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Lacy Lockington is “one thoroughly bewildered six-foot-one, 205-pound, 48-year-old ex-police detective with the damnedest case of snakebite he’d ever heard of.” He cruises the lower depths of Chicago in his weathered Pontiac, seeking some comfort from healthy dollops of Martell’s and from Edna Garson, the part-time cashier at Easheski’s Liquor Emporium. Lockington is entitled to a mild case of paranoia: he’s still trying to make sense of the knifing-murder of his true girlfriend, Julie Masters, when in the space of about a week, he tangles with four viscious miscreants and shoots them dead_pretty much in self defense. Stella Starbright, hard-hitting columnist for the Morning Sentinel, takes vigorous exception to Lockington’s action_in bold print. Then she walks into his life in person. “She was five-six or so, dark-haired, dark-eyed, and cuter than a termite’s night shirt...” Like that. Erika Elwood, nom de plume, Stella Starbright. Despite taking him to task, she presents the possibility of pleasant distraction for Lockington_until some of the other ladies who have written the column start turning up dead, and Lockington is quickly considered numero uno suspect... “Spencer’s Chicago crime novels [are] rather like Chandler filtered through Perelman.” —Booklist “Spencer delivers an earthy, hard-to-put-down yarn... combines humor and suspense until the last page.” —Sacramento Union Ross H. Spencer was born in Hughart, West Virginia and raised in Youngstown, Ohio. During World War II, he served with the 37th Infantry Division on New Georgia, on Bougainville, and in the Philippines. Following the war, he moved to Chicago to be near the Chicago Cubs, the ball club of his choice since 1932. He served again, this time with the Air Force during the Korean Emergency or “whatever it was.” Ross H. Spencer was the father of three wonderful daughters and the proud husband of Shirley, “the most beautiful lady on earth.” In 1987, he returned to Youngstown, Ohio, where he spent the remaining 11 years of his life.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
In this compelling, intimate, and artfully told story, readers will experience the crushing impact of psychological, physical, sexual, and spiritual abuse, the burning desire to transcend the family script, and the gritty determination to succeed.
One of the most popular and useful books on screenwriting, now greatly expanded and completely updated. This edition includes a list of resources and contains approximately 100 new entries.
The volume contains a critical review of data, results and open problems concerning the principal Greek and Coptic majuscule bookhands, based on previous research of the author, revised and updated to offer an overview of the different graphic phenomena. Although the various chapters address the history of different types of scripts (i.e. biblical majuscule, sloping poitend majuscule, liturgical majuscule, epigraphic and monumental scripts), their juxtaposition allows us to identify common issues of the comparative method of palaeography. From an overall critical assessment of these aspects the impossibility of applying a unique historical paradigm to interpret the formal expressions and the history of the different bookhands comes up, due to the fact that each script follows different paths. Particular attention is also devoted to the use of Greek majuscules in the writing of ancient Christian books. A modern and critical awareness of palaeographic method may help to place the individual witnesses in the context of the main graphic trends, in the social and cultural environments in which they developed, and in a more accurate chronological framework.