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The Fictional Art Of Arun Joshi: An Existential Perspective Examines The Achievements Of Arun Joshi As A Novelist From A New Perspective. Divided In Six Chapters Followed By Overall Evaluation, It Analyses The Entire Corpus Of Arun Joshi S Novels And Demonstrates That There Is A Pattern In His Works. The Innate Urge To Determine Life S Meaning In Positive Terms Leads Joshi S Protagonists To Wage An Incessant War Against Challenging Situations. The Author S Capacity Of Critical Judgment Is Reflected In The Analysis Of Novels. He Derives Conclusions In A Convincing Manner And The Organisation Of Critical Material Is Remarkable. The Five Substantive Chapters Devoted To Arun Joshi S Five Novels Have Been Indigenously Designed In Such A Way That The Arguments Are Corroborated By Textual Citations. The Endeavour Is Commendable For The Reason That It Strives To Undo The Injustice Done To One Of The Most Distinguished Indian English Novelists. Joshi Stands In The Line Of Raja Rao And R.K. Narayan For His Perspicuity And Perception That Are Discerningly Indian. It Also Presents The Socio-Economic And Cultural Background Leading To The Literary Milieu Of The Period To Which Joshi Belongs And There Is No Doubt That It Will Make A Valuable Book In Terms Of Its Contribution To The Field Of Scholarship Pertaining To Arun Joshi.
The Strange Case of Billy Biswas is a compellingly thought provoking novel. A novel in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders. The protagonist, Billy Biswas, is a man of extraordinary passions. He has everything going for him — education, wealth, status, travel, and a loving wife. Yet his inner world is rocked by a groundswell of discontent. He is consumed by a restlessness which grows steadily... Characterised by great elan and sophistication, the narrative unfolds in quick succession, and would be hard to believe were it not related in such a matter of fact, down to earth manner. 'In Joshi's hands we are swept into the unknown...' — The Times Literary Supplement, London
The Foreigner is a story of a young man who is detached, almost alienated — a man who sees himself as a stranger wherever he lives or goes — in Kenya, where he is born, in England and USA where he is a student and in India where he finally settles down. His detachment transcends barriers of geography, nationality and culture. It propels him from one crisis to another, sucking in the wake several other people, including June, an attractive American with whom he has a short lived but passionate affair. The transitoriness associated with the word 'foreigner' permeates the novel and is handled with remarkable maturity reminding the reader of epoch-making The Outsider by Albert Camus. The protagonist's anguish at the meaninglessness of the human condition and the eventual release from the anxieties of life through karmayoga, the principle of action without attachment, add to the aesthetics of the work.
Arun Joshi, 1939-1993, Indo-English novelist.
The City and The River is a political fable. Using an artistically satisfying combination of fantasy, prophecy, and a startlingly real vision of everyday politics, this novel is truly a parable of the times. The City is all cities. The River is the mother of cities. The Grand Master rules the city by the river and is determined to become its unchallenged King. Things move smoothly in this earthly Eden, till a strange prophecy is made by the palace astrologer. The learned man predicts the crowning of a new King in place of the Grand Master… With quiet humour and characteristic skill, Joshi plots the path of intrigue and corruption in high places. The Grandmaster is surrounded by a coterie of fawning councillors, whose sole aim is to remain in limelight and improve their hierarchical standing. The politics in the novel has unmistakable echoes of the Emergency period of 1974-75; acquisition of unlimited powers, presence of self-seeking sycophants, shadow of an heir apparent, and loss of individual freedom pose significant questions about identity, commitment and faith in a hostile society. The story is narrated in easy flowing prose blending political satire with philosophical and spiritual dimensions.
The Apprentice is a novel totally different in tone from all other novels and writings of Arun Joshi. The protagonist, Ratan Rathor, represents the quintessence Everyman — a contrast to other protagonists in so far as his intellectual level is much lower. An unsophisticated youth, jobless, he comes to the city in search of a career; unscrupulous and ready to prostitute himself for professional advancement. Seduced by materialistic values, he takes a bribe to clear a large lot of defective weapons. As a consequence, a brigadier, who is also his friend, has to desert his post and, to escape ignominy, commit suicide. A penitent Rathor, avoids confessing his guilt, but, tries to achieve redemption by cleaning the shoes of devotees, every morning, at a temple.
The Present Book Is An Addition To The Study Of Arun Joshi S Novels In The Context Of The Theme Of The Crisis Of Identity In The Post-Modern World In The Wake Of Colonial Hangover, Economic Depression, Psychological Split-Up As Well As Existential Angst And Freedom Of Choice. The Major Characters In Joshi S Novels Find Themselves In A Predicament From Which They Find It Difficult To Get Disentangled. The One World Is Dead And The Other Powerless To Be Born. The Worldly Affluence Is Not Enough. The Escape From The Outer World To The Inner Keeps One Engaged. Bred On The Western Literary And Philosophical Obsession In Camus, Sartre, Malamud, And Other American Novelists, Joshi Finds It A Fashionable Craze To Write About The Crisis Of Identity Almost In The Same Vein In Which The Seventeenth Century English Authors Posed To Be Melancholy.
Arun Joshi S Fictional World Is Most Strange. Peeling The Multiple Layers Of Artificiality, His Protagonists Seek To Confront The Mystery Of Life Beyond The Last Labyrinth. His Work Represents A Unique Depiction Of The Dual Between The Internal And The External, The Intuitive And The Imposed. He Catches The Bewilderment Of The Individual Psyche, Confronted With The Overbearing Socio-Cultural Environment And The Ever-Beckoning Modern Promise Of Self-Gratification/Self-Fulfilment. In The Face Of This Dual Onslaught His Protagonists Ratan, Billy Biswas, Som, Sindi Oberoi And Others Are Seen Poised Tantalizingly At Different Junctures Of The Philosophic Spectrum.Applying Sociological, Psycho-Analytic, Structural And Other Approaches Of Formal Textual Analysis, The Essays In The Present Anthology Take A Fresh Look At Arun Joshi'S Works, Revealing Areas And Stances, Hitherto Left Unexplored, Offer Critical Insights Into The Working Of The Protagonists' Minds, Besides Scrutinizing The Rhetorical Devices And Formal Strategies, Deployed By The Novelist For Coalescing The Matter With The Manner.An Indispensable Source-Book For Students, Researchers And Teachers Of Indian English And Commonwealth Literature In General And Arun Joshi In Particular.An Insightful And Thought-Provoking Casebook For Researchers In Philosophy, Psychology And Sociology.
This Book Attempts To Establish That A Search For One S Self In Indian English Fiction Distinctively Enough, Culminates In An Identification Of Individual Self With The Absolute. Three Novelists Aran Joshi, Raja Rao And Sudhin N. Ghose Who Are Considered To Be Representing Three Un¬Related Concerns Come In For Analysis. It Is Interesting To See How These Three Richly Complex Novelists Opt For A Climactic Non-Dualist Metaphysics, So Much So, That Their Protagonists In Their Autological Best Congregate To Proclaim Not Hosanna But Tat Tvam Asi, That Art Thou.