty, naughty CW: Violent accident (on page), abuse (described) This book is the first book in The Pleasure Wars series.