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A Gothic tale in the manner of the Marquis de Sade and Octave Mirbeau's Torture Garden. It was originally published anonymously in Paris in 1953. When the unnamed narrator crosses the causeway to the Chateau of Gamehuche, he enters a surrealist nightmare of debauchery and violence. The proceedings at the chateau are presided over by the master of Gamehuche, M. de Montcul, formerly the English diplomat, Sir Horatio Mountarse. With a cast of willing and not-so-willing acolytes, he serves up an over-refined cuisine of obscenity, sexual perversion and unspeakable cruelty. The book could be described as a dispatch written from the frontiers of depravity. J. Fletcher's translation is the first English version of Pieyre de Mandiargues disturbing cult classic.
Novelist, Poet, critic, and writer of short stories, Andre Pieyre de Mandiargues has won considerable praise in France for his highly imaginative work and exquisite poetic style. His 1967 novel La Marge won the Prix Goncourt. Following an introductory biographical chapter in this first full-length critical study of Mandiargues, David bond discusses Mandiargues’s novels and a selection of short stories, finding recurring thematic patterns in his haunting and magical dream world. Bond maintains that the French writer uses fantasy, symbolic statement, and mythical and frankly erotic motifs to explore some of the oldest, most persistent human preoccupation-time, destiny, the beyond, salvation, love-themes that for him defy logical expression. Bond concludes with a discussion of Mandiargues's relationship to other contemporary writers and especially to the surrealists. Bibliography, notes, and index are included, along with a rare painting of Mandiargues by his wife, Bona.
Henri Cartier-Bresson is one of this century's leading photographers. His earliest images are of Europe in the 1930s and '40s. Here is a magnificent compilation of the world-renowned photographer's work that truly captures his famous "decisive moments" through people and places rich in beauty as well as turmoil.
Translated from the Greek by Brian Sneeden. For the first time in English--a volume of poems by one of Greece's foremost poetic voices. Phoebe Giannisi's Homerica offers a contemporary Odyssey of loss, longing, motherhood, and metamorphosis, re-weaving classical mythology with modern experience. Yet the mythic characters and scenes never feel otherworldly--rather, they appear alongside the tugboat, the bicycle, the television, and the helicopter. Brian Sneeden's masterful translation captures the Delphic rhythms of Giannisi's oracular poems, which rarely travel in a straight line but rather glide across multiple threads of time, like a look interweaving strands of the mythological past. "Giannisi's poetry is a wonderful combination of the classical and the underground avant-garde. Trained both in architecture and Ancient Greek, her poems tackle the problem of how to inhabit the spaces we live in--from the abandoned lot and the swimming pool to the page of the book. What a pleasure to have the full Homerica series in Brian Sneeden's lyrical translation."--Karen Van Dyck "Sneeden is a meticulous translator and a poet in his own right. He brings Phoebe Giannisi's work to life with immediacy and conviction."--Edmund Keeley "Phoebe Giannisi's poetry collection Homerica is a reinvention of Greek lyric verse and its language."--Shon Arieh-Lerer, World Literature Today "[An] unusually excellent translation." -- Anne Carson, The Paris Review Literary Nonfiction. Film. "A nuanced, clear set of poems that seamlessly articulate homeward journeys--wherever one's home may be."--Kirkus Reviews Poetry. Women's Studies. Greek Studies.
The candid and heartbreakingly honest memoir of Sylvia Kristel, the cinema icon of the 1970s who played the lead role in the worldwide sensation erotic Emmanuelle films.
This is the definitive study of US artist Dorothea Tanning (1910-2012), positioning her as one of the most fascinating and significant creative forces to emerge from the 20th century. It provides a framework within which to consider the range and depth of Tanning's work, well beyond the better-known early surrealist works of the 1940s, and makes connections between her life experiences and thematic preoccupations. Extensively illustrated and featuring unpublished material from interviews which the author conducted with the artist between 2000 and 2009, this book will appeal to the general museum-going public as well as academics, students, curators and collectors.