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Dante is unequalled among poets in conveying an extraordinary intensity of thought and experience, but this very power may make his work seem formidable to approach. Charles Williams's Figure of Beatriceis outstanding amongst Dante scholarship and criticism for the sympathetic enthusiasm and clarity with which he eases that approach without simplifying the achievement in a highly personal introduction to Dante's work. The first half of the book traces the way in which the central image of Beatrice, representing transcendent beauty in feminine form, animates Dante's earlier works. The second half richly expounds The Divine Comedy, meditating on its significance in Dantesque terms. Williams foreshadows the valuable modern emphasis on Dante as philosopher-poet; he also touches on many later concerns in Dante criticism, including ambiguities of language, the inherent self-contradiction of all powerful discourse, and the place of the feminine. The Figure of Beatrice is also a moving and poetic work in its own rightCHARLES WILLIAMS(1886-1945) is known to many as a prolific and unusual playwright, novelist and critic; his poetic works include Taliessin through Logres' and The Region of the Summer Stars'.
BONUS: This edition contains a Beatrice and Virgil discussion guide. When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkey—named Beatrice and Virgil—and the epic journey they undertake together. With all the spirit and originality that made Life of Pi so beloved, this brilliant new novel takes the reader on a haunting odyssey. On the way Martel asks profound questions about life and art, truth and deception, responsibility and complicity.
Mysteries abound in this exciting race through Rome! Beatrice Archer may love history, and Rome may be chock-full of it, but that doesn’t mean she wants to move there! Too bad Beatrice’s father got a job as the head of the history department at the American Academy in Rome—now, Beatrice has no choice but to get used to the idea. When she arrives in Rome she explores her new city as much as she can, but it isn’t until she hears talk of a strange neighborhood legend that Beatrice perks up. A centuries-old unsolved mystery about the beautiful turtle fountain outside her window? Sounds like fun! Before Beatrice has a chance to explore, though, she sees a dark figure emerge from the shadows of the square in the middle of the night—and steal the famous turtle sculptures that give the fountain its name. When no one believes her story, Beatrice knows that it’s up to her to solve the crime and restore the turtles to their rightful place. With the help of her new friend Marco, she navigates a world of unscrupulous ambassadors, tricky tutors, and international art thieves to unravel one of Roman history’s greatest dramas—before another priceless work of art is stolen.
Romantic theology is where an ordinary relationship between two people can become one that is extraordinary, one that grants them glimpses, visions of perfection. In experiencing romantic love, we experience God, according Charles Williams, one of the finest and most unusual theologians of the 20th century.
Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.
Presents a collection of correspondence between Lemony Snicket and the mysterious Beatrice.
The short-lived but remarkable correspondence presented in Letters to Lalage took place toward the end of Charles Williams' life. Louis Lang-Sims was not the first young woman to seek his help or to fall beneath his spell. When she wrote to him in September 1943 Williams had already had numerous admirers, pupils, and disciples who looked to him for counsel, for advice, and most especially, for encouragement. His affinity with Louis Lang-Sims was not surprising. Some thirty years younger than he was, she was in due course herself to become a forceful and individual writer whose literary output, though relatively small, was almost as varied as Williams' own. In Lois Lang-Sims' writings, as in those of Charles Williams, a variety of literary forms embody a singleness of imaginative vision. But at the time of their first meeting she was only twenty-six years old and, according to her autobiographical a Time to be Born, in a state of great mental and emotional confusion. Now, nearly fifty years later, she presents the letters Williams wrote to her, together with her own comments on a relationship that was to come to such an abrupt, and in some respects disturbing, end. The intense demands of Williams' mental and imaginative life did not permit him to be readily or relaxingly gregarious, though in whatever company he happened to be, for example as part of the Inklings group at Oxford, he was a powerful presence. Letters to Lalage enables us to study his involvement in one particular relationship with one particular person. As such they form an invaluable supplement to the more general accounts of Williams' life supplied by his biographers. As a writer Williams blends to a remarkable degree those seemingly contradictory characteristics of impersonality and mannered idiosyncrasy which were features of his daily bearing. We see here something of the hypnotic quality of Charles Williams' character and may obtain from it a deep if glancing insight into his extremely vulnerable humanity. At times a painful document, Letters to Lalage is of the greatest value in illuminating some of the more troubled aspects of a Christian writer and teacher who, more convincingly than most, could evoke the nature of joy--and who could induce joy in other people, however precariously he may have been aware of it himself. Most especially this book gives one an insight into the price Charles Williams paid (and unwittingly exacted) for his particular gifts and vision.
'The Theology of Romantic Love' is the first comprehensive presentation of the thought of one of the most gifted novelists and original theologians of the twentieth century. Drawing together the recurrent themes and proving insights scattered through his many books, Mrs. Shideler sets forth with clarity and understanding Williams' versatile use of imagery, his key ideas, his revaluation of basic Christian doctrines, and his approach to personal and social ethics. Readers will find in these pages a vivid new appreciation of the experience of love in the life of faith.
One of the most ambitious essays in the interpretation of Dante our time has seen...his interpretation of the role of Beatrice is a subtle and individual one. Charles Williams was one of the finest-not to mention one of the most unusual-theologians of the twentieth century. His mysticism is palpable-the unseen world interpenetrates ours at every point, and spiritual exchange occurs all the time, unseen and largely unlooked for. His novels are legend, and as a member of the Inklings, he contributed to the mythopoetic revival in contemporary culture.