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The stories in this collection were written mostly between 1888 and 1897, a time when Henry James’s writing was concerned with the art of fiction and the position of the artist in society. The motif and title story, ‘The Figure in the Carpet’, is an inspired joke, a masterpiece of double-entendre that demands the reader’s undivided love and attention and continues to baffle its critics. Also included are ‘The Author of Beltraffio’, an absorbing story of family infighting, authorship and tragedy, and ‘The Private Life’, a spirited tale that considers the contrast between the artist alone and at work. While many of these stories appear to be elaborate Jamesian games, all employ irony and humour to allegorize artistic creation.
Enwrapped in indescribable mysteriousness, ‘The Figure in the Carpet’ (1896) is a short story by the American-born British writer Henry James. It explores the meaning of art and how it is found in what other people see. Hugh Vereker is a famous author who says the secret to his greatness and skill is hidden in his works ‘like a complex figure in a Persian carpet’. When the narrator of the story meets Vereker, he becomes obsessed with discovering the secret meaning of his favourite author's works. Those who enjoy Henry James' short story will likely find ́Eureka ́ by Anthony Quinn interesting as The Figure is an important part of the plot. Henry James (1843-1916) was an American-born, British author, and one of the founders of the school of realism in fiction. His inventive use of interior monologues and unreliable narrators, brought a complexity and depth to his work that made him hugely popular. A prolific writer, he published numerous novels, articles, travel books, biographies and plays. Many of his stories have been adapted for TV and film, such as ‘What Maisie Knew’ (2012) starring Steve Coogan and Julianne Moore. However, it is his celebrated Gothic novella ‘The Turn of the Screw’ (1898), regarded as one of the greatest ghost stories ever written, that has been adapted more than any other. Most recently, the eponymous 2009 BBC TV series starring Michelle Dockery, and the Netflix series, ‘The Haunting of Bly Manor’ (2020). James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.
The governess of two enigmatic children fears their souls are in danger from the ghosts of the previous governess and her sinister lover.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Often regarded as one of the most important literary figures of his era, American-born author Henry James possessed a unique knack for describing the idiosyncrasies of dysfunctional families. The Ambient family at the center of the novella The Author of Beltraffio ranks among his most compelling creations. The patriarch Mark Ambient is an acclaimed novelist whose wife strongly disapproves of his work. Will this discordance bring the family to its knees?
Five British children discover in their new carpet an egg, which hatches into a phoenix that takes them on a series of fantastic adventures around the world.
Using insights from feminist studies, men's studies, and gay and queer studies, Leland Person examines Henry James's subversion of male identity and the challenges he poses to conventional constructs of heterosexual masculinity. Sexual and gender categories proliferated in the nineteenth and early twentieth centuries, and Person argues that James exploited the taxonomic confusion of the times to experiment with alternative sexual and gender identities. In contrast to scholars who have tried to give a single label to James's sexuality, Person argues that establishing James's gender and sexual identity is less important than examining the novelist's shaping of male characters and his richly metaphorical language as an experiment in gender and sexual theorizing. Just as an author's creations can be animated by his or her own sexuality, Person contends, James's sexuality may be most usefully understood as something primarily aesthetic and textual. As Person shows in chapters devoted to some of this author's best-known novels—Roderick Hudson, The American, The Portrait of a Lady, The Bostonians, The Ambassadors, The Golden Bowl—James conducts a series of experiments in gender/sexual construction and deconstruction. He delights in positioning his male characters so that their gender and sexual orientations are reversed, ambiguous, and even multiple. Ultimately, he keeps male identity in suspense by pluralizing male subjectivity.
A never-before-translated collection by the bestselling author of Suite Française Written between 1934 and 1942, these ten gem-like stories mine the same terrain of Némirovsky's bestselling novel Suite Française: a keen eye for the details of social class; the tensions between mothers and daughters, husbands and wives; the manners and mannerisms of the French bourgeoisie; questions of religion and personal identity. Moving from the drawing rooms of pre-war Paris to the lives of men and women in wartime France, here we find the beautiful work of a writer at the height of her tragically short career.
As well as 'The Aspern Papers', this selection includes 'The Death of the Lion', 'The Figure in the Carpet', and 'The Birthplace'. All four stories concern the figure of the artist and the cult of celebrity. This new edition includes extracts from James's Prefaces and Notebooks that shed light on the genesis of the stories.