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A new version of Plato's four-part discourse extolling Socrates' brilliance. Plato's account of Socrates' trial and execution in 399 BC marks a turning point in Western literature as well as in ancient Athens' way of life. In these four dialogues, Plato elaborates on the Socratic notion of personal accountability and illustrates how Socrates, who was ordered by his fellow Athenians to commit suicide, lived and died in accordance with his own philosophy. In Euthyphro, Socrates engages in a discussion about goodness outside the courtroom; in Apology, he defends himself against all accusations of impiety; in Crito, he rejects a plea to be let out of prison; and in Phaedo, he approaches death with composure and an insightful discussion of eternity.
Among the most important and influential philosophical works in Western thought: the dialogues entitled Euthyphro, Apology, Crito and Phaedo. Translations by distinguished classical scholar Benjamin Jowett.
Euthyphro/Apology/Crito/Phaedo 'Nothing can harm a good man either in life or after death' The trial and condemnation of Socrates on charges of heresy and corrupting young minds is a defining moment in the history of classical Athens. In tracing these events through four dialogues, Plato also developed his own philosophy of a life guided by self-responsibility. Euthyphro finds Socrates outside the court-house, debating the nature of piety, while the Apology is his robust rebuttal of the charges against him. In the Crito, awaiting execution in prison, Socrates counters the arguments of friends urging him to escape. Finally, in the Phaedo, he is shown calmly confident in the face of death. Translated by HUGH TREDENNICK and HAROLD TARRANT with an Introduction and notes by HAROLD TARRANT
Included in this volume are "Euthyphro," "Apology," "Crito," and the Death Scene from "Phaedo." Translated by F.J. Church. Revisions and Introduction by Robert D. Cumming.
"America's founding generation was learned in the history and literature of the West and steeped in the English tradition of liberty. Vital Remnants revisits for a new generation the sources of America's greatness and suggests means to restore our weakened foundations."--BOOK JACKET.
"Symposium" gives an account of the sparkling society that was Athens at the height of her empire. The other dialogues collected here under the title "The Death of Socrates" tell the tale of how Socrates was put on trial for impiety, found guilty and sentenced to death.
A revisionist account of the most famous trial and execution in Western civilization — one with great resonance for modern society In the spring of 399 BCE, the elderly philosopher Socrates stood trial in his native Athens. The court was packed, and after being found guilty by his peers, Socrates died by drinking a cup of poison hemlock, his execution a defining moment in ancient civilization. Yet time has transmuted the facts into a fable. Aware of these myths, Robin Waterfield has examined the actual Greek sources, presenting a new Socrates, not an atheist or guru of a weird sect, but a deeply moral thinker, whose convictions stood in stark relief to those of his former disciple, Alcibiades, the hawkish and self-serving military leader. Refusing to surrender his beliefs even in the face of death, Socrates, as Waterfield reveals, was determined to save a morally decayed country that was tearing itself apart. Why Socrates Died is then not only a powerful revisionist book, but a work whose insights translate clearly from ancient Athens to the present day.
The Final Days of Socrates is a book of four dialogues by Plato-Euthyphro, Apology, Crito, and Phaedo-centering, as most of Plato's dialogues do, around Socrates. These four dialogues cover the time leading up to Socrates' trial and through his death and depiction of the afterlife. Euthyphro concerns Socrates and Euthyphro, a known so-called religious expert, as they try to determine a definition for piety. Apology is Plato's version of Socrates' speech as he defends himself against the criminal charges of corrupting the youth and not believing in the same deities as the state. The Crito is a dialogue between Socrates and a friend about justice, injustice, and the reaction to injustice. Finally Phaedo, one of Plato's most famous Socratic dialogues, depicts the death of Socrates and his argument for the existence of an afterlife. All four works are also included in the Cosimo omnibus editions of The Works of Plato. One of the greatest Western philosophers who ever lived, PLATO (c. 428-347 B.C.) was a student of Socrates and teacher of Aristotle. Plato was greatly influenced by Socrates' teachings, often using him as a character in scripts and plays (Socratic dialogues), which he used to demonstrate philosophical ideas. Plato's dialogues were and still are used to teach a wide range of subjects, including politics, mathematics, rhetoric, logic, and, naturally, philosophy.
The trial and death of Socrates (469-399 BC) have almost as central a place in Western consciousness as the trial and death of Jesus. In four superb 'dialogues', Plato provided the classic account. Socrates spent a lifetime analysing ethical issues, and the Euthyphro finds him outside the court-house, still debating the nature of piety with an arrogant acquaintance. The Apology is both a robust rebuttal to the charges of impiety and corrupting young minds and a definitive defence of the philosopher's life. Later, condemned and imprisoned in the Crito, Socrates counters the arguments of friends urging him to escape. And finally, in the Phaedo , Plato shows him calmly confident in the face of death, skilfully arguing the case for the immortality of the soul. Such works, as Harold Tarrant explains in his fine introduction, are no longer regarded by scholars as direct transcriptions of real events; their power to move us-and to challenge our moral assumptions-remains undiminished.