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The riveting story of how three years spent in the United States transformed Frida Kahlo into the artist we know today "[An] insightful debut....Featuring meticulous research and elegant turns of phrase, Stahr’s engrossing account provides scholarly though accessible analysis for both feminists and art lovers." —Publisher's Weekly Mexican artist Frida Kahlo adored adventure. In November, 1930, she was thrilled to realize her dream of traveling to the United States to live in San Francisco, Detroit, and New York. Still, leaving her family and her country for the first time was monumental. Only twenty-three and newly married to the already world-famous forty-three-year-old Diego Rivera, she was at a crossroads in her life and this new place, one filled with magnificent beauty, horrific poverty, racial tension, anti-Semitism, ethnic diversity, bland Midwestern food, and a thriving music scene, pushed Frida in unexpected directions. Shifts in her style of painting began to appear, cracks in her marriage widened, and tragedy struck, twice while she was living in Detroit. Frida in America is the first in-depth biography of these formative years spent in Gringolandia, a place Frida couldn’t always understand. But it’s precisely her feelings of being a stranger in a strange land that fueled her creative passions and an even stronger sense of Mexican identity. With vivid detail, Frida in America recreates the pivotal journey that made Senora Rivera the world famous Frida Kahlo.
Revises and updates the first edition published in 1976 by the Fine Arts Museums of San Francisco, incorporating information on the collection's latest acquisitions. Catalogs 100 tapestries, with photographs (most in color) and descriptive text discussing the content, design, and execution of each piece. An introductory essay by tapestry designer Mark Adams and a listing of the museum's extensive tapestry holdings are included. 9x12" Annotation copyright by Book News, Inc., Portland, OR
A breathtaking collection of work celebrating 125 years of San Francisco's legendary museum The de Young is San Francisco's oldest art museum, treasured in a unique verdant setting. Beginning as the Golden Gate Park Memorial Museum in 1895, the museum has been a valued center of world art and culture, serving the Bay Area and, increasingly, national and international visitors and scholars. A city museum since 1924, it joined the Legion of Honor in 1972 to become part of the Fine Arts Museums of San Francisco, together preserving and exhibiting the most widely inclusive art collections in the city. Over the years, the de Young buildings changed in telling ways, transforming to protect and present a continuously expanding array of objects and their histories. Published to mark the 125th anniversary of the de Young, this volume offers a new path to artworks from across its departmental disciplines: art from Africa, Oceania, and the Americas; American art; contemporary art and programming; costume and textiles; and works on paper. Poetic themes, curatorial insights, brief institutional histories, and an expanded historical timeline are accompanied by lavish new photography, presenting this beloved museum to audiences today. de Young 125 features a selection of 125 works from around the world that span more than two millennia and convey a shared human experience and creative achievement.
An introduction to the rich and diverse art of California, this book highlights its distinctive role in the history of American art, from early-20th-century photography to Chicanx mural painting, the Fiber Art Movement and beyond. Shaped by a compelling network of geopolitical influences including waves of migration and exchange from the Pacific Rim and Mexico, the influx of African Americans immediately after World War II, and global immigration after quotas were lifted in the 1960s, California is a centre of artistic activity whose influence extends far beyond its physical boundaries. Furthermore, California was at the forefront of radical developments in artistic culture, most notably conceptual art and feminism, and its education system continues to nurture and encourage avant-garde creativity. Organized chronologically and thematically with illustrations throughout, this attractive study stands as an important reassessment of Californias contribution to modern and contemporary art in the United States and globally.
Nearly three hundred illustrations and a text reveal the entire range of the Vatican's artistic holdings, replete with priceless masterworks from all periods.
Timed with the centennial of the Panama-Pacific International Exposition (PPIE) of 1915, Jewel City presents a large and representative selection of artworks from the fair, emphasizing the variety of paintings, sculptures, photographs, and prints that greeted attendees. It is unique in its focus on the works of art that were scattered among the venues of the expositionÑthe most comprehensive art exhibition ever shown on the West Coast. Notably, the PPIE included the first American presentations of Italian Futurism, Austrian Expressionism, and Hungarian avant-garde painting, and there were also major displays of paintings by prominent Americans, especially those working in the Impressionist style. This lavishly illustrated catalogue features works by masters such as Winslow Homer, John Singer Sargent, Claude Monet, Paul CŽzanne, Robert Henri, Edward Weston, Imogen Cunningham, Edvard Munch, Oskar Kokoschka, Umberto Boccioni, and many more. The volume also explores the PPIEÕs distinctive murals program, developments in the art of printmaking, and the legacy of the French Pavilion, which hosted an abundance of works by Auguste Rodin and inspired the founding and architecture of the Legion of Honor museum in San Francisco. A rich and fascinating study of a critical moment in American and European art history, Jewel City is indispensable for understanding both the United StatesÕ and CaliforniaÕs role in the reception of modernism as well as the regionÕs historical place on the international art stage. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young Museum, San Francisco: October 17, 2015ÐJanuary 10, 2016
Fifteen hundred years ago, Teotihuacan was one of the world's greatest cities. Some 200,000 people lived in this Mexican metropolis, with its massive public buildings, grid plan of streets and imposing murals and sculpture. Its trading empire dominated much of ancient Mexico. Then, in the 8th century, came a mysterious collapse. Even knowledge of the original name was lost: Teotihuacan, City of the Gods, was a title bestowed by the Aztecs six hundred years later.
Catalog of the exhibition at Kimbell Art Museum, Fort Worth, October 16, 2016 - January 29, 2017; Fine Arts Museums of San Francisco, February 25 - May 29, 2017.