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Film photography has recently witnessed a significant renaissance—and not just among those who have previously shot with film. Interest in film photography and analog photography has also grown enormously among those who have only ever shot digitally. In The Film Photography Handbook, 3rd Edition, authors Chris Marquardt and Monika Andrae speak to both types of film photographers as they offer an easy-to-understand, complete resource to shooting film. In this updated and expanded edition, they address today’s working climate, including such topics as the hybrid film/digital workflow, the digitization of negatives, and using smartphones for light metering and to assist in film processing.

This book is intended for anyone who is curious about film and analog photography, whether you need a refresher course or are discovering this wonderful format for the first time. You’ll learn how easy it is to shoot and process black-and-white film at home, and that just a little special equipment is needed to get into film photography.

You’ll learn all about:

    • The important differences between film and digital photography
    • Numerous film cameras, as well as how to buy a secondhand camera
    • Film formats, from 35 mm to medium format and large format
    • Exposure settings, tonal values, and tonal representations in different types of film, from color negatives and slides to the enormous spectrum of black-and-white films
    • Processing film, covering everything you need to know: equipment, chemicals, and workflow
    • Scanning negatives to bring your analog photography into a digital workflow
    • Both presenting and archiving your prints and negatives

Working in such an “analog” medium requires a unique approach to photography, and it fosters a completely different form of creativity. Working in film and embracing analog photography can also prove to be a great inspiration for your own digital photography, as well. The Film Photography Handbook, 3rd Edition covers it all—from the technical to the creative—and will have you shooting film in no time, whether it’s with an old rangefinder, an inexpensive Holga, or a medium-format Rolleiflex or Hasselblad.

In recent years, film photography has witnessed a significant renaissance—and not just among those who have previously shot with film. Interest in film photography and analog photography has also grown enormously among those who only have experience shooting digitally. In The Film Photography Handbook, 2nd Edition, authors Chris Marquardt and Monika Andrae speak to both types of film photographers as they offer an easy-to-understand, complete resource to shooting film. In this updated and expanded edition, they address today’s working climate, including such topics as the hybrid film/digital workflow, the digitization of negatives, and using smartphones for light metering and to assist in film processing. This book is intended for anyone who is curious about film and analog photography, whether you need a refresher course or are discovering this wonderful format for the first time. You’ll learn how easy it is to shoot and process black-and-white film at home, and that just a little special equipment is needed to get into film photography. You’ll learn all about: • The important differences between film and digital photography • Numerous film cameras, as well as how to buy a second-hand camera • Film formats, from 35 mm to medium format and large format • Exposure settings, tonal values, and tonal representations in different types of film, from color negatives and slides to the enormous spectrum of black-and-white films • Processing film, covering everything you need to know: equipment, chemicals, and workflow • Scanning negatives to bring your analog photography into a digital workflow • Both presenting and archiving your prints and negatives Working in such an “analog” medium requires a unique approach to photography, and it fosters a completely different form of creativity. Working in film and embracing analog photography can also prove to be a great inspiration for your own digital photography, as well. The Film Photography Handbook, 2nd Edition covers it all—from the technical to the creative—and will have you shooting film in no time, whether it’s with an old rangefinder, an inexpensive Holga, or a medium-format Rolleiflex or Hasselblad.
The Photography Handbook provides an introduction to the principles of photographic practice and theory and offers guidelines for the systematic study of photographic media. It explores the history of lens-based picture making and examines the mediums' characteristics, scope and limitations. Equipping the reader with a vocabulary for photographic phenomena and helping develop visual awareness and visual literacy, The Photography Handbook will enable students to familiarize themselves with current theoretical viewpoints and to evolve critical frameworks for their own photographic practice. The Photography Handbook includes: * an analysis of photographic theory * an introduction to conceptual skills necessary for photography * the historical background and rationale for photographic representation * the camera as a documentary tool * interviews with editors, photographers, picture editors and readers * the effect of new technologies on photographic practice and an exploration of the shift from analogue to digital imagery * over seventy images.
Most experienced photographers who work with 35mm ask the same nagging question: If they changed to a larger format, would they get better pictures? In Medium and Large Format Photography, renowned professional photographers Roger Hicks and Frances Schultz provide all the practical and artistic guidance every aspiring photographer needs to master the world beyond 35mm. In clear, no-nonsense language, this valuable guide details all the possibilities and limitations of various film formats, as well as the best cameras and equipment to use with each. Indispensable, easy-to-read tables make it simple to compare film sizes, lens lengths, and other information at a glance. Plus, the guide is packed with over 200 stunning photos showing the merits of medium and large format photography in action. - A comprehensive introduction to the many cameras and film formats available beyond 35mm - Includes expert tips on buying equipment, darkroom supplies, and processing film
Attracted by the image quality, the tactile joy of a finely made camera, and the affordable prices of vintage equipment, photographers around the world are rediscovering the joys of manual photography. This comprehensive guide to shooting film photography covers all the bases, from setting up a camera through film processing. In a convenient format, filled with diagrams, examples, and illustrations, Analog Photography is a portable reference tool for neophytes and experienced photographers alike. With an irresistible package inspired by the aesthetics of vintage user manuals, this is "a great-looking publication and a fantastic place from which to start, or rekindle, a journey into film photography" (Creative Review).
This dictionary is for everyone who enjoys modern photography, image manipulation, and digital imaging. It is the most comprehensive, up to date and authoritative dictionary of this subject, containing over 2100 entries.

If your past attempts at learning flash have all ended in failure (not to mention tears and/or blind rage), then The Off-Camera Flash Handbook is about to change everything for you. For years, photographer Vanessa Joy has been using off-camera flash to create gorgeous portraits that look like they were shot in the most beautiful natural light at the perfect time of day. Well, guess what? That consistent look was not created thanks to the most amazing luck with the weather. No. It was created by a pro photographer who mastered her use of off-camera flash. And with her down-to-earth and practical explanations, that’s exactly what Vanessa teaches you in this book.

Vanessa breaks down off-camera flash into an easy-to-understand approach, and instead of focusing on the gear and the settings (which are also included, of course), she focuses on the kinds of shots you want to make. This book is about learning to use off-camera flash easily and quickly so that you can create beautiful, natural-looking light in any situation, at any time you need it…regardless of the weather or time of day.

The book is divided into three parts. Part One covers the fundamentals of off-camera flash, and it does so without blasting you with a firehose of information. Instead, Vanessa gives you the basics you need so that you can start shooting right away without becoming overwhelmed with technical jargon.

Once you’re set up and ready to go, Vanessa jumps right into Part Two with specific photo scenarios and real-world situations where you’ll learn key techniques for using your flash to create consistent, beautiful photographs. For each scenario, Vanessa provides the goal for the shoot, a gear list, the step-by-step shooting instructions, and images that show both the progress of the shoot and the behind-the-scenes shots or lighting diagrams of the setup. She also discusses problems you may encounter, variations on the shot, and additional practical scenarios for each situation.

Just a few examples include:

    • Recreating the golden hour at any time
    • Shooting groups
    • Making indoors look like outdoors
    • Enhancing natural light
    • Using flash at events
    • Working in harsh sunlight
    • Creating silhouettes
    • Shooting at sunset
    • Fixing an ugly-light room
    • And much more

Finally, Part Three tackles the questions you’ll likely have once you’ve got the basics under your belt and you’re already creating great photos with your off-camera flash—things like high-speed sync, sync speed, a practical understanding of the inverse square law, etc. There is also a helpful FAQ section at the end of the book.



TABLE OF CONTENTS

PART 1: GETTING STARTED WITH OFF-CAMERA FLASH (OCF)

    You Already Know This
    Getting Your Flash Off Camera
    Getting the Exposure
    Light Positions and Modifiers
    How to Add More Lights

PART 2: Off-Camera Flash Techniques

    Creating Golden Haze
    Creating Golden Hour
    Creating Twilight
    Photographing at Sunset
    Making a Magenta Sunset
    Group Shots with One Light
    Individual Portraits
    Portraits of Couples
    Enhancing Natural Light
    Making Indoors Look Like Outdoors
    Super Soft Portrait Light
    Warming up the Sky
    Keeping a Blue Sky
    Light like It's Coming Through a Window
    Creating a Silhouette
    Turn Day into Night
    Tiny Little Details
    Table Details
    Event Speeches
    In Harsh Sunlight
    Shooting with Reflectors
    Event Bounce Flash
    Using Gels for Fun Color Effects
    Using Gels to Color Correct
    Lighting a Dark Room
    Making a Rainy Day Sunny
    Lighting to Look Like Window Light
    Making Front Bokeh
    Filling in Shadows
    Wow, This Indoor Light Sucks
    Rim Lighting

PART 3: Features, Troubleshooting, and FAQS

    WTF Are You Talking About?
    But Light Doesn’t Do That
    FAQs about OCF
The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field’s persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyzes the field’s histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary contexts; draws out the main concerns of photographic scholarship; interrogates photography’s cultural and geopolitical influences; and examines photography’s multiple uses and continued changing faces. Each part begins with an introductory text, giving historical contextualization and scholarly orientation. Featuring the work of international experts, and offering diverse examples, insights and discussions of the field’s rich historiography, the Handbook provides critical guidance to the most recent research in photography studies. This pioneering and comprehensive volume presents a systematic synopsis of the subject that will be an invaluable resource for photography researchers and students from all disciplinary backgrounds in the arts, humanities and social sciences.