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On Mexico's Day of the Dead, the skeletons rattle and roll in their biggest party ever.
Mexico’s Day of the Dead fascinates U.S readers, whether for its joyful celebration of an unusual tradition or because it simply feels like home. San Vicente lets children join the celebration as they watch the skeletons rock, rattle, and roll those long old bones as they get ready for the biggest event of their social calendar. A short and fun essay, directed toward young readers, will explain this important Mexican holiday. The works of Mexico City artist Luis San Vicente have been exhibited in Mexico, Venezuela, Europe, and the United States. He has won UNESCO’s prestigious NOMA Encouragement Concours Prize for Illustration, and UNESCO honored his work (1997, 1998, and 1999) in their prestigious Youth and Children’s Catalog of Illustrations.
“Traverses Texas, finding evidence of the hard boiled, sultry, and disreputable throughout the state . . . Think of the book as a sort of criminal travelogue.” —Booklist If everything is bigger in Texas, then that includes the boldness of the criminals who call the state home. From large urban centers to the Cajun Gulf coast, there is big money to be made running guns, drugs, and catering to the greedy and disillusioned. Each distinctive region can claim its own special brand of outlaw. In Lone Star Noir, you’ll find stories by James Crumley, Joe R. Lansdale, Claudia Smith, Ito Romo, Luis Alberto Urrea, David Corbett, George Wier, Sarah Cortez, Jesse Sublett, Dean James, Tim Tingle, Milton T. Burton, Lisa Sandlin, Jessica Powers, and Bobby Byrd. “This isn’t J.R. Ewing’s Lone Star State. This is the Texas of chicken shit bingo, Enron scamsters, and a feeling that what happens in Mexico stays in Mexico . . . So what defines Texas noir? Who knows, but you better pray that blood doesn’t stain your belt buckle.” —The Austin Chronicle
From October 31 to November 2, people in Mexico celebrate the festival of el Dia de Los Muertos, the Day of the Dead. This photodocumentary follows Pablo and his family as they prepare to honor the memory of Pablo's grandmother. Ancona's "photographs catch the affirmation of life that fills the Mexican festival arising from both Aztec and Christian customs honoring the dead....Joyful."--Chicago Tribune. "This intriguing book makes an excellent offering during the Halloween season."--School Library Journal. Also available in a Spanish Language edition, Pablo Recuerda.
Funny Bones tells the story of how the amusing calaveras—skeletons performing various everyday or festive activities—came to be. They are the creation of Mexican artist José Guadalupe (Lupe) Posada (1852–1913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico’s Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe’s, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author’s note, bibliography, glossary, and index.
Average suburban middle manager Nathan's life starts to unravel around him as his wife goes baby crazy, his friend wants to climb Everest, and he lends a copy of "Cat's Cradle" to a local teenage girl.
A retelling, in parallel English and Spanish text, of the traditional tale told in the Southwest and in Mexico of how the beautiful Maria became a ghost.
Each October, as the Day of the Dead draws near, Mexican marketsoverflow with decorated breads, fanciful paper cutouts, andwhimsical toy skulls and skeletons. To honor deceased relatives,Mexicans decorate graves and erect home altars. Drawing on a richarray of historical and ethnographic evidence, this volume revealsthe origin and changing character of this celebrated holiday. Itexplores the emergence of the Day of the Dead as a symbol ofMexican and Mexican-American national identity. Skulls to the Living, Bread to the Dead poses a serious challengeto the widespread stereotype of the morbid Mexican, unafraid ofdeath, and obsessed with dying. In fact, the Day of the Dead, asshown here, is a powerful affirmation of life and creativity.Beautifully illustrated, this book is essential for anyoneinterested in Mexican culture, art, and folklore, as well ascontemporary globalization and identity formation.
A true classic with a timeless message! All the other bulls run, jump, and butt their heads together in fights. Ferdinand, on the other hand, would rather sit and smell the flowers. So what will happen when Ferdinand is picked for the bullfights in Madrid? The Story of Ferdinand has inspired, enchanted, and provoked readers ever since it was first published in 1936 for its message of nonviolence and pacifism. In WWII times, Adolf Hitler ordered the book burned in Nazi Germany, while Joseph Stalin, the leader of the Soviet Union, granted it privileged status as the only non-communist children's book allowed in Poland. The preeminent leader of Indian nationalism and civil rights, Mahatma Gandhi—whose nonviolent and pacifistic practices went on to inspire Civil Rights leader Martin Luther King, Jr.—even called it his favorite book. The story was adapted by Walt Disney into a short animated film entitled Ferdinand the Bull in 1938. Ferdinand the Bull won the 1938 Academy Award for Best Short Subject (Cartoons).
A collection of ten classic tales from Northern New Mexico retold in Spanish and English.