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On February 5th, 1946, the Ferguson brothers were concluding a night out celebrating Charles Ferguson's reenlistment in the Army... Charles, wearing his military uniform, walked with his brothers Alphonso, Joseph, and Richard towards the Freeport Bus Terminal to go home. A provisional Freeport police officer named Joseph Romeika stopped the brothers over a disorderly conduct complaint. Words were exchanged, and Officer Romeika killed Charles, Alphonso and shot Joseph within minutes of the initial stop. Following the unarmed shooting, Romeikia was acquitted despite changing stories of eyewitnesses. Discover how the shooting became a catalyst for civil rights efforts and immortalized in a Woody Guthrie protest song.
On February 5th, 1946, the Ferguson brothers were concluding a night out celebrating Charles Ferguson's reenlistment in the Army... Charles, wearing his military uniform, walked with his brothers Alphonso, Joseph, and Richard towards the Freeport Bus Terminal to go home. A provisional Freeport police officer named Joseph Romeika stopped the brothers over a disorderly conduct complaint. Words were exchanged, and Officer Romeika killed Charles, Alphonso and shot Joseph within minutes of the initial stop. Following the unarmed shooting, Romeikia was acquitted despite changing stories of eyewitnesses. strongDiscover how the shooting became a catalyst for civil rights efforts and immortalized in a Woody Guthrie protest song.
By the close of World War II, Long Island had transformed from a rural corridor to a suburban behemoth. The region became a nationally recognized manufacturing and innovation hub for the military and possessed one of the fastest-growing middle-class populations in the country. But behind the manicured lawns and cookie-cutter cape homes, locals were adapting to new Cold War conflicts and facing anxieties of a potential nuclear fallout. Secret nuclear missile sites and classified government laboratories were established on the outskirts of Suffolk County, often among unaware residents. Soviet spy rings traversed across the island, seeking to steal industry secrets and monitor military installations. Author Christopher Verga and veteran journalist Karl Grossman bring to life the often overlooked history of the Cold War era in Nassau and Suffolk Counties.
Lavishly illustrated with previously unseen photographs and illustrations, this book contains stories, essays, letters, diaries, songs and poems by Woodie Guthrie. Through his deeply personal writings, readers will learn of his ongoing campaign to raise world consciousness and of his involvement in the labor and political movements of the '30s, '40s and '50s. Contains 100 illustrations.
A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.
Can serious poetry be funny? Chaucer and Shakespeare would say yes, and so do the authors of these 187 poems that address timeless concerns but that also include comic elements. Beginning with the Beats and the New York School and continuing with both marquee-name poets and newcomers, Seriously Funny ranges from poems that are capsized by their own tomfoolery to those that glow with quiet wit to ones in which a laugh erupts in the midst of terrible darkness. Most of the selections were made in the editors' battered compact car, otherwise known as the Seriously Funny Mobile Unit. During the two years in which Barbara Hamby and David Kirby made their choices, they'd set out with a couple of boxes of books in the back seat, and whoever wasn't driving read to the other. When they found that a poem made both of them think but laugh as well, they earmarked it. Readers will find a true generosity in these poems, an eagerness to share ideas and emotions and also to entertain. The singer Ali Farka Tour said that honey is never good when it's only in one mouth, and the editors of Seriously Funny hope its readers find much to share with others.
LONGLISTED FOR THE 2015 NATIONAL BOOK AWARD NAMED ONE OF THE BEST BOOKS OF 2015 BY THE WASHINGTON POST, TIME, MEN’S JOURNAL, CHICAGO TRIBUNE, KANSAS CITY STAR, BROOKLYN MAGAZINE, NPR, HUFFINGTON POST, THE DAILY BEAST, AND BUZZFEED WINNER OF THE 2015 ERNEST J. GAINES AWARD FOR LITERARY EXCELLENCE LONGLISTED FOR THE 2016 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION NATIONAL BESTSELLER From the PEN/Faulkner finalist and critically acclaimed author of Hold It ’Til It Hurts comes a dark and socially provocative Southern-fried comedy about four UC Berkeley students who stage a dramatic protest during a Civil War reenactment—a fierce, funny, tragic work from a bold new writer. Welcome to Braggsville. The City that Love Built in the Heart of Georgia. Population 712 Born and raised in the heart of old Dixie, D’aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large, hyper-liberal pond. Caught between the prosaic values of his rural hometown and the intellectualized multicultural cosmopolitanism of Berzerkeley, the nineteen-year-old white kid is uncertain about his place until one disastrous party brings him three idiosyncratic best friends: Louis, a “kung-fu comedian" from California; Candice, an earnest do-gooder claiming Native roots from Iowa; and Charlie, an introspective inner-city black teen from Chicago. They dub themselves the “4 Little Indians.” But everything changes in the group’s alternative history class, when D’aron lets slip that his hometown hosts an annual Civil War reenactment, recently rebranded “Patriot Days.” His announcement is met with righteous indignation, and inspires Candice to suggest a “performative intervention” to protest the reenactment. Armed with youthful self-importance, makeshift slave costumes, righteous zeal, and their own misguided ideas about the South, the 4 Little Indians descend on Braggsville. Their journey through backwoods churches, backroom politics, Waffle Houses, and drunken family barbecues is uproarious to start, but will have devastating consequences. With the keen wit of Billy Lynn’s Long Halftime Walk and the deft argot of The Brief Wondrous Life of Oscar Wao, T. Geronimo Johnson has written an astonishing, razor-sharp satire. Using a panoply of styles and tones, from tragicomic to Southern Gothic, he skewers issues of class, race, intellectual and political chauvinism, Obamaism, social media, and much more. A literary coming-of-age novel for a new generation, written with tremendous social insight and a unique, generous heart, Welcome to Braggsville reminds us of the promise and perils of youthful exuberance, while painting an indelible portrait of contemporary America.
Long Island has been in the corridors of almost all major turning points of American history, but Long Island has been overlooked as a battleground of the civil rights movement. Since early colonization by the English settlers in the 17th century, the shadow of slavery has bequeathed a racial caste system that has directly or indirectly been enforced. During World War II, every member of society was asked to participate in ending tyranny within European and Asian borders. Homeward-bound black soldiers expected a societal change in race relations; instead they found the same racial barriers they experienced prior to the war. They were refused homes in developments such as Levittown, denied mortgages, and had their children face limited educational opportunities. Collective efforts from organizations such as Congress of Racial Equality (CORE) and the National Association for the Advancement of Colored People (NAACP) employed civil disobedience as a tactic to fracture racial barriers.