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Cognitive science has reached a peak in the past few decades. This science conceives of mental life as consisting of bundles of information that can be quantified and digitally transmitted: a revolution in the history of humanity. However, an innovation also brings with it new problems. Whether (and how) present-day philosophy will come to terms with the rapid progress of cognitive science depends on our ability to reflect on the intersection of the two disciplines. In this book, the "Between" is an interactive zone of intermediating different ways of thinking, systems, and disciplines.
Are you highly sensitive? Empathetic? Empathic? An empath? The Space in Between captures the essence of what it means to live as an empath—and demonstrates how an ordinary person can open up to living an extraordinary life. Longtime spiritual counselor and seasoned guide Signe Myers Hovem takes readers on a journey through her life, demystifying empathic receptivity and revealing that it is not a “gift” or “power” but a feature of one’s sensory perception and intuition, an ability that allows us to live in extended communication with nature and humanity. She elucidates the difference between having empathic traits and sensitivities and actually having the skills and abilities of an empath. And she explores the five different landscapes and fields of consciousness that provided her with insight and movement as she traveled her own path of discovery—Field of Reflection, Field of Definition, Field of Sensing, Field of Awareness and Experience, and Field of Mystery—helping readers to dismantle long-held beliefs, illuminating the intentional path towards balance and belonging, and encouraging us all to rediscover what it means to live a truly authentic life. Written for persons who identify as highly sensitive, as empathic, or as empaths, The Space in Between is a road map to cultivating both self-awareness and connectivity with the greater world.
Scholars and artists revisit a hugely influential essay by Rosalind Krauss and map the interactions between art and architecture over the last thirty-five years. Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art's transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. Krauss tried to clarify what these art practices were, what they were not, and what they could become if logically combined. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss's hugely influential text and maps the ensuing interactions between art and architecture. Responding to Krauss and revisiting the milieu from which her text emerged, artists, architects, and art historians of different generations offer their perspectives on the legacy of “Sculpture in the Expanded Field.” Krauss herself takes part in a roundtable discussion (moderated by Hal Foster). A selection of historical documents, including Krauss's essay, presented as it appeared in October, accompany the main text. Neither eulogy nor hagiography, Retracing the Expanded Field documents the groundbreaking nature of Krauss's authoritative text and reveals the complex interchanges between art and architecture that increasingly shape both fields. Contributors Stan Allen, George Baker, Yve-Alain Bois, Benjamin Buchloh, Beatriz Colomina, Penelope Curtis, Sam Durant, Edward Eigen, Kurt W. Forster, Hal Foster, Kenneth Frampton, Branden W. Joseph, Rosalind Krauss, Miwon Kwon, Sylvia Lavin, Sandro Marpillero, Josiah McElheny, Eve Meltzer, Michael Meredith, Mary Miss, Sarah Oppenheimer, Matthew Ritchie, Julia Robinson, Joe Scanlan, Emily Eliza Scott, Irene Small, Philip Ursprung, Anthony Vidler
Part I: Introduction Part II: Aspects of competitive neutrality Part III: Options for implementation based on national practices
Modern technology is rapidly developing and for this reason future engineers need to acquire advanced knowledge in science and technology, including electromagnetic phenomena. This book is a contemporary text of a one-semester course for junior electrical engineering students. It covers a broad spectrum of electromagnetic phenomena such as, surface waves, plasmas, photonic crystals, negative refraction as well as related materials including superconductors. In addition, the text brings together electromagnetism and optics as the majority of texts discuss electromagnetism disconnected from optics. In contrast, in this book both are discussed. Seven labs have been developed to accompany the material of the book.
“A visually striking, enlightening picture-book biography.” —Booklist (starred review) “An absolutely indispensable illustrated biography.” —School Library Journal (starred review) “A well-sourced, stirringly told account of an artist.” —Publishers Weekly (starred review) “For sports fans and budding artists alike...a well-told, artfully illustrated story.” —Kirkus Reviews (starred review) A 2019 Orbis Pictus Book Award Winner * An ALA-ALSC Notable Children’s Book * A SCBWI Golden Kite Honor Book Award * A Booklist Top 10 Biographies for Youth * A Booklist Top 10 Art Books for Youth * A New York Public Library (NYPL) Best Book for Kids * A Chicago Public Library Best of the Best Book Discover the remarkable true story of NFL star Ernie Barnes—a boy who followed his dreams and became one of the most influential artists of his generation—with this beautiful and fascinating nonfiction picture book illustrated by four-time Caldecott Honor recipient Bryan Collier. “An artist paints his own reality.” —Ernie Barnes Ernie Barnes was an NFL football player who longed to make art. Finally his dream came true. When Ernie Barnes was growing up in North Carolina in the 1940s, he loved to draw. Even when he played as a boy with his friends he drew with a stick in the mud. And he never left home without a sketchbook. He would draw families walking home from church, or the old man on the sofa. He drew what he saw. But in the segregated south, Ernie didn’t know how to make a living as an artist. Ernie grew tall and athletic and became a football star. Soon enough the colleges came calling. Still, in his heart Ernie longed to paint. Would that day ever come? Ernie Barnes was one of the most important artists of his time known for his style of elongation and movement. His work has influenced a generation of painters and illustrators and can be found in museums and collections, such as the African American Museum in Philadelphia and the California African American Museum. Between the Lines is a story of inspiration, spirit, and of an American original who pursued his dream. This enchanting picture book includes pieces of artwork created by this little known artist who captured the truth and beauty of the world he saw around him.