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** THE NEW YORK TIMES-BESTSELLING CULT CLASSIC NOVEL ** ** In a new edition introduced by Stephen Fry ** ‘I don’t think you can even call this a drug. This is just a response to the conditions we live in.’ Suzanne Vale, formerly acclaimed actress, is in rehab, feeling like ‘something on the bottom of someone’s shoe, and not even someone interesting’. Immersed in the sometimes harrowing, often hilarious goings-on of the drug hospital and wondering how she’ll cope – and find work – back on the outside, she meets new patient Alex. Ambitious, good-looking in a Heathcliffish way and in the grip of a monumental addiction, he makes Suzanne realize that, however eccentric her life might seem, there’s always someone who’s even closer to the edge of reason. Carrie Fisher’s bestselling debut novel is an uproarious commentary on Hollywood – the home of success, sex and insecurity – and has become a beloved cult classic. ‘This novel, with its energy, bounce and generous delivery of a loud laugh on almost every page, stands as a declaration of war on two fronts: on normal and on unhappy’ STEPHEN FRY ‘A single woman’s answer to Nora Ephron’s Heartburn . . . the smart successor to Joan Didion’s Play It as It Lays’ Los Angeles Times ‘A cult classic . . . A wonderfully funny, brash and biting novel’ Washington Post 'A wickedly shrewd black-humor riff on the horrors of rehab and the hollows of Hollywood life' People 'Searingly funny' Vogue
Ecocritical takes on popular film.
What does it mean to make films in Latin America? The landscape today is as complex as it is dynamic. New directors and new projects are constantly emerging; film festivals appear one after another in what could only be described as an explosion of cinema in the region. And yet inherent to this panorama, both so vital and so difficult to define, there is a troubling sense of uncertainty. This book, which brings together the writing of directors, producers, scholars and critics, examines the current state of Latin American cinema. Exploring tendencies and possibilities for the future of the audiovisual arts within the context of recent changes in methods of production and circulation, the authors address a number of key issues, including the role of independent filmmaking in the market and in relation to alternative modes of production, the formation of new regional and global identities, means of support for filmmakers in Latin America, and the question of new formats, categories, and genres. The result is less a mosaic of fragments than it is a tapestry whose interwoven threads create complex and changing shapes that constitute the fabric itself. This tapestry allows us to glimpse, beyond their particularities, the points of contact between different parts of the region. This book is an abridged and revised edition of HACER CINE. Produccion Audiovisual en America Latina published in 2008 by Fundacion TyPA and Editorial Paidos. This new book, edited by Eduardo. A. Russo and translated from the Spanish by Heather Cleary Wolfgang, was made possible by the support of the Rockefeller Foundation.
Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features.
When the alien Mimics invade, Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. Keiji dies on the battlefield, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally--the female soldier known as the Full Metal Bitch. Is she the key to Keiji's escape or his final death? Now a major motion picture starring Tom Cruise! -- VIZ Media
David Mamet has been a controversial, defining force in nearly every creative endeavor-now he turns his attention to politics. In recent years, David Mamet realized that the so-called mainstream media outlets he relied on were irredeemably biased, peddling a hypocritical and deeply flawed worldview. In 2008 Mamet wrote a hugely controversial op-ed for the Village Voice, "Why I Am No Longer a 'Brain-Dead Liberal'", in which he methodically attacked liberal beliefs, eviscerating them as efficiently as he did Method acting in his bestselling book True and False. Now Mamet employs his trademark intellectual force and vigor to take on all the key political issues of our times, from religion to political correctness to global warming. The legendary playwright, author, director, and filmmaker pulls no punches in his art or in his politics. And as a former liberal who woke up, Mamet will win over an entirely new audience of others who have grown irate over America's current direction.
FBI agent Ford "Mac" MacDougal is recovering from injuries he received in a terrorist car bombing when his sister, Jilly, a medical researcher, drives her Porsche off an Oregon cliff - on purpose, it seems. Curiously, even though he was in a hospital bed on the other side of the country, Mac feels as if he were in the car with her as she sails towards the sea. By the time Mac arrives in Portland, Jilly has come out of the coma she's been in for four days. But after only a few hours with her brother, she vanishes without a trace. In searching for her, Mac hears a different story from everyone he encounters. When the local sheriff enlist his aid in the puzzling murder of an elderly resident, Mac doesn't suspect that the case connects to his sister's disappearance. FBI agents Lace Sherlock and Dillon Savich (last seen in The Target) join Mac to ride shotgun. Not knowing whom to trust and whom to suspect, they must escape relentless pursuers before unearthing the tentacles of evil undermining The Edge.
Alfred Hitchcock rigorously controlled his public image, drawing certain carefully selected childhood anecdotes into full focus and blurring out all others. In this gripping short biography, Peter Ackroyd wrests the director’s chair back from the master of control to reveal a lugubriously jolly man fond of practical jokes, who smashed a once-used tea cup every morning to remind himself of the frailty of life. Iconic film stars make cameo appearances throughout Hitchcock’s story, just as the director did in his own films: Grace Kelly, Cary Grant, James Stewart and, perhaps most famously of all, Tippi Hedren, who endures cuts and bruises from a fearsome flock of real birds. Perceptive and intelligent, Alfred Hitchcock is a fascinating look at one of the most revered directors of the twentieth century.
Written for working and aspiring filmmakers, directors, producers and screenwriters, The Marketing Edge for Filmmakers walks through every stage of the marketing process - from concept to post-production - and illustrates how creative decisions at each stage will impact the marketability of a film. In this book, marketing experts Schwartz and MacDonald welcome you behind the curtain into the inner workings of Marketing department at both the studios and independents. They also track films of different budgets (studio, genre, independent and documentary) through the marketing process, examining how each discipline will approach your film. Featuring interviews with both marketers and filmmakers throughout, an extensive glossary and end-of-chapter exercises, The Marketing Edge for Filmmakers offers a unique introduction to film marketing and a practical guide for understanding the impact of marketing on your film.