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The culmination of a lifetime's scholarly work, this pioneering study by Sister Prudence Allen traces the concept of woman in relation to man in Western thought from ancient times to the present. Volume I uncovers four general categories of questions asked by philosophers for two thousand years. These are the categories of opposites, of generation, of wisdom, and of virtue. Sister Prudence Allen traces several recurring strands of sexual and gender identity within this period. Ultimately, she shows the paradoxical influence of Aristotle on the question of woman and on a philosophical understanding of sexual coomplemenarity. Supplemented throughout with helpful charts, diagrams, and illustrations, this volume will be an important resource for scholars and students in the fields of women's studies, philosophy, history, theology, literary studies, and political science. In Volume 2, Sister Prudence Allen explores claims about sex and gender identity in the works of over fifty philosophers (both men and women) in the late medieval and early Renaissance periods. Touching on the thought of every philosopher who considered sex or gender identity between A.D. 1250 and 1500, The Concept of Woman provides the analytical categories necessary for situating contemporary discussion of women in relation to men. Adding to the accessibility of this fine discussion are informative illustrations, helpful summary charts, and extracts of original source material (some not previously available in English). In her third and final volume Allen covers the years 1500--2015, continuing her chronological approach to individual authors and also offering systematic arguments to defend certain philosophical positions over against others.
The HarperCollins Spiritual Classics series presents short, accessible introductions to the classic spiritual writers of the West. Abridged from Paulist Press’s distinguished Classics of Western Spirituality series, which boasts the best modern translations available, this new series seeks to find new readers for these dynamic spiritual voices--voices that have changed lives throughout the centuries and still do today. “I saw a great mountain the color of iron, and enthroned on it One of such great glory that it blinded my sight. On each side of him there extended a soft shadow, like a wing of wondrous breadth and length. Before him, at the foot of the mountain, stood an image full of eyes on all sides, in which, because of those eyes, I could discern no human form.”--Hildegard of Bingen (1098-1179) Hildegard of Bingen was widely consulted as an oracle and prophet and wrote prolifically on doctrinal matters, as well as on secular matters like medicine. Scivias, her major religious work, consists of twenty-six visions, which are first set down literally as she saw them, and are then explained exegetically. As a group the visions form a theological summa of Christian doctrine and are famous for their feminine and creative imagery of the divine. This volume is especially significant for feminist historians and theologians. It elucidates the life of medieval women, and is a striking example of a special form of Christian spirituality.
In one series, the original writings of the universally acknowledged teachers of the Catholic, Protestant, Eastern Orthodox, Jewish, and Islamic traditions have been critically selected, translated and introduced by internationally recognized scholars and spiritual leaders.
Surveys the Writing of Hildegard of Bingen. Both Her Visionary and Nonvisionary Works, As Well As Her Music, and Describes the Events and Forces in Her Life That Led to Hildegard Creating a Virtual Library of Publications. The Author Provides a Sketch of Hildegard As a Nun, a Religious Superior, Author, Mystic, and Musician, While Defining the Theological Integration That Occurred During Her Creative Life. Book jacket.
For a woman of the 12th century, Hildegard of Bingen's achievements were so exceptional that posterity has found it hard to take her measure. Hildegard authority Barbara Newman brings together major scholars to present an accurate portrait of the Benedictine nun and her many contributions to 12th-century religious, cultural, and intellectual life. 18 illustrations.
Explores the life and contributions of the 12th century Abbess. Fierro shows the spirituality and context of a woman theologian and mystic. With illustrations.
Published in 1994: The period surveyed in this anthology extends from the eve of Christianity's triumph, in the third century, to the new age of expansion in the fifteenth century, an age marked by the advent of printing pressed, the European discovery of the Caribbean islands, which Columbus called the Indies, the relentless stripping of medieval altars by Church reformists, and perhaps a diminution of female autonomy.
"Royal and saintly women are well-represented here, with the welcome addition of women from the Mediterranean arc...Garland has done a solid job of presenting this book." -- Arthuriana "The Anthology gives a fine sense of the great range of women's writing in the Middle Ages." -- Medium Aevum
Completed in 1173, The Book of Divine Works (Liber Divinorum Operum) is the culmination of the Visionary’s Doctor’s theological project, offered here for the first time in a complete and scholarly English translation. The first part explores the intricate physical and spiritual relationships between the cosmos and the human person, with the famous image of the universal Man standing astride the cosmic spheres. The second part examines the rewards for virtue and the punishments for vice, mapped onto a geography of purgatory, hellmouth, and the road to the heavenly city. At the end of each Hildegard writes extensive commentaries on the Prologue to John’s Gospel (Part 1) and the first chapter of Genesis (Part 2)—the only premodern woman to have done so. Finally, the third part tells the history of salvation, imagined as the City of God standing next to the mountain of God’s foreknowledge, with Divine Love reigning over all.